| Author | Title | Type | |
|---|---|---|---|
| Beatty, E. B. | Bill Evans: Portrait of his LIfe as a Jazz Pianist and Musical Analyses of His Style | Conference Proceedings | View Record >> |
| Berardinelli, Paula | Bill Evans: His Contributions as a Jazz Pianist and An Analysis of His Musical Style | Dissertation | View Record >> |
| Berlin, Edward A. | Ragtime: A Musical and Cultural History | Book | View Record >> |
| Berlin, Edward A. | Ragtime and Improvised Piano: Another View | Journal Article | View Record >> |
| Blume, G. | Blurred Affinities: Tracing the Influence of North Indian Classical Music in Keith Jarrett's Solo Piano Improvisations | Journal Article | View Record >> |
| Buehrer, Ted | Metric Dissonance in Jazz | Conference Proceedings | View Record >> |
| Busse, Walter Gerard | Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates | Journal Article | View Record >> |
| Crook, Hal | How to Comp | Book | View Record >> |
| Dapogny, James | Jelly Roll Morton and Ragtime | Book Chapter | View Record >> |
| Dobbins, Bill | A Creative Approach to Jazz Piano Harmony | Book | View Record >> |
| Dobbins, Bill | The Contemporary Jazz Pianist | Book | View Record >> |
| Doerschuk, Robert L. | Dick Hyman: Past Tenths & Other Musical Highlights of Jazz Piano History | Journal Article | View Record >> |
| Ellington, Duke | Piano Method for Blues | Book | View Record >> |
| Elsdon, Peter | Style and the Improvised Line in Keith Jarrett's Solo Concerts | Journal Article | View Record >> |
| Elsen, Frans | Jazz Harmony at the Piano: Practical Harmony Method for the Jazz Musician | Book | View Record >> |
| Feinstein, Sascha | Misterioso | Journal Article | View Record >> |
| Feurzeig, David Kahn | Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic | Dissertation | View Record >> |
| Gillis, Frank J. | Hot Rhythm in Piano Ragtime | Book Chapter | View Record >> |
| Haerle, Dan | Jazz Piano Voicing Skills | Book | View Record >> |
| Hasse, John Edward | Ragtime from the Top | Book Chapter | View Record >> |
| Jeckovich, Jeffrey | The Forms and Orchestration of Five Jelly Roll Morton Piano Solos | Journal Article | View Record >> |
| Jungbluth, Axel | Harmonische Analyse (Bill Evans's Very Early: Chromatik als Ubergeordnetes regulativ) | Journal Article | View Record >> |
| Kenny, Barry | Structure in Jazz Improvisation: A Formulaic Analysis of the Improvisations of Bill Evans | Journal Article | View Record >> |
| Larson, Steve | Integration in Jazz Performance: Concealed Repetition in Oscar Peterson's Performance of Thelonious Monk's '''Round Midnight | Conference Proceedings | View Record >> |
| Larson, Steve | Rhythmic Displacement in the Music of Bill Evans | Book Chapter | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz | Dissertation | View Record >> |
| Larson, Steve | Swing and Motive in Three Performances by Oscar Peterson | Journal Article | View Record >> |
| Larson, Steve | Dave McKenna's Performance of 'Have You Met Miss Jones?' | Journal Article | View Record >> |
| Larson, Steve | Analyzing Jazz 'Strategies': Two Performances by Bill Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Triple Play: Bill Evans's Three-Piano Performance of Victor Young's 'Stella by Starlight' | Journal Article | View Record >> |
| Leeuwenberg, Boudewijn | Jazzharmonie aan der Piano by Frans Elsen | Review | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | Jazz Piano Masterclass: The Drop 2 Book | Book | View Record >> |
| Lyons, Len | The Great Jazz Pianists | Book | View Record >> |
| Machlin, Paul | Stride: The Music of Fats Waller | Book | View Record >> |
| Machlin, Paul | Thomas Wright 'Fats' Waller: Performances in Transcription 1927-1943 | Book | View Record >> |
| Martin, Henry | Jazz Pianists of the 1920s and 1930s | Book Chapter | View Record >> |
| Martin, Henry | From Fountain to Furious: Ellington's Development a Stride Pianist | Journal Article | View Record >> |
| McGowan, James J. | Dynamic Consonance in Selected Piano Performances of Tonal Jazz | Dissertation | View Record >> |
| Meehan, Norman | After the Melody: Paul Bley and Jazz Piano After Ornette Coleman | Journal Article | View Record >> |
| Mehegan, John | Swing and Early Progressive Piano Styles | Book | View Record >> |
| Mehegan, John | Contemporary Piano Styles | Book | View Record >> |
| Mehegan, John | Improvising Jazz Piano | Book | View Record >> |
| Moreno, Jairo | Body 'n' Soul?: Voice and Movement in Keith Jarrett's Pianism | Journal Article | View Record >> |
| Morgan, David | Superimposition in the Improvisations of Herbie Hancock | Journal Article | View Record >> |
| Nadeau, Roland | The Grace and Beauty of Classic Rags: Structural Elements in a Distinct Musical Genre | Book Chapter | View Record >> |
| Newberger, Eli H. | The Transition from Ragtime to Improvised Piano Style | Journal Article | View Record >> |
| Newberger, Eli H. | Archetypes and Antecedents of Piano Blues and Boogie Woogie Style | Journal Article | View Record >> |
| Newberger, Eli H. | The Development of New Orleans and Stride Piano Styles | Journal Article | View Record >> |
| Newberger, Eli H. | Refinement of Melody and Accompaniment in the Evolution of Swing Piano Style | Journal Article | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Perrufo, Paolo | Dal ragtime allo stride piano: l'evoluzione di uno stile | Journal Article | View Record >> |
| Perry, J. C. | A Comparative Analysis of Selected Piano Solos by Red Garland, Bill Evans, Wynton Kelly, and Herbie Hancock from Their Recordings with the Miles Davis Groups, 1955-1968 | Dissertation | View Record >> |
| Pressing, Jeff | How to Cultivate an Uneven Touch | Journal Article | View Record >> |
| Riddle, Ronald | Novelty Piano Music | Book Chapter | View Record >> |
| Rinzler, Paul | McCoy Tyner: Style and Syntax | Journal Article | View Record >> |
| Rinzler, Paul | The Quartal and Pentatonic Harmony of McCoy Tyner | Journal Article | View Record >> |
| Schuller, Gunther | Rags, the Classics, and Jazz | Book Chapter | View Record >> |
| Scivales, Riccardo | Harlem Stride Piano Solos | Book | View Record >> |
| Scivales, Riccardo | Non solo 'um-pa': la mano sinistra nello stride piano | Book | View Record >> |
| Scotti, Joseph R. | The Musical Legacy of Joe Lamb | Book Chapter | View Record >> |
| Shim, Eunmi | Lennie Tristano: His Life in Music | Book | View Record >> |
| Smith, Gregory E. | Homer, Gregory, and Bill Evans: The Theory of Formulaic Composition in the Context of Jazz Piano Improvisation | Dissertation | View Record >> |
| Stewart, Milton L. | Earl Hines's 'Trumpet' Piano Style: The Influence of Louis Armstrong | Journal Article | View Record >> |
| Strange, P. M. | Keith Jarrett's Uptempo Jazz Trio Playing: Transcription and Analysis of Performances of 'Just in Time' | Dissertation | View Record >> |
| Taylor, Billy | Billy Taylor's Basic Be-Bop Instruction | Book | View Record >> |
| Taylor, Billy | How to Play Bebop Piano | Book | View Record >> |
| Taylor, Billy | Jazz Piano: History and Development | Book | View Record >> |
| Waterman, Guy | Ragtime | Book Chapter | View Record >> |
| Waterman, Guy | Joplin's Late Rags: An Analysis | Book Chapter | View Record >> |
| Waters, Keith | Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock | Journal Article | View Record >> |
| Wildman, Joan | The Function of the Left Hand in the Evolution of Jazz Piano | Journal Article | View Record >> |
| Williams, J. Kent | Oscar Peterson and the Art of Paraphrase | Journal Article | View Record >> |
| Wilson, Teddy | Teddy Wilson's Advanced Course in Modern Piano Playing | Edited Book | View Record >> |
| Zagalaz, Juan | La metamorfosis de la musica popular americana: el estilo de Teddy Wilson: 1935-1940 | Journal Article | View Record >> |
| Piano jazz | Journal Article | View Record >> | |
| Earl 'Fatha' Hines: Selected Piano Solos 1928-1941 | Edited Book | View Record >> | |
| Oscar Peterson | Journal Article | View Record >> | |
| Ferdinand 'Jelly Roll' Morton: The Collected Piano Music | Edited Book | View Record >> | |
| Scott, William D. | Hybridity and Identity in the Pan-American Jazz Piano Tradition | Dissertation | View Record >> |
| Hall, Jared T. | An analysis of the grip system: An approach to jazz harmony | Dissertation | View Record >> |
| Bartholomew, Zachary Charles | A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms | Dissertation | View Record >> |
| Pino, Cesar | The Crossover Pianist: Jazz Structures, Styles, and Techniques for the Classically Trained Pianist | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Doyle, Frank Vincent | Horace Silver: Transcription and Analysis of Ten Blues Compositions Including the Piano Improvisations 1954–1969 | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Levine, Michelle F. | Copresence and coordination in jazz musicians' collaborative music-making | Dissertation | View Record >> |
| Fiol, Orlando Enrique | Cubaneo in Latin Piano: A Parametric Approach to Gesture, Texture, and Motivic Variation | Dissertation | View Record >> |
| Jones, Andrew Daniel | Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics | Dissertation | View Record >> |
| Duke, Daniel Alan | The Piano Improvisations of Chick Corea: An analytical study | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Keesecker, Jamie | Into the Bends of Time and Musical Forces in Jazz: Group Interaction and Double-time in "My Foolish Heart" as performed by the Bill Evans Trio with Scott LaFaro and Paul Motian | Dissertation | View Record >> |
| Gordon, Josh ; Gridley, Mark C. | Musical Preferences as a Function of Stimulus Complexity of Piano Jazz | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Mawer, Deborah | Performing Improvisation: Bill Evans and Jean-Yves Thibaudet | Book Chapter | View Record >> |
| Vladimirovich, Pokaz Andrey | Structural Components Of The Modern Jazz Piano Player’s Performing Style | Journal Article | View Record >> |
| Lubânaâ, Elena Vladimirovna | The piano jazz techniques in the late 20th and early 21st centuries | Journal Article | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| DeMotta, David Joseph III | The contributions of Earl "Bud" Powell to the modern jazz style | Dissertation | View Record >> |
| Peters, Jason | Classical influences on the jazz styles of Bill Evans, Herbie Hancock, Cecil Taylor, and Dave Brubeck | Dissertation | View Record >> |
| Karača, Igor | Jazz theory: Quartal hamony in jazz music | Journal Article | View Record >> |
| Martin, Henry | Review of Paul S. Machlin’s Thomas Wright “Fats” Waller: Performances in Transcription 1927–1943 | Review | View Record >> |
Total: 103 records found matching search query.