| Author | Title | Type | |
|---|---|---|---|
| McGowan, James J. | 'Consonance' in Tonal Jazz: A Critical Survey of Its Semantic History | Journal Article | View Record >> |
| Pokorny, Andrew John | Chord-specific scalar material in classical music: An adaptation of jazz chord-scale theory | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Jones, Andrew Daniel | Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics | Dissertation | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: ii–V Space | Journal Article | View Record >> |
| Parncutt, Richard ; Radovanovic, Lazar | The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards | Journal Article | View Record >> |
| Strunk, Steve | Tonal and Transformational Approaches to Chick Corea’s Compositions of the 1960s | Journal Article | View Record >> |
| Broze, Yuri ; Shanahan, Daniel | Diachronic Changes in Jazz Harmony: A Cognitive Perspective | Journal Article | View Record >> |
| Agustín-Aquino, Octavio A. ; Mazzola, Guerino | Modulation in tetradic harmony and its role in jazz | Journal Article | View Record >> |
| Daugulis, Ēvaldas | Basic principles of melody harmonization in jazz and classical music: common and different | Journal Article | View Record >> |
| Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
| Jordan, Stanley | Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz | Journal Article | View Record >> |
| Araújo, Fabiano ; Borém, Fausto | Schoenberg's tonal harmony: a proposal for analysis, realization and composition of lead sheets | Journal Article | View Record >> |
| Cutting, Court B. | Microtonal Analysis of "Blue Notes" and the Blues Scale | Journal Article | View Record >> |
| Rohrmeier, Martin | The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Baker, Ben | A Cyclic Approach to Harmony in Robert Glasper’s Music | Journal Article | View Record >> |
| Brandt, Per Aage | On tonal dynamics and musical meaning | Journal Article | View Record >> |
| Musso, Paul | Utilizing the tone row in jazz pedagogy: A technique to create tonal harmony in an atonal environment | Journal Article | View Record >> |
| Kleinlosen, Adrian | The jazz trombonist Nils Wogram: His compositional and instrumental work | Journal Article | View Record >> |
| Fišer, Anželika Nikolaevna | The harmony of African American jazz of the 1940s: Genesis and specificity | Journal Article | View Record >> |
| Freitas, Sérgio Paulo Ribeiro de | Sliding in the song? The case of major harmonies by descending tones | Journal Article | View Record >> |
| Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
| Karača, Igor | Jazz theory: Reharmonization in jazz music | Journal Article | View Record >> |
| McGowan, James | Riemann's functional framework for extended jazz harmony | Journal Article | View Record >> |
Total: 26 records found matching search query.