| Author | Title | Type | |
|---|---|---|---|
| Check, John D. | Compound Melody and Jazz Improvisations: A Reconsideration | Journal Article | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Demsey, David | Chromatic Third Relations in the Music of John Coltrane | Journal Article | View Record >> |
| Gelber, Jesse H. | Bitonality in Jazz of the Twenties and Thirties | Dissertation | View Record >> |
| Gilbert, Steven E. | The Music of Gershwin | Book | View Record >> |
| Gilbert, Steven E. | Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Songs and Jazz | Book Chapter | View Record >> |
| Givan, Benjamin | Django Reinhardt's 'I'll See You in My Dreams' | Journal Article | View Record >> |
| Givan, Benjamin | Swing Improvisation: A Schenkerian Perspective | Journal Article | View Record >> |
| Givan, Benjamin | Discontinuity in the Music of Django Reinhardt | Journal Article | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Heyer, David J. | Vocabulary, Voice Leading, and Motivic Coherence in Chet Baker's Jazz Improvisations | Dissertation | View Record >> |
| Heyer, David J. | Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach | Journal Article | View Record >> |
| Jones-Quartey, Kwatei | 'Parker's Mood' Revisited | Journal Article | View Record >> |
| Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
| Larson, Steve | Analyzing Jazz: A Schenkerian Approach | Book | View Record >> |
| Larson, Steve | Conversations with Monk and Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Integration in Jazz Performance: Concealed Repetition in Oscar Peterson's Performance of Thelonious Monk's '''Round Midnight | Conference Proceedings | View Record >> |
| Larson, Steve | Rhythmic Displacement in the Music of Bill Evans | Book Chapter | View Record >> |
| Larson, Steve | Jazz Recipes | Conference Proceedings | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz | Dissertation | View Record >> |
| Larson, Steve | Swing and Motive in Three Performances by Oscar Peterson | Journal Article | View Record >> |
| Larson, Steve | Composition versus Improvisation? | Journal Article | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Larson, Steve | Reviews of The American Popular Ballad of the Golden Era, 1924-1950, by Allen Forte; The Music of Gershwin, by Steven Gilbert; and Charlie Parker and Thematic Improvisation, by Henry Martin. | Review | View Record >> |
| Larson, Steve | Dave McKenna's Performance of 'Have You Met Miss Jones?' | Journal Article | View Record >> |
| Larson, Steve | Analyzing Jazz 'Strategies': Two Performances by Bill Evans | Conference Proceedings | View Record >> |
| Larson, Steve | The Art of Charlie Parker's Rhetoric | Journal Article | View Record >> |
| Larson, Steve | Triple Play: Bill Evans's Three-Piano Performance of Victor Young's 'Stella by Starlight' | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker and Thematic Improvisation | Book | View Record >> |
| Martin, Henry | Maria Schneider's 'Hang Gliding': Aspects of Structure | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker and 'Honeysuckle Rose': Voice Leading, Formula, and Motive | Journal Article | View Record >> |
| Martin, Henry | Jazz Harmony: A Syntactic Background | Journal Article | View Record >> |
| Martin, Henry | We Remember Clifford: Variation Technique at the Middleground | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | Review | View Record >> |
| Martin, Henry | More Than Just Guidetones: Steve Larson's Analyzing Jazz: A Schenkerian Approach | Review | View Record >> |
| McFarland,Mark | Schenker and the Tonal Jazz Repertory: A Response to Martin | Journal Article | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Priestley, Brian | Charlie Parker and Popular Music | Journal Article | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Dissertation | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Journal Article | View Record >> |
| Strunk, Steven | The Harmony of Early Bop: A Layered Approach | Journal Article | View Record >> |
| Strunk, Steven | Bebop Melodic Lines: Tonal Characteristics | Journal Article | View Record >> |
| Strunk, Steven | Notes on Harmony in Wayne Shorter's Compositions, 1964-67 | Journal Article | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformation of Standard Tunes | Dissertation | View Record >> |
| Terefenko, Dariusz | Review of Analyzing Jazz: A Schenkerian Approach, by Steve Larson (Pendragon Press, 2009) | Review | View Record >> |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Martin, Henry | Expanding Jazz Tonality: The Compositions of John Coltrane | Journal Article | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Dent, Cedric Carl | The harmonic development of the black religious quartet singing tradition | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Pellegrin, Rich | Schekerian versus Salzerian Analysis of Jazz | Book Chapter | View Record >> |
Total: 55 records found matching search query.