| Author | Title | Type | |
|---|---|---|---|
| Benadon, Fernando | Commentary on Matthew W. Butterfield's 'The Power of Anacrusis' | Journal Article | View Record >> |
| Benadon, Fernando | Gridless Beats | Journal Article | View Record >> |
| Birtwistle, Andy | Marking Time and Sounding Difference: Brubeck, Temporality and Modernity | Journal Article | View Record >> |
| Butterfield, Matthew W. | Race and Rhythm: The Social Component of the Swing Groove | Journal Article | View Record >> |
| Butterfield, Matthew W. | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | Journal Article | View Record >> |
| Butterfield, Matthew W. | Response to Fernando Benadon | Journal Article | View Record >> |
| Butterfield, Matthew W. | Participatory Discrepancies and the Perception of Beats in Jazz | Journal Article | View Record >> |
| Collier, Geoffrey L. | Studies of Tempo Using a Double Timing Paradigm | Journal Article | View Record >> |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Williams, J. Kent | Review of Andrew Jaffe, Jazz Theory | Review | View Record >> |
| Love, Stefan | Subliminal Dissonance or 'Consonance'? Two Views of Jazz Meter | Journal Article | View Record >> |
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| Love, Stefan | On Phrase Rhythm in Jazz | Dissertation | View Record >> |
| Guerra, Stephen Paul | Expanded Meter and Hemiola in Baden Powell's Samba-Jazz | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Rinne, Henry Q. | Concepts of time and space in selected works of jazz improvisation and painting | Dissertation | View Record >> |
| Fenlon, Sean Patrick | The exotic rhythms of Don Ellis | Dissertation | View Record >> |
| Brownell, John E. B | Drum set improvisation: Towards a conceptual model | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Levy, Brian | Harmonic and Rhythmic Oppositions in Jazz: The Special Case of John Coltrane and His Classic Quartet | Journal Article | View Record >> |
| Salley, Keith | Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study | Journal Article | View Record >> |
| Guerra, Stephen | Hemiolic Metric Space in Afro-Diasporic Popular Musics | Journal Article | View Record >> |
| Hahn, Joshua W. | Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin's Music | Journal Article | View Record >> |
| Kleinlosen, Adrian | The jazz trombonist Nils Wogram: His compositional and instrumental work | Journal Article | View Record >> |
| Ullmaier, Johannes | Prestissimo ma troppo: A hasty reaction | Journal Article | View Record >> |
| Attas, Robert | Form as Process: The Buildup Introduction in Popular Music | Journal Article | View Record >> |
| Salley, Keith | Review: “Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)” | Review | View Record >> |
| Salley, Keith | Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition | Book Chapter | View Record >> |
Total: 31 records found matching search query.