| Author | Title | Type | |
|---|---|---|---|
| Washington, Michael Spence | Beautiful nightmare: Coltrane, jazz, and American culture | Dissertation | View Record >> |
| Harrelson, John William | Theme and variation, call and response: A critical history of America's music | Dissertation | View Record >> |
| Calhoun, Fraser C. | Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman | Dissertation | View Record >> |
| Smith, Christopher John | “I can show it to you better than I can explain it to you”: Analyzing procedural cues in African-American musical improvisations | Dissertation | View Record >> |
| Chodos, Asher Tobin | The Blues Scale: Historical and Epistemological Considerations | Journal Article | View Record >> |
| Yanina Zhurba | The Role of Blues in Jazz Music | Journal Article | View Record >> |
| Katz, Jonah | Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study | Journal Article | View Record >> |
| Hobson, Vic | "I Figure Singing and Playing Is the Same": Louis Armstrong and Barbershop Harmony | Journal Article | View Record >> |
| Cutting, Court B. | Microtonal Analysis of "Blue Notes" and the Blues Scale | Journal Article | View Record >> |
| Curry, Ben | Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle | Journal Article | View Record >> |
Total: 10 records found matching search query.