| Author | Title | Type | |
|---|---|---|---|
| Berry, Mark Andrew | Musical Borrowing, Dialogism, and American Culture, 1960-1975: Bob Dylan's Self Portrait, George Rochberg's Third String Quartet, and Herbie Hancock's Watermelon Man | Dissertation | View Record >> |
| Corbett, John | Out of Nowhere: Meditations on Deleuzian Music, Anti-Cadential Strategies, and Endpoints in Improvisation | Book Chapter | View Record >> |
| Monson, Ingrid | Musical Interaction in Modern Jazz: An Ethnomusicological Perspective | Dissertation | View Record >> |
| PrŽvost, Eddie | The Discourse of a Dysfunctional Drummer: Collaborative Dissonances, Improvisation, and Cultural Theory | Book Chapter | View Record >> |
| Saul, Scott | Freedom Is, Freedom Ain't: Jazz and the Making of the 60's | Book | View Record >> |
| Treitler, Leo | Homer and Gregory: The Transmission of Epic Poetry and Plainchant | Journal Article | View Record >> |
| Scott, William D. | Hybridity and Identity in the Pan-American Jazz Piano Tradition | Dissertation | View Record >> |
| Katuszonek, Nicholas | Jazz, Pop, Improvisation, National Identity and the Role of the Jazz Drummer | Dissertation | View Record >> |
| Terres, Dana R. | Making Space for Black Modern Dance: The Music and Dance of Alvin Ailey’s Revelations, the River, and Mary Lou’s Mass | Dissertation | View Record >> |
| Westendorf, Lynette | Analyzing free jazz | Dissertation | View Record >> |
| Fairhall, Adam Leslie | Intertextuality and the dialogic principle in jazz | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Washington, Michael Spence | Beautiful nightmare: Coltrane, jazz, and American culture | Dissertation | View Record >> |
| Scott, Andrew Jacob | The life, music and improvisational style of Herbert Lawrence “Sonny” Greenwich | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Harrelson, John William | Theme and variation, call and response: A critical history of America's music | Dissertation | View Record >> |
| Cesar, Rafael Do Nascimento | Cariocas de New Orleans: Brazilian Interpretations of North American Jazz | Journal Article | View Record >> |
| Diaz, Juan Diego | Experimentations with Timelines in Afro-Bahian Jazz: A Strategy of Rhythm Complication | Journal Article | View Record >> |
| Shelley, Braxton D. | Analyzing Gospel | Journal Article | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Fišer, Anželika Nikolaevna | The harmony of African American jazz of the 1940s: Genesis and specificity | Journal Article | View Record >> |
| Doleac, Benjamin | Strictly second line: Funk, jazz, and the New Orleans beat | Journal Article | View Record >> |
| Steinmetz, Uwe | Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age | Dissertation | View Record >> |
| Gruppe, Gerd | Jazz meets India: The difficulties of musical encounters | Journal Article | View Record >> |
| Edwards, Brent Hayes | Louis Armstrong and the syntax of scat | Journal Article | View Record >> |
| Porter, Eric C. | 'Born out of jazz...yet embracing all music': Race, gender, and technology in George Russell's Lydian chromatic concept | Book Chapter | View Record >> |
Total: 26 records found matching search query.