| Author | Title | Type | |
|---|---|---|---|
| Anderson, Gene | Blues for You, Johnny: Johnny Dodds and His 'Wild Man Blues' Recordings of 1927 and 1928 | Journal Article | View Record >> |
| Anderson, Gene | The Origin of Armstrong's Hot Fives and Hot Sevens | Journal Article | View Record >> |
| Bailey, Derek | Free Improvisation | Book Chapter | View Record >> |
| Bailey, Derek | Improvisation: Its Nature and Practice in Music | Book | View Record >> |
| Barrett, Samuel | Kind of Blue and the Economy of Modal Jazz | Journal Article | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bauer, William | Louis Armstrong's 'Skid Dat De Dat': Timbral Organization in an Early Scat Solo | Journal Article | View Record >> |
| Benadon, Fernando | Time Warps in Early Jazz | Journal Article | View Record >> |
| Berlin, Edward A. | King of Ragtime: Scott Joplin and His Era | Book | View Record >> |
| Bierman, Benjamin | George Handy Composes the Bloos | Journal Article | View Record >> |
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Block, Steven | 'Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz | Journal Article | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Budds, Michael J. | Jazz in the Sixties: The Expansion of Musical Resources and Techniques | Book | View Record >> |
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Burstein, Chaim | The Power of Altered Pentatonics | Journal Article | View Record >> |
| Butterfield, Matthew W. | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | Journal Article | View Record >> |
| Capuzzo, Guy | Pat Martino's 'The Nature of Guitar': An Intersection of Neo-Riemannian Theory and Jazz Theory | Journal Article | View Record >> |
| Charry, Eric | Freedom and Form in Ornette Coleman's Early Atlantic Recordings | Journal Article | View Record >> |
| Cogswell, Michael | Melodic Organization in Two Solos by Ornette Coleman | Journal Article | View Record >> |
| Covach, John | Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970's American Progressive Rock | Book Chapter | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Dapogny, James | Jelly Roll Morton and Ragtime | Book Chapter | View Record >> |
| Donahue, Miles | Aural Awareness: Out with the Blues Scale; In with the Mixolydian | Journal Article | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Everett, Walter | A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan | Journal Article | View Record >> |
| Forte, Allen | The Development of Diminutions in American Jazz | Journal Article | View Record >> |
| Gelber, Jesse H. | Bitonality in Jazz of the Twenties and Thirties | Dissertation | View Record >> |
| Givan, Benjamin | The Music of Django Reinhardt | Book | View Record >> |
| Givan, Benjamin | Duets for One: Louis Armstrong's Vocal Recordings | Journal Article | View Record >> |
| Gushee, Lawrence | The Improvisation of Louis Armstrong | Book Chapter | View Record >> |
| Harker, Brian | Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing | Journal Article | View Record >> |
| Heble, A. | Landing on the Wrong Note: Jazz, Dissonance and Critical Practice | Book | View Record >> |
| Howland, John | Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz | Book | View Record >> |
| Howland, John | Ellingtonian Extended Composition and the Symphonic Jazz Model | Journal Article | View Record >> |
| Howland, John | Jazz Rhapsodies in Black and White: James P. Johnson's 'Yamekraw' | Journal Article | View Record >> |
| Jasen, David A. | That American Rag: The Story of Ragtime from Coast to Coast | Book | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Kelley, Robin D.G. | New Monastery: Monk and the Jazz Avant-Garde | Journal Article | View Record >> |
| Lange, Arthur | Arranging for the Modern Dance Orchestra | Book | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Magee, Jeffrey | The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz | Book | View Record >> |
| Magee, Jeffrey | Everybody Step: Irving Berlin, Jazz, and Broadway in the 1920s | Journal Article | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory: An Overview | Journal Article | View Record >> |
| Martin, Henry | Constructing a Post-Modern-Jazz Pedagogy | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory and Analysis: An Introduction and Brief Bibliography | Journal Article | View Record >> |
| Martin, Henry | Jeff Sultanof's Miles Davis, Birth of the Cool: Scores from the Original Parts | Review | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Creating Modal Chords with the Grip Method | Journal Article | View Record >> |
| Monson, Ingrid | Russell, Coltrane, and Modal Jazz | Book Chapter | View Record >> |
| Newberger, Eli H. | The Transition from Ragtime to Improvised Piano Style | Journal Article | View Record >> |
| Newberger, Eli H. | The Development of New Orleans and Stride Piano Styles | Journal Article | View Record >> |
| Nisenson, Eric | The Making of Kind of Blue: Miles Davis and His Masterpiece | Book | View Record >> |
| Owens, Thomas | The Fugal Pieces of the Modern Jazz Quartet | Journal Article | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Perrufo, Paolo | Dal ragtime allo stride piano: l'evoluzione di uno stile | Journal Article | View Record >> |
| Pond, Steven F. | Head Hunters: The Making of Jazz's First Platinum Album | Book | View Record >> |
| Pond, Steven F. | Herbie Hancock's Head Hunters: Troubling the Waters of Jazz | Dissertation | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Sabina, Leslie M. | 'Texas Moaner Blues' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Singin' the Blues' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Riverboat Shuffle' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sandke, Randy | Bix Beiderbecke from a Musician's Perspective | Journal Article | View Record >> |
| Sargeant, Winthrop | Jazz: Hot and Hybrid | Book | View Record >> |
| Satyendra, Ramon | Analyzing the Unity within Contrast: Chick Corea's 'Starlight' | Book Chapter | View Record >> |
| Saul, Scott | Freedom Is, Freedom Ain't: Jazz and the Making of the 60's | Book | View Record >> |
| Scaturro, Fabrizio | 'Free Jazz' di Ornette Coleman, per un'analisi formale e timbrica | Journal Article | View Record >> |
| Schafer, William J. | Breaking into 'High Society': Musical Metamorphoses in Early Jazz | Journal Article | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Journal Article | View Record >> |
| Schuller, Gunther | Early Jazz: Its Roots and Musical Development | Book | View Record >> |
| Steinbeck, Paul | Analyzing the Music of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Sudhalter, Richard M. | Stardust Melody: The Life and Music of Hoagy Carmichael | Book | View Record >> |
| Svorinich, Victor | Electric Miles: A Look at the 'In a Silent Way' and ''On the Corner' sessions | Journal Article | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Tucker, Mark | Ellington: The Early Years | Book | View Record >> |
| Wang, Richard | Jazz Circa 1945: A Confluence of Styles | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Westendorf, Lynette | Cecil Taylor: 'Second Layer' | Journal Article | View Record >> |
| Williams, J. Kent | Hodges at Newport: The Rhetoric of "Jeep's Blues" | Journal Article | View Record >> |
| Miles Davis Birth of the Cool: Scores from the Original Parts | Edited Book | View Record >> | |
| The Oxford Companion to Jazz | Edited Book | View Record >> | |
| Jazz: New Perspectives on the History of Jazz by Twelve of the World's Foremost Jazz Critics and Scholars | Edited Book | View Record >> | |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Cook, Scott | Examining a Canadian Jazz Icon: Pitch-Class Hierarchy in Some Representative Examples of Kenny Wheeler | Journal Article | View Record >> |
| Love, Stefan | Subliminal Dissonance or 'Consonance'? Two Views of Jazz Meter | Journal Article | View Record >> |
| Broze, Yuri | Diachronic Changes in Jazz Harmony: A Cognitive Approach | Journal Article | View Record >> |
| Givan, Benjamin | Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Context, Intentionality, and Jazz Analysis | Journal Article | View Record >> |
| McClimon, Michael | A transformational approach to jazz harmony | Dissertation | View Record >> |
| Scott, William D. | Hybridity and Identity in the Pan-American Jazz Piano Tradition | Dissertation | View Record >> |
| McMillan, Jeremey James | Cinq Études de Jazz: A Study of Jazz and Modernism | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Greenstein, Jonathan | Astral Fire: A Meditation on Spiritual Jazz as Modeled by Five Saxophone Players, 1969-1979 | Dissertation | View Record >> |
| Regin, James Edward Hamilton | Toward a more comprehensive textbook on choral jazz arranging | Dissertation | View Record >> |
| Hutchinson, Nelsen | Hammond B3 Organ Trios and Soul Jazz 1955-1965 | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Balzarano, Jason Patrick | Fusion : jazz, flamenco, and rethinking aesthetic | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Radano, Ronald Michael | Anthony Braxton And His Two Musical Traditions, The Meeting Of Concert Music And Jazz. (Volumes I And Ii) (Avant-Garde, Free Jazz) | Dissertation | View Record >> |
| King-Bennett, Elizabeth | Beyond Genre: Analysis of Selected Saxophone Music by Alex Mincek, Anthony Braxton, and Jack Wright through a Lens of Genre Theory | Dissertation | View Record >> |
| Westendorf, Lynette | Analyzing free jazz | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Pinheiro, Ricardo Nuno Futre | Freedom in Music, Freedom in Life: Miles Davis, Stella By Starlight, Harmony, and the Advent of the Second Great Quintet | Journal Article | View Record >> |
| Tiné, Paulo José de Siqueira | Modalism in some Brazilian post-Bossa Nova composers of the 1960s | Journal Article | View Record >> |
| Gagastis, Alexander | Bags Still Grooves: Performance Strategies in Milt Jackson's Improvisations | Journal Article | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
| Zaddach, Wolf-Georg | "Groove is the essence of my music": Wayne Krantz | Book Chapter | View Record >> |
| Ayad, Lorraine A.K | Creating improvisations on chord progressions using suffix trees | Journal Article | View Record >> |
| Steinmetz, Uwe | Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age | Dissertation | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Chiriţă, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Plank, Lewis John | New Directions: A Study of How Miles Davis was Able to Continually Reinvent Jazz | Conference Proceedings | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| Burgess, Nadia | A Study of Compositional Techniques Used in the Fusion of Art Music with Jazz and Popular Music | Dissertation | View Record >> |
| Heinitsh, Henry | The jazz multilinguist: John Scofield's universal improvisational approach | Dissertation | View Record >> |
| Halley, Lane | Early 21st Century Jazz Composition | Dissertation | View Record >> |
| Manuel, Peter | Flamenco Jazz: An Analytical Study | Journal Article | View Record >> |
| Seguin, Pierre-Emmanuel | Lydia in Oz: The reception of George Russell in 1960s Australia | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker, Composer | Book | View Record >> |
| Martin, Henry | Prism on an Era: Scott DeVeaux’s The Birth of Bebop | Review | View Record >> |
| Zack, Michael H. | Jazz Improvisation and Organizing: Once More from the Top | Journal Article | View Record >> |
| Stover, Chris | The Queer Rhythm of Cecil Taylor’s ‘Enter Evening' | Journal Article | View Record >> |
| Stover, Chris | Time, Territorialization, and Improvisational Spaces | Journal Article | View Record >> |
Total: 138 records found matching search query.