Author | Title | Type | |
---|---|---|---|
Coolman, Todd F. | The Miles Davis Quintet of the mid-1960s: Synthesis of Improvisational and Compositional Elements | Dissertation | View Record >> |
Julien, Patricia | The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963 | Dissertation | View Record >> |
Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
Shorter, Wayne | Wayne Shorter Jazz Classics | Edited Book | View Record >> |
Strunk, Steven | Wayne Shorter's 'Yes and No': An Analysis | Journal Article | View Record >> |
Strunk, Steven | Notes on Harmony in Wayne Shorter's Compositions, 1964-67 | Journal Article | View Record >> |
Waters, Keith | The Studio Recordings of the Miles Davis Quintet, 1965-68 | Book | View Record >> |
Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
Total: 13 records found matching search query.