| Author | Title | Type | |
|---|---|---|---|
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Lillos, Brian | Navigating the Be-boppers? a Harmonic Galaxy | Journal Article | View Record >> |
| Salley, Keith | Beyond Chord-Scale Theory: Realizing a Species Approach to Jazz Improvisation | Journal Article | View Record >> |
| Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| King, Aaron Michael | An Exploration of Cultural Transmission through the Application of Jazz Theory to the Music of Frederic Chopin | Dissertation | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| Salley, Keith | Review: “Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)” | Review | View Record >> |
| Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
| Stover, Chris | Jazz Theory’s Pragmatics | Book Chapter | View Record >> |
Total: 15 records found matching search query.