| Author | Title | Type | |
|---|---|---|---|
| Blair, J. J. | Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations | Dissertation | View Record >> |
| Check, John D. | Compound Melody and Jazz Improvisations: A Reconsideration | Journal Article | View Record >> |
| Check, John David | Concepts of Compound Melody in Jazz Improvisation | Dissertation | View Record >> |
| Franklin, Judy | Jazz Melody Generation Using Recurrent Networks and Reinforcement Learning | Journal Article | View Record >> |
| Haywood, Mark S. | The Harmonic Role of Melody in Vertical and Horizontal Jazz | Journal Article | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Larson, Steve | Musical Forces, Melodic Expectation, and Jazz Melody | Journal Article | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Liebman, David | A Chromatic Approach to Jazz Harmony and Melody | Book | View Record >> |
| Ligon, Bert | Jazz Theory Resources: Tonal, Harmonic, Melodic and Rhythmic Organization of Jazz | Book | View Record >> |
| Meehan, Norman | After the Melody: Paul Bley and Jazz Piano After Ornette Coleman | Journal Article | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | The Chord Scale Theory and Jazz Harmony | Book | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Patrick, James S. | Charlie Parker and Harmonic Sources of Bebop Composition: Thoughts on the Repertory of New Jazz in the 1940s | Journal Article | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Towards an Understanding of Scales in Jazz | Journal Article | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Reyman, R. G. | An Analysis of Melodic Improvisational Practices of Miles Davis | Conference Proceedings | View Record >> |
| Ricigliano, Daniel A. | Melody and Harmony in Contemporary Songwriting | Book | View Record >> |
| Ricker, Ramon | The Ramon Ricker Improvisation Series | Book | View Record >> |
| Robbins, James | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody,' by James Kent Williams | Review | View Record >> |
| Tirro, Frank | The Silent Theme Tradition in Jazz | Journal Article | View Record >> |
| Tymoczko, Dmitri | The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz | Journal Article | View Record >> |
| Ulanowsky, Alex | Harmony | Book | View Record >> |
| Wildman, Joan | The Evolution of Bebop Compositional Style: 'Whispering'/'Groovin' High' | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Williams, J. Kent | Oscar Peterson and the Art of Paraphrase | Journal Article | View Record >> |
| Williams, J. Kent | A Method for the Computer-Aided Analysis of Jazz Melody in the Small Dimensions | Journal Article | View Record >> |
| Williams, J. Kent | Hodges at Newport: The Rhetoric of "Jeep's Blues" | Journal Article | View Record >> |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Whitmire, Jonathan | A description of the musical concepts artist-level jazz musicians employ while improvising | Dissertation | View Record >> |
| Stone, Christopher | Technical Efficacy for Violin Improvisation: How Not to Run Out of Fingers | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Norgaard, Martin | How Jazz Musicians Improvise: The Central Role of Auditory and Motor Patterns | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Charyton, Christine ; Holden, John G. ; Jagacinski, Richard J. ; Elliott, John O. | A Historical and Fractal Perspective on the Life and Saxophone Solos of John Coltrane | Journal Article | View Record >> |
| Frieler, Klaus | Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation | Journal Article | View Record >> |
| Daugulis, Ēvaldas | Basic principles of melody harmonization in jazz and classical music: common and different | Journal Article | View Record >> |
| Hedges, Thomas | Predicting the Composer and Style of Jazz Chord Progressions | Journal Article | View Record >> |
| Heyman, Matthias | Composing the Jazz Bass Revolution: Duke Ellington's Writing for the String Bass, 1925-1941 | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Norgaard, Martin | Patterns in Music: How Linguistic Corpus Analysis Tools Can Be Used to Illuminate Central Aspects of Jazz Improvisation | Journal Article | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Baker, David J. ; Shanahan, Daniel | Examining fixed and relative similarity metrics through jazz melodies | Book Chapter | View Record >> |
| Giraldo, Sergio ; Ramírez, Rafael | A machine learning approach to ornamentation modeling and synthesis in jazz guitar | Journal Article | View Record >> |
| Frieler, Klaus | Computational melody analysis | Book Chapter | View Record >> |
| Sergi, Giuseppe | Morphology and poetics of the music of Dave Holland from the 1970s to the 1980s | Journal Article | View Record >> |
| King, Aaron Michael | An Exploration of Cultural Transmission through the Application of Jazz Theory to the Music of Frederic Chopin | Dissertation | View Record >> |
| De Souza, Jonathan | Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving | Journal Article | View Record >> |
| Carmona, Taylor Mar | Melodic conventions through improvisation | Dissertation | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Frieler, Klaus | Constructing Jazz Lines : Taxonomy, Vocabulary, Grammar | Book Chapter | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| Peters, Jason | Classical influences on the jazz styles of Bill Evans, Herbie Hancock, Cecil Taylor, and Dave Brubeck | Dissertation | View Record >> |
| Salley, Keith | Ordered Step Motives in Jazz Standards | Journal Article | View Record >> |
Total: 66 records found matching search query.