| Author | Title | Type | |
|---|---|---|---|
| Butterfield, Matthew W. | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | Journal Article | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Sogorski, Mathias ; Geisel, Theo ; Priesemann, Viola; Hernandez-Lemus, Enrique | Correlated microtiming deviations in jazz and rock music | Journal Article | View Record >> |
| Corcoran, Christopher; Frieler, Klaus | Playing It Straight: Analyzing Jazz Soloists' Swing Eighth-note Distributions with the Weimar Jazz Database | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Michaelsen, Garrett | Groove Topics in Improvised Jazz | Book Chapter | View Record >> |
| Doffman, Mark | Time in Jazz | Book Chapter | View Record >> |
| Butterfield, Matthew W. | When swing doesn't swing: Competing conceptions of an early twentieth-century rhythmic quality | Book Chapter | View Record >> |
| Doleac, Benjamin | Strictly second line: Funk, jazz, and the New Orleans beat | Journal Article | View Record >> |
| Attas, Robert | Form as Process: The Buildup Introduction in Popular Music | Journal Article | View Record >> |
Total: 11 records found matching search query.