| Author | Title | Type | |
|---|---|---|---|
| Ashley, Richard | Do[n't] Change a Hair for Me: The Art of Jazz Rubato | Journal Article | View Record >> |
| Benadon, Fernando | Time Warps in Early Jazz | Journal Article | View Record >> |
| Benadon, Fernando | Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm | Journal Article | View Record >> |
| Benadon, Fernando | Commentary on Matthew W. Butterfield's 'The Power of Anacrusis' | Journal Article | View Record >> |
| Benadon, Fernando | Gridless Beats | Journal Article | View Record >> |
| Birtwistle, Andy | Marking Time and Sounding Difference: Brubeck, Temporality and Modernity | Journal Article | View Record >> |
| Buehrer, Ted | Metric Dissonance in Jazz | Conference Proceedings | View Record >> |
| Busse, Walter Gerard | Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates | Journal Article | View Record >> |
| Butterfield, Matthew W. | Race and Rhythm: The Social Component of the Swing Groove | Journal Article | View Record >> |
| Butterfield, Matthew W. | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | Journal Article | View Record >> |
| Butterfield, Matthew W. | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | Journal Article | View Record >> |
| Butterfield, Matthew W. | Why Do Jazz Musicians Swing Their Eighth Notes? | Journal Article | View Record >> |
| Butterfield, Matthew W. | Response to Fernando Benadon | Journal Article | View Record >> |
| Butterfield, Matthew W. | Participatory Discrepancies and the Perception of Beats in Jazz | Journal Article | View Record >> |
| Caporaletti, Vincenzo | Esperienze di analisi del jazz | Book | View Record >> |
| Caporaletti, Vincenzo | La definizione dello swing | Book | View Record >> |
| Caporaletti, Vincenzo | La fenomenologia del ritmo nella musica audiotattile: Il 'tempo doppio' | Journal Article | View Record >> |
| Collier, Geoffrey L. | A Study of Timing in Two Louis Armstrong Solos | Journal Article | View Record >> |
| Collier, Geoffrey L. | Microrhythms in Jazz: A Review of Papers | Journal Article | View Record >> |
| Collier, Geoffrey L. | Studies of Tempo Using a Double Timing Paradigm | Journal Article | View Record >> |
| Downs, Clive | Metric Displacement in the Improvisation of Charlie Christian | Journal Article | View Record >> |
| Feurzeig, David Kahn | Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic | Dissertation | View Record >> |
| Folio, Cynthia | An Analysis of Polyrhythm in Selected Improvised Jazz Solos | Book Chapter | View Record >> |
| Folio, Cynthia | Billie Holiday's Art of Paraphrase: A Study in Consistency | Book Chapter | View Record >> |
| Friberg, Anders | Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern | Journal Article | View Record >> |
| Garcia, Antonio | Where's the Beat? (Part 1) | Journal Article | View Record >> |
| Garcia, Antonio | Where's the Beat? (Part 2) | Journal Article | View Record >> |
| Gillis, Frank J. | Hot Rhythm in Piano Ragtime | Book Chapter | View Record >> |
| Graham, Alexander H. | The Living Framework: Miles Davis and the Evolution of American Popular Song | Dissertation | View Record >> |
| hartigan, royal | dancin' on the time: advanced rhythmic layers for drumset | Book | View Record >> |
| Haywood, Mark S. | Rhythmic Readings in Thelonious Monk | Journal Article | View Record >> |
| Huang, Hao | Billie Holiday and Tempo Rubato: Understanding Rhythmic Expressivity | Journal Article | View Record >> |
| Iyer, Vijay | Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music | Journal Article | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Keil, Charles M. H. | Motion and Feeling Through Music | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part Two) | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part One) | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part I: Rhythmic Innovator | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part II: Rhythmic Displacement in the Art of Elvin Jones | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part III: An Interview with Elvin Jones | Journal Article | View Record >> |
| Larson, Steve | Conversations with Monk and Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Rhythmic Displacement in the Music of Bill Evans | Book Chapter | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Ligon, Bert | Jazz Theory Resources: Tonal, Harmonic, Melodic and Rhythmic Organization of Jazz | Book | View Record >> |
| London, Barbara | Jazz Theory Education in the USA: From Our Perspective | Journal Article | View Record >> |
| Love, Stefan | An Approach to Phrase Rhythm in Jazz | Journal Article | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | Review | View Record >> |
| Morrison, Steven J. | Jazz Expertise and Its Relationship to Pitch and Rhythm Placement among Trumpet Players | Journal Article | View Record >> |
| Pressing, Jeff | Black Atlantic Rhythm: Its Computational and Transcultural Foundations | Journal Article | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Robbins, James | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody,' by James Kent Williams | Review | View Record >> |
| Sandvik, Scott | Polyharmony, Polymeter, and Motivic Development in Charlie Parker's Klact-Oveeseds-Tene (Take 1) Solo | Journal Article | View Record >> |
| Sarath, Ed | Music Theory Through Improvisation | Book | View Record >> |
| Shull, Ted | When Backward Comes Out Ahead: Lucky Thompson's Phrasing and Improvisation | Journal Article | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Van der Merwe, Peter | Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music | Book | View Record >> |
| Waters, Keith | Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Ziporyn, Evan | Thelonious Monk's Harmony, Rhythm, and Pianism | Book Chapter | View Record >> |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies | Edited Book | View Record >> | |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Williams, J. Kent | Review of Andrew Jaffe, Jazz Theory | Review | View Record >> |
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| Love, Stefan | On Phrase Rhythm in Jazz | Dissertation | View Record >> |
| Bartholomew, Zachary Charles | A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms | Dissertation | View Record >> |
| Whitmire, Jonathan | A description of the musical concepts artist-level jazz musicians employ while improvising | Dissertation | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Bechtel, Teague Stefan | Grant Green: An Analysis of the Blue Note Guitarist's Musical Vocabulary | Dissertation | View Record >> |
| Petumenos, Nicholas Anthony | Collective Time: Exploring Interaction in Music that Swings | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Fiol, Orlando Enrique | Cubaneo in Latin Piano: A Parametric Approach to Gesture, Texture, and Motivic Variation | Dissertation | View Record >> |
| Hiller, James | Theoretical foundations for understanding the meaning potentials of rhythm in improvisation | Dissertation | View Record >> |
| Rinne, Henry Q. | Concepts of time and space in selected works of jazz improvisation and painting | Dissertation | View Record >> |
| Morrison, Kenneth John | A polymetric interpretation of the swing impulse: Rhythmic stratification in jazz | Dissertation | View Record >> |
| Fenlon, Sean Patrick | The exotic rhythms of Don Ellis | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Brownell, John E. B | Drum set improvisation: Towards a conceptual model | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| Norgaard, Martin | How Jazz Musicians Improvise: The Central Role of Auditory and Motor Patterns | Journal Article | View Record >> |
| Sogorski, Mathias ; Geisel, Theo ; Priesemann, Viola; Hernandez-Lemus, Enrique | Correlated microtiming deviations in jazz and rock music | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Charyton, Christine ; Holden, John G. ; Jagacinski, Richard J. ; Elliott, John O. | A Historical and Fractal Perspective on the Life and Saxophone Solos of John Coltrane | Journal Article | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Corcoran, Christopher; Frieler, Klaus | Playing It Straight: Analyzing Jazz Soloists' Swing Eighth-note Distributions with the Weimar Jazz Database | Journal Article | View Record >> |
| Dittmar, Christian | A swingogram representation for tracking micro-rhythmic variation in jazz performances | Journal Article | View Record >> |
| Carpenter, Angela C. ; Levitt, Andrea G. | Rhythm in the Speech and Music of Jazz and Riddim Musicians | Journal Article | View Record >> |
| Wesolowski, Brian C | Timing deviations in jazz performance: The relationships of selected musical variables on horizontal and vertical timing relations: A case study | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Cohn, Richard | A Platonic Model of Funky Rhythms | Journal Article | View Record >> |
| Diaz, Juan Diego | Experimentations with Timelines in Afro-Bahian Jazz: A Strategy of Rhythm Complication | Journal Article | View Record >> |
| Inoue, Hiroaki | The change of eighth notes timing on the transition period from swing jazz to bebop: The comparative analysis of Charlie Parker, Lester Young and Coleman Hawkins | Journal Article | View Record >> |
| Perchard, Tom | New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Levy, Brian | Harmonic and Rhythmic Oppositions in Jazz: The Special Case of John Coltrane and His Classic Quartet | Journal Article | View Record >> |
| Mermikides, Milton | 'Straight and Late': Analytical Perspectives on Coltrane's Time-feel | Journal Article | View Record >> |
| Zaldivar, Rafael | A Personal Perspective on Afro-Cuban Rhythmic Integration in Contemporary Jazz Composition | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Norgaard, Martin | Patterns in Music: How Linguistic Corpus Analysis Tools Can Be Used to Illuminate Central Aspects of Jazz Improvisation | Journal Article | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Smith, Stuart | Jazz and Jazz Theory | Book Chapter | View Record >> |
| Guerra, Stephen | Hemiolic Metric Space in Afro-Diasporic Popular Musics | Journal Article | View Record >> |
| Hahn, Joshua W. | Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin's Music | Journal Article | View Record >> |
| Brown, Lee B. | The theory of jazz music: 'It don't mean a thing...' | Book Chapter | View Record >> |
| Butterfield, Matthew W. | Jazz rhythm: The challenge of 'swing' | Book Chapter | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Kajanová, Yvetta | Ballade in jazz and in Tadeáš Salva's music | Conference Proceedings | View Record >> |
| Kleinlosen, Adrian | The jazz trombonist Nils Wogram: His compositional and instrumental work | Journal Article | View Record >> |
| Doffman, Mark | Time in Jazz | Book Chapter | View Record >> |
| Butterfield, Matthew W. | When swing doesn't swing: Competing conceptions of an early twentieth-century rhythmic quality | Book Chapter | View Record >> |
| Déguernel, Ken | Generating equivalent chord progressions to enrich guided improvisation: Application to rhythm changes | Conference Proceedings | View Record >> |
| Ullmaier, Johannes | Prestissimo ma troppo: A hasty reaction | Journal Article | View Record >> |
| Doleac, Benjamin | Strictly second line: Funk, jazz, and the New Orleans beat | Journal Article | View Record >> |
| Shim, Eunmi | Analysis of Jazz: A Comprehensive Approach by Laurent Cugny (review) | Review | View Record >> |
| DeMotta, David Joseph III | The contributions of Earl "Bud" Powell to the modern jazz style | Dissertation | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| McDermott, John Steven | Tradition and innovation in the drumming of Airto Moreira: a portfolio of recorded performances and exegesis | Dissertation | View Record >> |
| Facey, Mike | Early Proponents of Electric Bass in Mainstream Jazz: An Analysis of Monk Montgomery and Bob Cranshaw | Dissertation | View Record >> |
| Martin, Henry | Review of Elizabeth West Marvin and Richard Hermann, Concert Music, Rock, and Jazz Since 1945—Essays and Analytical Studies | Review | View Record >> |
| Michaelsen, Garrett | Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More? | Journal Article | View Record >> |
| Stover, Chris | The Queer Rhythm of Cecil Taylor’s ‘Enter Evening' | Journal Article | View Record >> |
Total: 128 records found matching search query.