| Author | Title | Type | |
|---|---|---|---|
| Bierman, Benjamin | George Handy Composes the Bloos | Journal Article | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Gilbert, Steven E. | The Music of Gershwin | Book | View Record >> |
| Gilbert, Steven E. | Gershwin's Art of Counterpoint | Journal Article | View Record >> |
| Larson, Steve | Reviews of The American Popular Ballad of the Golden Era, 1924-1950, by Allen Forte; The Music of Gershwin, by Steven Gilbert; and Charlie Parker and Thematic Improvisation, by Henry Martin. | Review | View Record >> |
| Lyons, Len | The Great Jazz Pianists | Book | View Record >> |
| Monson, Ingrid | Russell, Coltrane, and Modal Jazz | Book Chapter | View Record >> |
| Rapport, Evan | Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity | Journal Article | View Record >> |
| In the Course of Performance: Studies in the World of Musical Improvisation | Edited Book | View Record >> | |
| Kenagy, Peter Ellis | George Russell's Jazz Workshop: The composer's style and original methods of 1956 | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Pino, Cesar | The Crossover Pianist: Jazz Structures, Styles, and Techniques for the Classically Trained Pianist | Dissertation | View Record >> |
| Hobson, Vic | Making the Changes: Countermelodies in the Basslines of George "Pops" Foster and Ed "Montudi" Garland | Journal Article | View Record >> |
| Miller, Brian A. | 'All of the Rules of Jazz': Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation. | Journal Article | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Williams, Chris | Embodied music theory and improvised composition: Bill Evans, the architect | Conference Proceedings | View Record >> |
| Steinmetz, Uwe | Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age | Dissertation | View Record >> |
| De Souza, Jonathan | Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving | Journal Article | View Record >> |
| Seguin, Pierre-Emmanuel | Lydia in Oz: The reception of George Russell in 1960s Australia | Journal Article | View Record >> |
| Porter, Eric C. | 'Born out of jazz...yet embracing all music': Race, gender, and technology in George Russell's Lydian chromatic concept | Book Chapter | View Record >> |
| Steinbeck, Paul | George Lewis’s Voyager | Book Chapter | View Record >> |
| Steinbeck, Paul | Improvisation, Identity, Analysis, Performance | Journal Article | View Record >> |
Total: 23 records found matching search query.