| Author | Title | Type | |
|---|---|---|---|
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Block, Steven | 'Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz | Journal Article | View Record >> |
| Kurzdorfer, James | Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk | Journal Article | View Record >> |
| Lindsay, Julie Anne | Analytical Approaches to Jazz Polyphony, with Special Reference to the Use of Pitch-Class Theory in the Works of Toshiko Akiyoshi and Phil Woods | Dissertation | View Record >> |
| Pressing, Jeff | Pitch Class Set Structures in Contemporary Jazz | Journal Article | View Record >> |
| Waters, Keith | Introducing Pitch-Class Sets in the Music of Coltrane and Harbison | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
Total: 8 records found matching search query.