| Author | Title | Type | |
|---|---|---|---|
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Charry, Eric | Freedom and Form in Ornette Coleman's Early Atlantic Recordings | Journal Article | View Record >> |
| Cogswell, Michael | Melodic Organization in Two Solos by Ornette Coleman | Journal Article | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Folio, Cynthia | An Analysis of Polyrhythm in Selected Improvised Jazz Solos | Book Chapter | View Record >> |
| Meehan, Norman | After the Melody: Paul Bley and Jazz Piano After Ornette Coleman | Journal Article | View Record >> |
| Porter, Lewis | The 'Blues Connotation' in Ornette Coleman's Music? ?and Some General Thoughts on the Relation of Blues to Jazz | Journal Article | View Record >> |
| Scaturro, Fabrizio | 'Free Jazz' di Ornette Coleman, per un'analisi formale e timbrica | Journal Article | View Record >> |
| Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies | Edited Book | View Record >> | |
| Frink, Nathan A | Dancing in his head: The evolution of Ornette Coleman's music and compositional philosophy | Dissertation | View Record >> |
| Westendorf, Lynette | Analyzing free jazz | Dissertation | View Record >> |
| Calhoun, Fraser C. | Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman | Dissertation | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
Total: 14 records found matching search query.