| Author | Title | Type | |
|---|---|---|---|
| Berger, Morroe | Benny Carter: A Life in American Music | Book | View Record >> |
| Berlin, Edward A. | King of Ragtime: Scott Joplin and His Era | Book | View Record >> |
| Berliner, Paul F. | Adding to Arrangements | Journal Article | View Record >> |
| Bierman, Benjamin | George Handy Composes the Bloos | Journal Article | View Record >> |
| Caniato, Michele | From Popular Song to Jazz Composition: Thelonious Monk's 'Ruby, My Dear' | Journal Article | View Record >> |
| Coolman, Todd F. | The Miles Davis Quintet of the mid-1960s: Synthesis of Improvisational and Compositional Elements | Dissertation | View Record >> |
| Crawford, Richard | Jazz Standards on Record, 1900-1942: A Core Repertory | Book | View Record >> |
| Crawford, Richard | Notes on Jazz Standards By Black Authors and Composers | Book Chapter | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| DeVeaux, Scott | 'Nice Work if You Can Get It': Thelonious Monk and Popular Song. | Journal Article | View Record >> |
| Dewhurst, Robin | A Study of the Jazz Composition and Orchestration Techniques Adopted by Gil Evans | Dissertation | View Record >> |
| Dobbins, Bill | Jazz Arranging and Composing: A Linear Approach | Book | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Forte, Allen | The American Popular Ballad of the Golden Era, 1924-1950 | Book | View Record >> |
| Garcia, Russell | The Professional Arranger Composer | Book | View Record >> |
| Gilbert, Steven E. | The Music of Gershwin | Book | View Record >> |
| Gilbert, Steven E. | Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Songs and Jazz | Book Chapter | View Record >> |
| Gilbert, Steven E. | Gershwin's Art of Counterpoint | Journal Article | View Record >> |
| Goldstein, Gil | Jazz Composer's Companion | Book | View Record >> |
| Green, Edward | 'Harlem Air Shaft': A True Programmatic Composition? | Journal Article | View Record >> |
| Hancock, Herbie | Classic Jazz Compositions and Solos | Edited Book | View Record >> |
| Henriksson, Juha | Chasing the Bird: Functional Harmony in Charlie Parker's Bebop Themes | Dissertation | View Record >> |
| Howland, John | Ellingtonian Extended Composition and the Symphonic Jazz Model | Journal Article | View Record >> |
| Jaffe, Andrew | Jazz Harmony | Book | View Record >> |
| Jeckovich, Jeffrey | The Forms and Orchestration of Five Jelly Roll Morton Piano Solos | Journal Article | View Record >> |
| Julien, Patricia | The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963 | Dissertation | View Record >> |
| Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
| Koch, Lawrence O. | The Jazz Composition/Arrangement | Journal Article | View Record >> |
| Koch, Lawrence O. | Thelonious Monk: Compositional Techniques | Journal Article | View Record >> |
| Korman, Clifford | 'Criss Cross': Motivic Construction in Composition and Improvisation | Journal Article | View Record >> |
| Larson, Steve | Composition versus Improvisation? | Journal Article | View Record >> |
| Larson, Steve | What Makes a Good Bridge? | Journal Article | View Record >> |
| Lovell, Jeffrey | Out of the Ordinary: Andrew Hill's 'Verona Rag' | Journal Article | View Record >> |
| Machlin, Paul | Fats Waller Composes: The Sketches, Drafts and Lead Sheets in the Institute of Jazz Studies Collection | Journal Article | View Record >> |
| Magee, Jeffrey | The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz | Book | View Record >> |
| Markewich, Reese | The New Expanded Bibliography of Jazz Compositions Based on the Chord Progressions of Standard Tunes | Book | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | Maria Schneider's 'Hang Gliding': Aspects of Structure | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker as Composer | Journal Article | View Record >> |
| Martin, Henry | Aural Sketches: Chick Corea's 'Where Have I Known You Before' | Journal Article | View Record >> |
| Martin, Henry | More Than Just Guidetones: Steve Larson's Analyzing Jazz: A Schenkerian Approach | Review | View Record >> |
| Martin, Henry | Jeff Sultanof's Miles Davis, Birth of the Cool: Scores from the Original Parts | Review | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Owens, Thomas | The Fugal Pieces of the Modern Jazz Quartet | Journal Article | View Record >> |
| Patrick, James S. | Charlie Parker and Harmonic Sources of Bebop Composition: Thoughts on the Repertory of New Jazz in the 1940s | Journal Article | View Record >> |
| Porter, Lewis | John Coltrane's A Love Supreme: Jazz Improvisation as Composition | Journal Article | View Record >> |
| Rattenbury, Ken | Duke Ellington: Jazz Composer | Book | View Record >> |
| Reeves, Scott D. | Gil Evans: The Art of Musical Transformation | Journal Article | View Record >> |
| Ricigliano, Daniel A. | Melody and Harmony in Contemporary Songwriting | Book | View Record >> |
| Robbins, James | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody,' by James Kent Williams | Review | View Record >> |
| Russo, William | Jazz Composition and Orchestration | Book | View Record >> |
| Russo, William | Composing for the Jazz Orchestra | Book | View Record >> |
| Schafer, William J. | Breaking into 'High Society': Musical Metamorphoses in Early Jazz | Journal Article | View Record >> |
| Shim, Eunmi | Lennie Tristano: His Life in Music | Book | View Record >> |
| Shorter, Wayne | Wayne Shorter Jazz Classics | Edited Book | View Record >> |
| Simon, Tom | An Analytical Inquiry into Thelonious Monk's 'Ruby, My Dear' | Dissertation | View Record >> |
| Strunk, Steven | Linear Intervallic Patterns in Jazz Repertory | Journal Article | View Record >> |
| Strunk, Steven | Notes on Harmony in Wayne Shorter's Compositions, 1964-67 | Journal Article | View Record >> |
| Sultanof, Jeffrey | The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication | Journal Article | View Record >> |
| Tirro, Frank | The Silent Theme Tradition in Jazz | Journal Article | View Record >> |
| Van der Merwe, Peter | Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music | Book | View Record >> |
| Waters, Keith | The Studio Recordings of the Miles Davis Quintet, 1965-68 | Book | View Record >> |
| Waters, Keith | Outside Forces: 'Autumn Leaves' in the 1960s | Journal Article | View Record >> |
| Waters, Keith | Out Front: The Art of Booker Little | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Wildman, Joan | The Evolution of Bebop Compositional Style: 'Whispering'/'Groovin' High' | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Williams, J. Kent | Archetypal Schemata in Jazz Themes of the Bebop Era | Journal Article | View Record >> |
| Williams, Martin | And What Might a Jazz Composer Do? | Journal Article | View Record >> |
| Yamaguchi, Masaya | A Creative Approach to Multi-Tonic Changes: Beyond Coltrane's Harmonic Formula | Journal Article | View Record >> |
| Charlie Parker Yardbird Originals | Edited Book | View Record >> | |
| Miles Davis Birth of the Cool: Scores from the Original Parts | Edited Book | View Record >> | |
| The Oxford Companion to Jazz | Edited Book | View Record >> | |
| Earl 'Fatha' Hines: Selected Piano Solos 1928-1941 | Edited Book | View Record >> | |
| Ferdinand 'Jelly Roll' Morton: The Collected Piano Music | Edited Book | View Record >> | |
| Maria Schneider Jazz Orchestra: Evanescence | Edited Book | View Record >> | |
| Broze, Yuri | Diachronic Changes in Jazz Harmony: A Cognitive Approach | Journal Article | View Record >> |
| Gushee, Lawrence | Improvisation and Related Terms in Middle-Period Jazz | Book Chapter | View Record >> |
| Restivo, David Owen | Beyond Modern Jazz: The Evolution of Postmodern Jazz Performance and Composition from 1969 to the Present | Dissertation | View Record >> |
| Vivian, Peter James | The Significance of Kenny Wheeler in the Evolution of Jazz Compozition from Diatonic Chromatic Background | Dissertation | View Record >> |
| Kenagy, Peter Ellis | George Russell's Jazz Workshop: The composer's style and original methods of 1956 | Dissertation | View Record >> |
| Pino, Cesar | The Crossover Pianist: Jazz Structures, Styles, and Techniques for the Classically Trained Pianist | Dissertation | View Record >> |
| Beltran, Michael P. | Raymond Scott: The True Inventor of the Cartoon Jazz Sound | Dissertation | View Record >> |
| Rosado, Adam | Analyzing Hermeto Pascoal's Calendário do Som | Dissertation | View Record >> |
| Hanegan, Brian Scott | A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943) | Dissertation | View Record >> |
| Larsen, David William | Creating the Cool: Understanding the Music of Gerry Mulligan | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Doyle, Frank Vincent | Horace Silver: Transcription and Analysis of Ten Blues Compositions Including the Piano Improvisations 1954–1969 | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Regin, James Edward Hamilton | Toward a more comprehensive textbook on choral jazz arranging | Dissertation | View Record >> |
| Balzarano, Jason Patrick | Fusion : jazz, flamenco, and rethinking aesthetic | Dissertation | View Record >> |
| Tehse, Jared | Consider This: A Vocal Score of Wynton Marsalis' The Ever Fonky Lowdown | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Radano, Ronald Michael | Anthony Braxton And His Two Musical Traditions, The Meeting Of Concert Music And Jazz. (Volumes I And Ii) (Avant-Garde, Free Jazz) | Dissertation | View Record >> |
| Scott, Andrew Jacob | The life, music and improvisational style of Herbert Lawrence “Sonny” Greenwich | Dissertation | View Record >> |
| Fenlon, Sean Patrick | The exotic rhythms of Don Ellis | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Keesecker, Jamie | Into the Bends of Time and Musical Forces in Jazz: Group Interaction and Double-time in "My Foolish Heart" as performed by the Bill Evans Trio with Scott LaFaro and Paul Motian | Dissertation | View Record >> |
| Fyffe, Jamie Robert | 'Kind of Blue' and the Signifyin(g) Voice of Miles Davis | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| Smither, Sean R. | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | Journal Article | View Record >> |
| Geyer, Ben | Maria Schneider’s Forms: Norms and Deviations in a Contemporary Jazz Corpus | Journal Article | View Record >> |
| Thomas, Margaret E | Conlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation | Journal Article | View Record >> |
| Park, Joon | Reflection on (and in) Strunk’s Tonnetz | Journal Article | View Record >> |
| Strunk, Steve | Tonal and Transformational Approaches to Chick Corea’s Compositions of the 1960s | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Murray, J William ; Borém, Fausto | Bill Evans's jazz: background, influences, works and compositional style | Journal Article | View Record >> |
| Katz, Jonah | Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study | Journal Article | View Record >> |
| Waters, Keith | Chick Corea and Postbop Harmony | Journal Article | View Record >> |
| Hedges, Thomas | Predicting the Composer and Style of Jazz Chord Progressions | Journal Article | View Record >> |
| Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
| Araújo, Fabiano ; Borém, Fausto | Schoenberg's tonal harmony: a proposal for analysis, realization and composition of lead sheets | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Martin, Henry | Four studies of charlie parker's compositional processes | Journal Article | View Record >> |
| Heyman, Matthias | Composing the Jazz Bass Revolution: Duke Ellington's Writing for the String Bass, 1925-1941 | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisation and Collaboration in Anthony Braxton’s Composition 76 | Journal Article | View Record >> |
| Maxile, Horace J. | Implication, Quotation, and Coltrane in Selected Works By David N. Baker | Journal Article | View Record >> |
| Smither, Sean R. | All the Things Tunes Are: Avant-Textes and Referents in Jazz Improvisation | Journal Article | View Record >> |
| Abrams, Douglas R. | Recursive Structure and Inversional Pitch-class Relations in Thelonious Monk's "Ruby, My Dear": An Analytical Approach to "Monkishness" | Journal Article | View Record >> |
| Pellegrin, Rich | Motive, Collection, and Voice Leading in John Coltrane's "Giant Steps" | Journal Article | View Record >> |
| Zaldivar, Rafael | A Personal Perspective on Afro-Cuban Rhythmic Integration in Contemporary Jazz Composition | Journal Article | View Record >> |
| Mullholland, Joe | The Berklee Book of Jazz Harmony | Book | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
| Perfeito, Paulo | Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation | Conference Proceedings | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Mawer, Deborah | Performing Improvisation: Bill Evans and Jean-Yves Thibaudet | Book Chapter | View Record >> |
| Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
| Vandemoortele, Peter | Root motion analysis of chord progressions of selected jazz compositions written between 1980 and 2000 | Journal Article | View Record >> |
| Baker, David J. ; Shanahan, Daniel | Examining fixed and relative similarity metrics through jazz melodies | Book Chapter | View Record >> |
| Williams, Chris | Embodied music theory and improvised composition: Bill Evans, the architect | Conference Proceedings | View Record >> |
| Musso, Paul | Utilizing the tone row in jazz pedagogy: A technique to create tonal harmony in an atonal environment | Journal Article | View Record >> |
| Kleinlosen, Adrian | The jazz trombonist Nils Wogram: His compositional and instrumental work | Journal Article | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| Lubânaâ, Elena Vladimirovna | The piano jazz techniques in the late 20th and early 21st centuries | Journal Article | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
| Burgess, Nadia | A Study of Compositional Techniques Used in the Fusion of Art Music with Jazz and Popular Music | Dissertation | View Record >> |
| Martin, Henry | Charlie Parker, Composer | Book | View Record >> |
| Steinbeck, Paul | Sound Experiments: The Music of the AACM | Book | View Record >> |
| Steinbeck, Paul | Message to Our Folks: The Art Ensemble of Chicago | Book | View Record >> |
| Steinbeck, Paul | George Lewis’s Voyager | Book Chapter | View Record >> |
| Steinbeck, Paul | Talking Back: Analyzing Performer-Audience Interaction in Roscoe Mitchell’s Nonaah | Journal Article | View Record >> |
| Smither, Sean R. | 'Flexible Conceptual Maps’: A Schema-Based Approach to the Analysis of Jazz Tunes | Journal Article | View Record >> |
Total: 149 records found matching search query.