| Author | Title | Type | |
|---|---|---|---|
| Barrett, Samuel | Kind of Blue and the Economy of Modal Jazz | Journal Article | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Burstein, Chaim | The Power of Altered Pentatonics | Journal Article | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Donahue, Miles | Aural Awareness: Out with the Blues Scale; In with the Mixolydian | Journal Article | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Creating Modal Chords with the Grip Method | Journal Article | View Record >> |
| Monson, Ingrid | Russell, Coltrane, and Modal Jazz | Book Chapter | View Record >> |
| Nisenson, Eric | The Making of Kind of Blue: Miles Davis and His Masterpiece | Book | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Broze, Yuri | Diachronic Changes in Jazz Harmony: A Cognitive Approach | Journal Article | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Greenstein, Jonathan | Astral Fire: A Meditation on Spiritual Jazz as Modeled by Five Saxophone Players, 1969-1979 | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Tiné, Paulo José de Siqueira | Modalism in some Brazilian post-Bossa Nova composers of the 1960s | Journal Article | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Plank, Lewis John | New Directions: A Study of How Miles Davis was Able to Continually Reinvent Jazz | Conference Proceedings | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
Total: 35 records found matching search query.