| Author | Title | Type | |
|---|---|---|---|
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Monroy Romero, Juan Manuel | An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz | Dissertation | View Record >> |
| Hong, Seungyoung | The Bassist Is the Quarterback: An Examination of Ron Carter’s Improvised Performance in Different Contexts | Dissertation | View Record >> |
| Lugg, Fiona | Harmonic signification: A study of articulation practices in four unaccompanied jazz double bass solos | Dissertation | View Record >> |
| Parncutt, Richard ; Radovanovic, Lazar | The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards | Journal Article | View Record >> |
| Hobson, Vic | Making the Changes: Countermelodies in the Basslines of George "Pops" Foster and Ed "Montudi" Garland | Journal Article | View Record >> |
| Heyman, Matthias | Composing the Jazz Bass Revolution: Duke Ellington's Writing for the String Bass, 1925-1941 | Journal Article | View Record >> |
| Sergi, Giuseppe | Morphology and poetics of the music of Dave Holland from the 1970s to the 1980s | Journal Article | View Record >> |
| Facey, Mike | Early Proponents of Electric Bass in Mainstream Jazz: An Analysis of Monk Montgomery and Bob Cranshaw | Dissertation | View Record >> |
Total: 10 records found matching search query.