| Author | Title | Type | |
|---|---|---|---|
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Forte, Allen | Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin | Journal Article | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Jordan, Stanley | Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz | Journal Article | View Record >> |
| Abrams, Douglas R. | Recursive Structure and Inversional Pitch-class Relations in Thelonious Monk's "Ruby, My Dear": An Analytical Approach to "Monkishness" | Journal Article | View Record >> |
| O'Gallagher, John | Pitch-Class set Usage and development in late-Period improvisations of John Coltrane | Journal Article | View Record >> |
| Perfeito, Paulo | Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation | Conference Proceedings | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
Total: 9 records found matching search query.