| Author | Title | Type | |
|---|---|---|---|
| Aebersold, Jamey | Miles Davis | Audiovisual Material | View Record >> |
| Barrett, Samuel | Kind of Blue and the Economy of Modal Jazz | Journal Article | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bierman, Benjamin | Unlocking the Mysteries of the Second Miles Davis Quintet [Book review of Keith Waters, The Studio Recordings of the Miles Davis Quintet, 1965-68; New York: Oxford University Press, 2011] | Review | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Brofsky, Howard | Miles David and 'My Funny Valentine': The Evolution of a Solo | Journal Article | View Record >> |
| Coolman, Todd F. | The Miles Davis Quintet of the mid-1960s: Synthesis of Improvisational and Compositional Elements | Dissertation | View Record >> |
| DeMotta, David | An Analysis of Herbie Hancock's Accompanying in the Miles Davis Quintet on the 1967 Album No Blues | Dissertation | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Folio, Cynthia | 'The Great Symphonic Theme': Multiple Takes on | Journal Article | View Record >> |
| Graham, Alexander H. | The Living Framework: Miles Davis and the Evolution of American Popular Song | Dissertation | View Record >> |
| Gushee, Lawrence | A Sense Is Possible: Miles Davis and the Semiotics of Improvised Performance | Book Chapter | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Kernfeld, Barry | Adderley, Coltrane, Davis at the Twilight of Bebop: The Search for Melodic Coherence | Dissertation | View Record >> |
| Larson, Steve | Circular Thinking: A Roundtable on 'Blue in Green' and 'Nefertiti' | Conference Proceedings | View Record >> |
| Lindeman, Steve | Miles's 'Stella': A Comparison of the Two Quintets | Journal Article | View Record >> |
| Martin, Henry | The Nature of Recomposition: Miles Davis and 'Stella by Starlight' | Journal Article | View Record >> |
| Martin, Henry | Jeff Sultanof's Miles Davis, Birth of the Cool: Scores from the Original Parts | Review | View Record >> |
| Nisenson, Eric | The Making of Kind of Blue: Miles Davis and His Masterpiece | Book | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Perlman, Alan M. | Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure | Book Chapter | View Record >> |
| Perry, J. C. | A Comparative Analysis of Selected Piano Solos by Red Garland, Bill Evans, Wynton Kelly, and Herbie Hancock from Their Recordings with the Miles Davis Groups, 1955-1968 | Dissertation | View Record >> |
| Reyman, R. G. | An Analysis of Melodic Improvisational Practices of Miles Davis | Conference Proceedings | View Record >> |
| Sabina, Leslie M. | 'Solar' by Miles Davis: Transcription and Analysis | Journal Article | View Record >> |
| Sagee, Alona | Miles Davis's Improvised Solos in Recordings of 'Walking': 1954-67 | Journal Article | View Record >> |
| Scott, Andrew | Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of 'So What' | Journal Article | View Record >> |
| Stover, Chris | Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965-68 (Oxford University Press, 2011) | Review | View Record >> |
| Sultanof, Jeffrey | The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication | Journal Article | View Record >> |
| Svorinich, Victor | Electric Miles: A Look at the 'In a Silent Way' and ''On the Corner' sessions | Journal Article | View Record >> |
| Terefenko, Dariusz | Review of Miles Davis, Miles Smiles, and the Invention of Post Bop, by Jeremy Yudkin (Indiana University Press, 2008) | Review | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Walser, Robert | Out of Notes: Signification, Interpretation, and the Problem of Miles Davis | Journal Article | View Record >> |
| Waters, Keith | The Studio Recordings of the Miles Davis Quintet, 1965-68 | Book | View Record >> |
| Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
| Waters, Keith | Motivic and Formal Improvisation in the Miles Davis Quintet 1965-1968 | Journal Article | View Record >> |
| Yudkin, Jeremy | Miles Davis, Miles Smiles, and the Invention of Post Bop | Book | View Record >> |
| Miles Davis Birth of the Cool: Scores from the Original Parts | Edited Book | View Record >> | |
| In the Course of Performance: Studies in the World of Musical Improvisation | Edited Book | View Record >> | |
| Balzarano, Jason Patrick | Fusion : jazz, flamenco, and rethinking aesthetic | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Lempert, Benjamin Richard | Up in the Sound: Form and Voice in Jazz and Post-War American Poetry | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Fyffe, Jamie Robert | 'Kind of Blue' and the Signifyin(g) Voice of Miles Davis | Dissertation | View Record >> |
| Smith, Christopher John | “I can show it to you better than I can explain it to you”: Analyzing procedural cues in African-American musical improvisations | Dissertation | View Record >> |
| Smither, Sean R. | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | Journal Article | View Record >> |
| Pinheiro, Ricardo Nuno Futre | Freedom in Music, Freedom in Life: Miles Davis, Stella By Starlight, Harmony, and the Advent of the Second Great Quintet | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Meyers, John Paul | Standards and Signification between Jazz and Fusion: Miles Davis and "I Fall in Love Too Easily," 1963-1970 | Journal Article | View Record >> |
| Frieler, Klaus | Miles Vs. Trane: Computational and Statistical Comparison of the Improvisatory Styles of Miles Davis and John Coltrane | Journal Article | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Michaelsen, Garrett | Groove Topics in Improvised Jazz | Book Chapter | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Plank, Lewis John | New Directions: A Study of How Miles Davis was Able to Continually Reinvent Jazz | Conference Proceedings | View Record >> |
Total: 57 records found matching search query.