| Author | Title | Type | |
|---|---|---|---|
| Busse, Walter Gerard | Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates | Journal Article | View Record >> |
| Butterfield, Matthew W. | Why Do Jazz Musicians Swing Their Eighth Notes? | Journal Article | View Record >> |
| Collier, Geoffrey L. | A Study of Timing in Two Louis Armstrong Solos | Journal Article | View Record >> |
| Collier, Geoffrey L. | Microrhythms in Jazz: A Review of Papers | Journal Article | View Record >> |
| Collier, Geoffrey L. | Studies of Tempo Using a Double Timing Paradigm | Journal Article | View Record >> |
| Iyer, Vijay | Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music | Journal Article | View Record >> |
| Owens, Thomas | Applying the Melograph to | Journal Article | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Mermikes, Milton | Changes over time: theory and practice | Dissertation | View Record >> |
| Inoue, Hiroaki | The change of eighth notes timing on the transition period from swing jazz to bebop: The comparative analysis of Charlie Parker, Lester Young and Coleman Hawkins | Journal Article | View Record >> |
| Mermikides, Milton | 'Straight and Late': Analytical Perspectives on Coltrane's Time-feel | Journal Article | View Record >> |
Total: 11 records found matching search query.