| Author | Title | Type | |
|---|---|---|---|
| Blair, J. J. | Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations | Dissertation | View Record >> |
| Christiansen, Corey | Essential Jazz Lines in the Style of Charlie Parker | Book | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Gushee, Lawrence | Lester Young's 'Shoe Shine Boy' | Conference Proceedings | View Record >> |
| Henriksson, Juha | Chasing the Bird: Functional Harmony in Charlie Parker's Bebop Themes | Dissertation | View Record >> |
| Heyer, David J. | Vocabulary, Voice Leading, and Motivic Coherence in Chet Baker's Jazz Improvisations | Dissertation | View Record >> |
| Jeckovich, Jeffrey | The Forms and Orchestration of Five Jelly Roll Morton Piano Solos | Journal Article | View Record >> |
| Kenny, Barry | Structure in Jazz Improvisation: A Formulaic Analysis of the Improvisations of Bill Evans | Journal Article | View Record >> |
| Kernfeld, Barry | Two Coltranes | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part Two) | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part One) | Journal Article | View Record >> |
| Love, Stefan | An Approach to Phrase Rhythm in Jazz | Journal Article | View Record >> |
| Love, Stefan | 'Possible Paths': Schemata of Phrasing and Melody in Charlie Parker's Blues | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker and Thematic Improvisation | Book | View Record >> |
| Martin, Henry | Charlie Parker and 'Honeysuckle Rose': Voice Leading, Formula, and Motive | Journal Article | View Record >> |
| Nelson, Oliver | Patterns for Improvisation | Book | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Porter, Lewis | Lester Young | Book | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Ricker, Ramon | The Ramon Ricker Improvisation Series | Book | View Record >> |
| Smith, Gregory E. | Homer, Gregory, and Bill Evans: The Theory of Formulaic Composition in the Context of Jazz Piano Improvisation | Dissertation | View Record >> |
| Terefenko, Dariusz | A 'Dearly Beloved' Jazz Progression- Part One | Journal Article | View Record >> |
| Tirro, Frank | Constructive Elements in Jazz Improvisation | Journal Article | View Record >> |
| Treitler, Leo | Homer and Gregory: The Transmission of Epic Poetry and Plainchant | Journal Article | View Record >> |
| Williams, Martin | Extended Improvisation and Form: Some Solutions | Journal Article | View Record >> |
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| Smither, Sean R. | Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Dissertation | View Record >> |
| Saeger, Lauren | An Exploration of Vibrato and Performer Perception in Vocal Jazz Singing | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Lempert, Benjamin Richard | Up in the Sound: Form and Voice in Jazz and Post-War American Poetry | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Cosper, David James | Interpretation, Narrativity, and Musical Performance | Dissertation | View Record >> |
| Gupta, Christopher Martin | Getting Out of a Jam: Collective Improvisation in Popular Music | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: ii–V Space | Journal Article | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Dodd, Julian | Upholding Standards: A Realist Ontology of Standard Form Jazz | Journal Article | View Record >> |
| Fisher, John Andrew | Jazz and Musical Works: Hypnotized by the Wrong Model | Journal Article | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Stover, Chris | Improvisation, Deleuze and Guattari, philosophy, performance, temporality | Journal Article | View Record >> |
| Martin, Jodie L. | Writing about music: The selection and arrangement of notation in jazz students’ written texts | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Kane, Brian | Jazz, Mediation, Ontology | Journal Article | View Record >> |
| Yanina Zhurba | The Role of Blues in Jazz Music | Journal Article | View Record >> |
| Waters, Keith | Chick Corea and Postbop Harmony | Journal Article | View Record >> |
| Moss, Fabian C. | Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis | Journal Article | View Record >> |
| Frieler, Klaus ; Zaddach, Wolf-Georg | Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Shelley, Braxton D. | Analyzing Gospel | Journal Article | View Record >> |
| Gluck, Bob | Paul Bley and Live Synthesizer Performance | Journal Article | View Record >> |
| Rohrmeier, Martin | The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Salley, Keith | Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study | Journal Article | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Vladimirovich, Pokaz Andrey | Structural Components Of The Modern Jazz Piano Player’s Performing Style | Journal Article | View Record >> |
| Baker, Ben | A Cyclic Approach to Harmony in Robert Glasper’s Music | Journal Article | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Mermikides, Milton | The shape of musical improvisation | Book Chapter | View Record >> |
| Doffman, Mark | Time in Jazz | Book Chapter | View Record >> |
| Déguernel, Ken | Generating equivalent chord progressions to enrich guided improvisation: Application to rhythm changes | Conference Proceedings | View Record >> |
| Ullmaier, Johannes | Prestissimo ma troppo: A hasty reaction | Journal Article | View Record >> |
| Shim, Eunmi | Analysis of Jazz: A Comprehensive Approach by Laurent Cugny (review) | Review | View Record >> |
| Chiriţă, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
| Attas, Robert | Form as Process: The Buildup Introduction in Popular Music | Journal Article | View Record >> |
| Andreatta, Moreno | An Introduction on Formal and Computational Models in Popular Music Analysis and Generation | Book Chapter | View Record >> |
| Pellegrin, Rich | Schekerian versus Salzerian Analysis of Jazz | Book Chapter | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| Zack, Michael H. | Jazz Improvisation and Organizing: Once More from the Top | Journal Article | View Record >> |
| Steinbeck, Paul | Sound Experiments: The Music of the AACM | Book | View Record >> |
| Salley, Keith | Review: “Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)” | Review | View Record >> |
| Salley, Keith | Ordered Step Motives in Jazz Standards | Journal Article | View Record >> |
| Salley, Keith | Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition | Book Chapter | View Record >> |
| Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
| Pellegrin, Rich | Stable Norms and Salient Deviations: Multilayered Listening in Jazz and Common-Practice Music | Journal Article | View Record >> |
| Pellegrin, Rich | Harmony versus Voicing: Modeling Local-Level Salience and Stability in Jazz after 1960 | Journal Article | View Record >> |
Total: 84 records found matching search query.