| Author | Title | Type | |
|---|---|---|---|
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| Saeger, Lauren | An Exploration of Vibrato and Performer Perception in Vocal Jazz Singing | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Lempert, Benjamin Richard | Up in the Sound: Form and Voice in Jazz and Post-War American Poetry | Dissertation | View Record >> |
| Cosper, David James | Interpretation, Narrativity, and Musical Performance | Dissertation | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Dodd, Julian | Upholding Standards: A Realist Ontology of Standard Form Jazz | Journal Article | View Record >> |
| Fisher, John Andrew | Jazz and Musical Works: Hypnotized by the Wrong Model | Journal Article | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Stover, Chris | Improvisation, Deleuze and Guattari, philosophy, performance, temporality | Journal Article | View Record >> |
| Martin, Jodie L. | Writing about music: The selection and arrangement of notation in jazz students’ written texts | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Kane, Brian | Jazz, Mediation, Ontology | Journal Article | View Record >> |
| Frieler, Klaus ; Zaddach, Wolf-Georg | Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Gluck, Bob | Paul Bley and Live Synthesizer Performance | Journal Article | View Record >> |
| Vladimirovich, Pokaz Andrey | Structural Components Of The Modern Jazz Piano Player’s Performing Style | Journal Article | View Record >> |
| Ullmaier, Johannes | Prestissimo ma troppo: A hasty reaction | Journal Article | View Record >> |
| Chiriţă, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
Total: 23 records found matching search query.