| Author | Title | Type | |
|---|---|---|---|
| Stover, Chris | Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965-68 (Oxford University Press, 2011) | Review | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Stover, Chris | Improvisation, Deleuze and Guattari, philosophy, performance, temporality | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
| Stover, Chris | Jazz Harmony: A Progress Report | Journal Article | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Stover, Chris | Mapping jazz’s affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Stover, Chris | The Queer Rhythm of Cecil Taylor’s ‘Enter Evening' | Journal Article | View Record >> |
| Stover, Chris | Jazz Theory’s Pragmatics | Book Chapter | View Record >> |
| Stover, Chris | Time, Territorialization, and Improvisational Spaces | Journal Article | View Record >> |
Total: 10 records found matching search query.