| Resource type: | Book Chapter |
| Primary Author: | Porter, Eric C. |
| Additional Author(s): | |
| Editor: | Rustin, Nichole T. ; Tucker, Sherrie |
| Journal / Book Name: | Big ears: Listening for gender in jazz studies |
| Journal Volume: | |
| Page(s): | 210-234 |
| Date Published: | 2008 |
| Publisher: | Duke University Press |
| Publisher location: | Durham, North Carolina, USA |
| Edition / Access Date: | |
| Notes / Web URL: | |
| Keywords: | George Russell, The Lydian chromatic concept of tonal organization, race, gender, technology, afrofuturism, sociology of music, Blackness, culture, improvisation |
| Formatted citation (Turabian): | Porter, Eric C.. "'Born out of jazz...yet embracing all music': Race, gender, and technology in George Russell's Lydian chromatic concept," in Big ears: Listening for gender in jazz studies, edited by Nichole T. Rustin and Sherrie Tucker, 210-234. Durham, North Carolina, USA: Duke University Press, 2008. |
Close this window to return to search results.