| Author | Title | Type | |
|---|---|---|---|
| Al-Zand, Karim | Theoretical Observations on Jazz Improvisation: The Solos of Julian 'Cannonball' Adderley | Dissertation | View Record >> |
| Al-Zand, Karim | Improvisation as Continually Juggled Priorities: Julian 'Cannonball' Adderley's 'Straight, No Chaser' | Journal Article | View Record >> |
| Albjerg, Erik | From Mellow-textured Mood Music into Dissonance: Gil Evans's 1948 Arrangement of 'Moon Dreams'' | Journal Article | View Record >> |
| Allen, E. | Michael Brecker's Tenor Sax Solo on Body and Soul | Journal Article | View Record >> |
| Baker, David | J. J. Johnson, Trombone | Book | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bauer, William | Louis Armstrong's 'Skid Dat De Dat': Timbral Organization in an Early Scat Solo | Journal Article | View Record >> |
| Bauer, William R. | Scat Singing: A Timbral and Phonemic Analysis | Journal Article | View Record >> |
| Beatty, E. B. | Bill Evans: Portrait of his LIfe as a Jazz Pianist and Musical Analyses of His Style | Conference Proceedings | View Record >> |
| Benadon, Fernando | Time Warps in Early Jazz | Journal Article | View Record >> |
| Berardinelli, Paula | Bill Evans: His Contributions as a Jazz Pianist and An Analysis of His Musical Style | Dissertation | View Record >> |
| Berlin, Edward A. | Ragtime Songs | Book Chapter | View Record >> |
| Blair, J. J. | Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations | Dissertation | View Record >> |
| Blanq, Charles Clement III | Melodic Improvisation in American Jazz: The Style of Theodore 'Sonny' Rollins | Dissertation | View Record >> |
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Block, Steven | 'Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz | Journal Article | View Record >> |
| Brofsky, Howard | Miles David and 'My Funny Valentine': The Evolution of a Solo | Journal Article | View Record >> |
| Brown, T. Dennis | Vic Berton: A Forgotten Giant of the Drums | Journal Article | View Record >> |
| Brown, Theodore | A History and Analysis of Jazz Drumming to 1942 | Dissertation | View Record >> |
| Brownell, John | Analytical Models of Jazz Improvisation | Journal Article | View Record >> |
| Buchmann-Moller, Frank | You Got to Be Original, Man: The Music of Lester Young | Book | View Record >> |
| Budds, Michael J. | Jazz in the Sixties: The Expansion of Musical Resources and Techniques | Book | View Record >> |
| Buehrer, Ted | Metric Dissonance in Jazz | Conference Proceedings | View Record >> |
| Burns, Lori | Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong | Journal Article | View Record >> |
| Byrnside, Ronald | The Performer as Creator: Jazz Improvisation | Book Chapter | View Record >> |
| Caniato, Michele | From Popular Song to Jazz Composition: Thelonious Monk's 'Ruby, My Dear' | Journal Article | View Record >> |
| Caporaletti, Vincenzo | Esperienze di analisi del jazz | Book | View Record >> |
| Caporaletti, Vincenzo | Evoluzione di un volo: il | Journal Article | View Record >> |
| Charry, Eric | Freedom and Form in Ornette Coleman's Early Atlantic Recordings | Journal Article | View Record >> |
| Check, John D. | Compound Melody and Jazz Improvisations: A Reconsideration | Journal Article | View Record >> |
| Check, John David | Concepts of Compound Melody in Jazz Improvisation | Dissertation | View Record >> |
| Cogswell, Michael | Melodic Organization in Two Solos by Ornette Coleman | Journal Article | View Record >> |
| Coker, Jerry | Listening to Jazz | Book | View Record >> |
| Collier, Geoffrey L. | Microrhythms in Jazz: A Review of Papers | Journal Article | View Record >> |
| Coltrane, John | Coltrane on Coltrane | Journal Article | View Record >> |
| Cotro, Vincent | Virtuosit??_ et invention musicale dans le jazz: Pistes de r??_flextion et d'analyse | Journal Article | View Record >> |
| Covach, John | Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970's American Progressive Rock | Book Chapter | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Dapogny, James | Jelly Roll Morton and Ragtime | Book Chapter | View Record >> |
| Demsey, David | John Coltrane Plays 'Giant Steps' | Book | View Record >> |
| Demsey, David | Chromatic Third Relations in the Music of John Coltrane | Journal Article | View Record >> |
| Dewhurst, Robin | A Study of the Jazz Composition and Orchestration Techniques Adopted by Gil Evans | Dissertation | View Record >> |
| Downs, Clive | Metric Displacement in the Improvisation of Charlie Christian | Journal Article | View Record >> |
| Elsdon, Peter | Style and the Improvised Line in Keith Jarrett's Solo Concerts | Journal Article | View Record >> |
| Feather, Leonard | Inside Jazz | Book | View Record >> |
| Feurzeig, David Kahn | Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic | Dissertation | View Record >> |
| Finkelman, Jonathan | Charlie Christian, Bebop, and the Recordings at Minton's | Journal Article | View Record >> |
| Folio, Cynthia | An Analysis of Polyrhythm in Selected Improvised Jazz Solos | Book Chapter | View Record >> |
| Folio, Cynthia | Dexter Gordon's Ultimate 'Body and Soul' | Conference Proceedings | View Record >> |
| Folio, Cynthia | 'The Great Symphonic Theme': Multiple Takes on | Journal Article | View Record >> |
| Forte, Allen | The American Popular Ballad of the Golden Era, 1924-1950 | Book | View Record >> |
| Forte, Allen | The Real 'Stella' and the 'Real' 'Stella': A Response to 'Alternate Takes' | Journal Article | View Record >> |
| Forte, Allen | The Development of Diminutions in American Jazz | Journal Article | View Record >> |
| Freedy, David Rawlings | Brecker's Blue Transcription and Theoretical Analysis of Six Selected Improvised Blues Solos by Jazz Saxophonist Michael Brecker | Dissertation | View Record >> |
| Gelber, Jesse H. | Bitonality in Jazz of the Twenties and Thirties | Dissertation | View Record >> |
| Gilbert, Steven E. | The Music of Gershwin | Book | View Record >> |
| Gilbert, Steven E. | Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Songs and Jazz | Book Chapter | View Record >> |
| Gilbert, Steven E. | Gershwin's Art of Counterpoint | Journal Article | View Record >> |
| Gillis, Frank J. | Hot Rhythm in Piano Ragtime | Book Chapter | View Record >> |
| Givan, Benjamin | Django Reinhardt's 'I'll See You in My Dreams' | Journal Article | View Record >> |
| Givan, Benjamin | Swing Improvisation: A Schenkerian Perspective | Journal Article | View Record >> |
| Givan, Benjamin | Discontinuity in the Music of Django Reinhardt | Journal Article | View Record >> |
| Gonda, Janos | Problems of Tonality and Function in Modern Jazz Improvisation | Journal Article | View Record >> |
| Graham, Alexander H. | The Living Framework: Miles Davis and the Evolution of American Popular Song | Dissertation | View Record >> |
| Green, Edward | 'Harlem Air Shaft': A True Programmatic Composition? | Journal Article | View Record >> |
| Gridley, Mark | Jazz Styles: History & Analysis | Book | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Gushee, Lawrence | Lester Young's 'Shoe Shine Boy' | Conference Proceedings | View Record >> |
| Hagert, Thornton | Band and Orchestral Ragtime | Book Chapter | View Record >> |
| Harker, Brian | 'Telling a Story': Louis Armstrong and Coherence in Early Jazz | Journal Article | View Record >> |
| Harker, Brian | Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing | Journal Article | View Record >> |
| Hartman, Charles O. | 'Wrong Together': Structures, Norms, and Standards | Journal Article | View Record >> |
| Haywood, Mark S. | Order and Chaos in Bird and Trane | Journal Article | View Record >> |
| Haywood, Mark S. | Rhythmic Readings in Thelonious Monk | Journal Article | View Record >> |
| Heavner, T. | Michael Brecker's Side-Slipping Tenor Saxophone Solo on Delta City Blues | Journal Article | View Record >> |
| Heen, Carol Louise | Procedures for Style Analysis of Jazz | Dissertation | View Record >> |
| Henriksson, Juha | Chasing the Bird: Functional Harmony in Charlie Parker's Bebop Themes | Dissertation | View Record >> |
| Hermann, Richard | Charlie Parker's Solo to 'Ornithology': Facets of Counterpoint, Analysis, and Pedagogy | Journal Article | View Record >> |
| Heyer, David J. | Vocabulary, Voice Leading, and Motivic Coherence in Chet Baker's Jazz Improvisations | Dissertation | View Record >> |
| Heyer, David J. | Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach | Journal Article | View Record >> |
| Hodeir, Andre | Jazz: Its Evolution and Essence | Book | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Jairazbhoy, Nazir A. | The 'Objective' and 'Subjective' View of Music Transcription | Journal Article | View Record >> |
| Jeckovich, Jeffrey | The Forms and Orchestration of Five Jelly Roll Morton Piano Solos | Journal Article | View Record >> |
| Jones-Quartey, Kwatei | 'Parker's Mood' Revisited | Journal Article | View Record >> |
| Joyner, David | Analyzing Third Stream | Journal Article | View Record >> |
| Julien, Patricia | The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963 | Dissertation | View Record >> |
| Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
| Jungbluth, Axel | Harmonische Analyse (Bill Evans's Very Early: Chromatik als Ubergeordnetes regulativ) | Journal Article | View Record >> |
| Keil, Charles M. H. | Motion and Feeling Through Music | Journal Article | View Record >> |
| Kenny, Barry | Jazz Analysis as Cultural Imperative (and Other Urban Myths): A Critical Overview of Jazz Analysis and Its Relationship to Pedagogy | Journal Article | View Record >> |
| Kernfeld, Barry | What to Listen For in Jazz | Book | View Record >> |
| Kernfeld, Barry | Adderley, Coltrane, Davis at the Twilight of Bebop: The Search for Melodic Coherence | Dissertation | View Record >> |
| Kernfeld, Barry | Two Coltranes | Journal Article | View Record >> |
| Knauer, Wolfram | Parker's Mood: Genesis of a Blues Improvisation | Journal Article | View Record >> |
| Koch, Lawrence O. | Yardbird Suite: A Compendium of the Music and Life of Charlie Parker | Book | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part Two) | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part One) | Journal Article | View Record >> |
| Koch, Lawrence O. | Thelonious Monk: Compositional Techniques | Journal Article | View Record >> |
| Korman, Clifford | 'Criss Cross': Motivic Construction in Composition and Improvisation | Journal Article | View Record >> |
| Kurzdorfer, James | Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk | Journal Article | View Record >> |
| Kynaston, Trent P. | Jazz Improvisation | Book | View Record >> |
| Larson, Steve | Analyzing Jazz: A Schenkerian Approach | Book | View Record >> |
| Larson, Steve | Conversations with Monk and Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Circular Thinking: A Roundtable on 'Blue in Green' and 'Nefertiti' | Conference Proceedings | View Record >> |
| Larson, Steve | Integration in Jazz Performance: Concealed Repetition in Oscar Peterson's Performance of Thelonious Monk's '''Round Midnight | Conference Proceedings | View Record >> |
| Larson, Steve | Rhythmic Displacement in the Music of Bill Evans | Book Chapter | View Record >> |
| Larson, Steve | Jazz Recipes | Conference Proceedings | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz | Dissertation | View Record >> |
| Larson, Steve | Some Aspects of the Album 'Out of the Woods' by the Chamber Ensemble Oregon | Dissertation | View Record >> |
| Larson, Steve | Swing and Motive in Three Performances by Oscar Peterson | Journal Article | View Record >> |
| Larson, Steve | Composition versus Improvisation? | Journal Article | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Larson, Steve | Reviews of The American Popular Ballad of the Golden Era, 1924-1950, by Allen Forte; The Music of Gershwin, by Steven Gilbert; and Charlie Parker and Thematic Improvisation, by Henry Martin. | Review | View Record >> |
| Larson, Steve | Musical Forces, Melodic Expectation, and Jazz Melody | Journal Article | View Record >> |
| Larson, Steve | What Makes a Good Bridge? | Journal Article | View Record >> |
| Larson, Steve | Dave McKenna's Performance of 'Have You Met Miss Jones?' | Journal Article | View Record >> |
| Larson, Steve | 'Yellow Bell' and a Jazz Paradigm | Journal Article | View Record >> |
| Larson, Steve | Analyzing Jazz 'Strategies': Two Performances by Bill Evans | Conference Proceedings | View Record >> |
| Larson, Steve | The Art of Charlie Parker's Rhetoric | Journal Article | View Record >> |
| Larson, Steve | Triple Play: Bill Evans's Three-Piano Performance of Victor Young's 'Stella by Starlight' | Journal Article | View Record >> |
| Liebman, David | John Coltrane's Meditation Suite: A Study in Symmetry | Journal Article | View Record >> |
| Lindeman, Steve | Miles's 'Stella': A Comparison of the Two Quintets | Journal Article | View Record >> |
| Lindsay, Julie Anne | Analytical Approaches to Jazz Polyphony, with Special Reference to the Use of Pitch-Class Theory in the Works of Toshiko Akiyoshi and Phil Woods | Dissertation | View Record >> |
| List, George | The Reliability of Transcription | Journal Article | View Record >> |
| Love, Stefan | An Approach to Phrase Rhythm in Jazz | Journal Article | View Record >> |
| Lovell, Jeffrey | Out of the Ordinary: Andrew Hill's 'Verona Rag' | Journal Article | View Record >> |
| Machlin, Paul | Stride: The Music of Fats Waller | Book | View Record >> |
| Machlin, Paul | Thomas Wright 'Fats' Waller: Performances in Transcription 1927-1943 | Book | View Record >> |
| Machlin, Paul | Fats Waller Composes: The Sketches, Drafts and Lead Sheets in the Institute of Jazz Studies Collection | Journal Article | View Record >> |
| Martin, Henry | Jazz: The First 100 Years | Book | View Record >> |
| Martin, Henry | Charlie Parker and Thematic Improvisation | Book | View Record >> |
| Martin, Henry | Jazz Harmony | Dissertation | View Record >> |
| Martin, Henry | From Fountain to Furious: Ellington's Development a Stride Pianist | Journal Article | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | Maria Schneider's 'Hang Gliding': Aspects of Structure | Journal Article | View Record >> |
| Martin, Henry | Jazz Harmony: A Syntactic Background | Journal Article | View Record >> |
| Martin, Henry | We Remember Clifford: Variation Technique at the Middleground | Journal Article | View Record >> |
| Martin, Henry | The Nature of Recomposition: Miles Davis and 'Stella by Starlight' | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | Review | View Record >> |
| Martin, Henry | Aural Sketches: Chick Corea's 'Where Have I Known You Before' | Journal Article | View Record >> |
| Martin, Henry | More Than Just Guidetones: Steve Larson's Analyzing Jazz: A Schenkerian Approach | Review | View Record >> |
| Meehan, Norman | After the Melody: Paul Bley and Jazz Piano After Ornette Coleman | Journal Article | View Record >> |
| Monson, Ingrid | Musical Interaction in Modern Jazz: An Ethnomusicological Perspective | Dissertation | View Record >> |
| Moreno, Jairo | Body 'n' Soul?: Voice and Movement in Keith Jarrett's Pianism | Journal Article | View Record >> |
| Morgan, David | Superimposition in the Improvisations of Herbie Hancock | Journal Article | View Record >> |
| Nadeau, Roland | The Grace and Beauty of Classic Rags: Structural Elements in a Distinct Musical Genre | Book Chapter | View Record >> |
| Newberger, Eli H. | Archetypes and Antecedents of Piano Blues and Boogie Woogie Style | Journal Article | View Record >> |
| Newberger, Eli H. | Refinement of Melody and Accompaniment in the Evolution of Swing Piano Style | Journal Article | View Record >> |
| Ostransky, Leroy | The Anatomy of Jazz | Book | View Record >> |
| Owens, Thomas | Analysing Jazz | Book Chapter | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Owens, Thomas | The Fugal Pieces of the Modern Jazz Quartet | Journal Article | View Record >> |
| Owens, Thomas | Applying the Melograph to | Journal Article | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Perry, J. C. | A Comparative Analysis of Selected Piano Solos by Red Garland, Bill Evans, Wynton Kelly, and Herbie Hancock from Their Recordings with the Miles Davis Groups, 1955-1968 | Dissertation | View Record >> |
| Pond, Steven F. | Head Hunters: The Making of Jazz's First Platinum Album | Book | View Record >> |
| Pond, Steven F. | Herbie Hancock's Head Hunters: Troubling the Waters of Jazz | Dissertation | View Record >> |
| Porter, Lewis | John Coltrane: His Life and Music | Book | View Record >> |
| Porter, Lewis | Lester Young | Book | View Record >> |
| Porter, Lewis | Jazz: From Its Origins to the Present | Book | View Record >> |
| Porter, Lewis | John Coltrane's A Love Supreme: Jazz Improvisation as Composition | Journal Article | View Record >> |
| Porter, Lewis | The 'Blues Connotation' in Ornette Coleman's Music? ?and Some General Thoughts on the Relation of Blues to Jazz | Journal Article | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Pitch Class Set Structures in Contemporary Jazz | Journal Article | View Record >> |
| Priestley, Brian | Chasin' the Bird: The Life and Legacy of Charlie Parker | Book | View Record >> |
| Priestley, Brian | Charlie Parker and Popular Music | Journal Article | View Record >> |
| Rattenbury, Ken | Duke Ellington: Jazz Composer | Book | View Record >> |
| Reeves, Scott D. | Gil Evans: The Art of Musical Transformation | Journal Article | View Record >> |
| Reyman, R. G. | An Analysis of Melodic Improvisational Practices of Miles Davis | Conference Proceedings | View Record >> |
| Riddle, Ronald | Novelty Piano Music | Book Chapter | View Record >> |
| Rinzler, Paul | McCoy Tyner: Style and Syntax | Journal Article | View Record >> |
| Rinzler, Paul | Preliminary Thoughts on Analyzing Musical Interaction Among Jazz Performers | Journal Article | View Record >> |
| Rohm, Joseph | Jazz Harmony: Structure, Voicing, and Progression | Dissertation | View Record >> |
| Russell, George | The Lydian Chromatic Concept of Tonal Organization for Improvisation | Book | View Record >> |
| Sabina, Leslie M. | 'Body and Soul' Ben Webster: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Found a New Baby' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Corner Pocket' by Thad Jones: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Half Nelson' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Hootie Blues' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'A Foggy Day' by Jackie McLean: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | Caf? Black Rose' by David Sanborn: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Oasis' by Dave Liebman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Grand Prix' Stanley Clarke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Texas Moaner Blues' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Don't Blame Me' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Sandu' by Clifford Brown: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Caravan' by Joe Pass: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Long Note Blues' by Sahib Shihab: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Jack Teagarden: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Blue Nun' by J. J. Johnson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Haresah' by Steve Grossman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'After You've Gone' by Benny Goodman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'All the Things You Are' by Sonny Criss: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Louis Armstrong: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'For Stompers Only' Stan Getz: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Things Ain't What They Used To Be' by Charles Mingus: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Crawlspace' by Art Farmer: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How Deep Is The Ocean?' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Solar' by Miles Davis: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Lady, Be Good' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'So Do It!' Wes Montgomery: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Rifftide' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight" by James Moody: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Mogie' by Lee Morgan: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tight Squeeze' Lucky Thompson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Singin' the Blues' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tomorrow Land' by John Scofield: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How High the Moon' by Sonny Stitt: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'The Great Lie' Woody Herman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Eli's Coming' by Maynard Ferguson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Riverboat Shuffle' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 2] | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Fancy Free' by Donald Byrd: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'First Light' by Freddie Hubbard: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Want a LIttle Girl' by Lester Young | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Jive Samba' by Cannonball Adderley: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shoe Shine Boy' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Moonray' by Milt Jackson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 1] | Journal Article | View Record >> |
| Sagee, Alona | Miles Davis's Improvised Solos in Recordings of 'Walking': 1954-67 | Journal Article | View Record >> |
| Sandvik, Scott | Polyharmony, Polymeter, and Motivic Development in Charlie Parker's Klact-Oveeseds-Tene (Take 1) Solo | Journal Article | View Record >> |
| Satyendra, Ramon | Analyzing the Unity within Contrast: Chick Corea's 'Starlight' | Book Chapter | View Record >> |
| Scaturro, Fabrizio | 'Free Jazz' di Ornette Coleman, per un'analisi formale e timbrica | Journal Article | View Record >> |
| Schreyer, Lowell H. | The Banjo in Ragtime | Book Chapter | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Journal Article | View Record >> |
| Schuller, Gunther | Early Jazz: Its Roots and Musical Development | Book | View Record >> |
| Schuller, Gunther | Rags, the Classics, and Jazz | Book Chapter | View Record >> |
| Schuller, Gunther | The Swing Era: The Development of Jazz, 1930-1945 | Book | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Book Chapter | View Record >> |
| Scott, Andrew | Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of 'So What' | Journal Article | View Record >> |
| Scotti, Joseph R. | The Musical Legacy of Joe Lamb | Book Chapter | View Record >> |
| Shaftel, Matthew | From Inspiration to Archive: Cole Porter's 'Night and Day' | Journal Article | View Record >> |
| Shim, Eunmi | Lennie Tristano: His Life in Music | Book | View Record >> |
| Shull, Ted | When Backward Comes Out Ahead: Lucky Thompson's Phrasing and Improvisation | Journal Article | View Record >> |
| Simon, Tom | An Analytical Inquiry into Thelonious Monk's 'Ruby, My Dear' | Dissertation | View Record >> |
| Smith, Gregory E. | Homer, Gregory, and Bill Evans: The Theory of Formulaic Composition in the Context of Jazz Piano Improvisation | Dissertation | View Record >> |
| Steinbeck, Paul | Analyzing the Music of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Stewart, Alex | Making the Scene: Contemporary New York City Big Band Jazz | Book | View Record >> |
| Stewart, Milton L. | Earl Hines's 'Trumpet' Piano Style: The Influence of Louis Armstrong | Journal Article | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Dissertation | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Journal Article | View Record >> |
| Stover, Chris | Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965-68 (Oxford University Press, 2011) | Review | View Record >> |
| Strange, P. M. | Keith Jarrett's Uptempo Jazz Trio Playing: Transcription and Analysis of Performances of 'Just in Time' | Dissertation | View Record >> |
| Strunk, Steven | The Harmony of Early Bop: A Layered Approach | Journal Article | View Record >> |
| Strunk, Steven | Comment on 'Toward a Theory of Popular Harmony' | Journal Article | View Record >> |
| Strunk, Steven | Chick Corea's 1984 Performance of 'Night and Day' | Journal Article | View Record >> |
| Strunk, Steven | Bebop Melodic Lines: Tonal Characteristics | Journal Article | View Record >> |
| Strunk, Steven | Wayne Shorter's 'Yes and No': An Analysis | Journal Article | View Record >> |
| Svorinich, Victor | Electric Miles: A Look at the 'In a Silent Way' and ''On the Corner' sessions | Journal Article | View Record >> |
| Taylor, Billy | Jazz Piano: History and Development | Book | View Record >> |
| Terefenko, Dariusz | The Art of the Solo Piano Introduction? Formal Improvisation | Conference Proceedings | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformations of Standard Tunes: Analysis and Pedagogy | Book | View Record >> |
| Terefenko, Dariusz | Review of Analyzing Jazz: A Schenkerian Approach, by Steve Larson (Pendragon Press, 2009) | Review | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Tirro, Frank | The Silent Theme Tradition in Jazz | Journal Article | View Record >> |
| Tirro, Frank | Constructive Elements in Jazz Improvisation | Journal Article | View Record >> |
| Tucker, Mark | Ellington: The Early Years | Book | View Record >> |
| Van de Leur, Walter | Something to Live For: The Music of Billy Strayhorn | Book | View Record >> |
| Walser, Robert | Out of Notes: Signification, Interpretation, and the Problem of Miles Davis | Journal Article | View Record >> |
| Wang, Richard | Jazz Circa 1945: A Confluence of Styles | Journal Article | View Record >> |
| Waterman, Guy | Ragtime | Book Chapter | View Record >> |
| Waterman, Guy | Joplin's Late Rags: An Analysis | Book Chapter | View Record >> |
| Waters, Keith | The Studio Recordings of the Miles Davis Quintet, 1965-68 | Book | View Record >> |
| Waters, Keith | Introducing Pitch-Class Sets in the Music of Coltrane and Harbison | Journal Article | View Record >> |
| Waters, Keith | Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock | Journal Article | View Record >> |
| Waters, Keith | Out Front: The Art of Booker Little | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Williams, J. Kent | Rebuttal to Review | Journal Article | View Record >> |
| Williams, J. Kent | A Method for the Computer-Aided Analysis of Jazz Melody in the Small Dimensions | Journal Article | View Record >> |
| Williams, J. Kent | Archetypal Schemata in Jazz Themes of the Bebop Era | Journal Article | View Record >> |
| Williams, Martin | Extended Improvisation and Form: Some Solutions | Journal Article | View Record >> |
| Wilson, Olly | Musical Analysis of African American Music | Conference Proceedings | View Record >> |
| Winter, Keith | Communication Analysis in Jazz | Journal Article | View Record >> |
| Wright, Rayburn | Inside the Score: A Detailed Analysis of Eight Classic Jazz Ensemble Charts | Book | View Record >> |
| Yudkin, Jeremy | Miles Davis, Miles Smiles, and the Invention of Post Bop | Book | View Record >> |
| Zagalaz, Juan | La metamorfosis de la musica popular americana: el estilo de Teddy Wilson: 1935-1940 | Journal Article | View Record >> |
| Zagalaz, Juan | The Jazz-Flamenco Connection: Chick Corea and Paco de Lucia Between 1976 and 1982 | Journal Article | View Record >> |
| Zano, Anthony | Mechanics of Modern Music: An Analysis of Contemporary and Jazz Techniques. Tecnica della musica moderna: introduzione all tecnica della musica leggera e jazz | Book | View Record >> |
| Ziporyn, Evan | Thelonious Monk's Harmony, Rhythm, and Pianism | Book Chapter | View Record >> |
| Earl 'Fatha' Hines: Selected Piano Solos 1928-1941 | Edited Book | View Record >> | |
| Ragtime: Its History, Composers, and Music | Edited Book | View Record >> | |
| Jazz: New Perspectives on the History of Jazz by Twelve of the World's Foremost Jazz Critics and Scholars | Edited Book | View Record >> | |
| Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies | Edited Book | View Record >> | |
| A Lester Young Reader | Edited Book | View Record >> | |
| Ferdinand 'Jelly Roll' Morton: The Collected Piano Music | Edited Book | View Record >> | |
| Givan, Benjamin | Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Context, Intentionality, and Jazz Analysis | Journal Article | View Record >> |
| Mounzer, Jason | Law of the Shortest Way and Jazz Improvisation : A Voice-Leading Model for the Analysis of | Dissertation | View Record >> |
| Kenagy, Peter Ellis | George Russell's Jazz Workshop: The composer's style and original methods of 1956 | Dissertation | View Record >> |
| Uriarte, German Sanchez | Symmetry in the music of Thelonious Monk and Steve Coleman | Dissertation | View Record >> |
| McClimon, Michael | A transformational approach to jazz harmony | Dissertation | View Record >> |
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| McMillan, Jeremey James | Cinq Études de Jazz: A Study of Jazz and Modernism | Dissertation | View Record >> |
| Love, Stefan | On Phrase Rhythm in Jazz | Dissertation | View Record >> |
| Smither, Sean R. | Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Dissertation | View Record >> |
| Williams, Shawn Edward. | Three in One: The Style, Structure, and Sound of Thad Jones as a Jazz Trumpeter | Dissertation | View Record >> |
| Sample, T. W. | An Analysis of the Improvisational Style of Jazz Organist Jimmy Smith through Selected Right Hand Transcriptions | Dissertation | View Record >> |
| Saeger, Lauren | An Exploration of Vibrato and Performer Perception in Vocal Jazz Singing | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Beltran, Michael P. | Raymond Scott: The True Inventor of the Cartoon Jazz Sound | Dissertation | View Record >> |
| Monroy Romero, Juan Manuel | An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz | Dissertation | View Record >> |
| Whitmire, Jonathan | A description of the musical concepts artist-level jazz musicians employ while improvising | Dissertation | View Record >> |
| Gabric, Lukas | Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | Dissertation | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Rosado, Adam | Analyzing Hermeto Pascoal's Calendário do Som | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Dickenson, James W. | The Impact of Norwegian Folk Music on Norwegian Jazz, 1945 - 1995 | Dissertation | View Record >> |
| Hanegan, Brian Scott | A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943) | Dissertation | View Record >> |
| Pilzer, Leigh | Gerry Mulligan, Soloist: Transcription and Analysis of His Small-Group Solos on Line for Lyons, Curtains, and The Flying Scotsman | Dissertation | View Record >> |
| Davis, Connor | Thelonious Monk's Prototypical Style: Close and Distant Readings of Jazz Stylings | Dissertation | View Record >> |
| Morrison, Murray James | Practitioner and Prophet: An Analysis of Sonny Stitt's Music and Relationship to Charlie Parker | Dissertation | View Record >> |
| Bechtel, Teague Stefan | Grant Green: An Analysis of the Blue Note Guitarist's Musical Vocabulary | Dissertation | View Record >> |
| Goods, Emmett C. | The Hard Bop Trombone: An Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964) | Dissertation | View Record >> |
| Lougheed, Benjamin Walter Poliner | A Performance Guide to Selected Jazz Arrangements of Roland Dyens | Dissertation | View Record >> |
| Larsen, David William | Creating the Cool: Understanding the Music of Gerry Mulligan | Dissertation | View Record >> |
| Moorman, Dennis Lee | An Analytic Study Of Jazz Improvisation With Suggestions For Performance (Theory) | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Moore, David Michael | Blue: A Stylistic Analysis of Blue Mitchell | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Greenstein, Jonathan | Astral Fire: A Meditation on Spiritual Jazz as Modeled by Five Saxophone Players, 1969-1979 | Dissertation | View Record >> |
| Hutchinson, Nelsen | Hammond B3 Organ Trios and Soul Jazz 1955-1965 | Dissertation | View Record >> |
| Hong, Seungyoung | The Bassist Is the Quarterback: An Examination of Ron Carter’s Improvised Performance in Different Contexts | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Terres, Dana R. | Making Space for Black Modern Dance: The Music and Dance of Alvin Ailey’s Revelations, the River, and Mary Lou’s Mass | Dissertation | View Record >> |
| Tehse, Jared | Consider This: A Vocal Score of Wynton Marsalis' The Ever Fonky Lowdown | Dissertation | View Record >> |
| Lancaster, Rodney Allen | Transcription and analysis of selected trombone solos from J. J. Johnson's 1964 recording “Proof Positive" | Dissertation | View Record >> |
| Gagatsis, Alexander Christos | Jazz improvisation as situated cognition: historical and analytical perspectives on the music of milt jackson | Dissertation | View Record >> |
| Levine, Michelle F. | Copresence and coordination in jazz musicians' collaborative music-making | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Radano, Ronald Michael | Anthony Braxton And His Two Musical Traditions, The Meeting Of Concert Music And Jazz. (Volumes I And Ii) (Avant-Garde, Free Jazz) | Dissertation | View Record >> |
| Mermikes, Milton | Changes over time: theory and practice | Dissertation | View Record >> |
| Ruechel, Nate | Jazz, Desire, Racial Difference, and Twentieth Century Gender Ideology in Arron Copland's Grohg: A Ballet in One Act | Dissertation | View Record >> |
| Frink, Nathan A | Dancing in his head: The evolution of Ornette Coleman's music and compositional philosophy | Dissertation | View Record >> |
| King-Bennett, Elizabeth | Beyond Genre: Analysis of Selected Saxophone Music by Alex Mincek, Anthony Braxton, and Jack Wright through a Lens of Genre Theory | Dissertation | View Record >> |
| Westendorf, Lynette | Analyzing free jazz | Dissertation | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| Balara, Lawrence Matthew | The Personal and Social Dimensions of Creativity in Collective Jazz Improvisation | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Fairhall, Adam Leslie | Intertextuality and the dialogic principle in jazz | Dissertation | View Record >> |
| Michaelsen, Garrett | Analyzing musical interaction in jazz improvisations of the 1960s | Dissertation | View Record >> |
| Simon, Scott J. | A multi -dimensional entropy model of jazz improvisation for music information retrieval | Dissertation | View Record >> |
| Jones, Andrew Daniel | Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Rinne, Henry Q. | Concepts of time and space in selected works of jazz improvisation and painting | Dissertation | View Record >> |
| Thompson, Daniel J. | Interpreting Hard Bop: Topics, Narrative, And Subjectivity | Dissertation | View Record >> |
| Lempert, Benjamin Richard | Up in the Sound: Form and Voice in Jazz and Post-War American Poetry | Dissertation | View Record >> |
| Briody, Steve | The improvisational phrases of five prominent bebop guitarists: Seven hundred transcribed and categorized lines | Dissertation | View Record >> |
| Washington, Michael Spence | Beautiful nightmare: Coltrane, jazz, and American culture | Dissertation | View Record >> |
| Morrison, Kenneth John | A polymetric interpretation of the swing impulse: Rhythmic stratification in jazz | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Fenlon, Sean Patrick | The exotic rhythms of Don Ellis | Dissertation | View Record >> |
| Lugg, Fiona | Harmonic signification: A study of articulation practices in four unaccompanied jazz double bass solos | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Keesecker, Jamie | Into the Bends of Time and Musical Forces in Jazz: Group Interaction and Double-time in "My Foolish Heart" as performed by the Bill Evans Trio with Scott LaFaro and Paul Motian | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Cosper, David James | Interpretation, Narrativity, and Musical Performance | Dissertation | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| Brownell, John E. B | Drum set improvisation: Towards a conceptual model | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Nicholls, Tracey | It does too matter: Aesthetic value(s), avant -garde art, and problems of theory choice | Dissertation | View Record >> |
| Gupta, Christopher Martin | Getting Out of a Jam: Collective Improvisation in Popular Music | Dissertation | View Record >> |
| Dent, Cedric Carl | The harmonic development of the black religious quartet singing tradition | Dissertation | View Record >> |
| Harrelson, John William | Theme and variation, call and response: A critical history of America's music | Dissertation | View Record >> |
| Calhoun, Fraser C. | Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| Chirita, Claudia-Elena | Logics and Reasoning for Computational Creativity | Dissertation | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Smither, Sean R. | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | Journal Article | View Record >> |
| Geyer, Ben | Maria Schneider’s Forms: Norms and Deviations in a Contemporary Jazz Corpus | Journal Article | View Record >> |
| Norgaard, Martin | How Jazz Musicians Improvise: The Central Role of Auditory and Motor Patterns | Journal Article | View Record >> |
| Dodd, Julian | Upholding Standards: A Realist Ontology of Standard Form Jazz | Journal Article | View Record >> |
| Granroth-Wilding, Mark ; Steedman, Mark | A Robust Parser-Interpreter for Jazz Chord Sequences | Journal Article | View Record >> |
| Aldridge, James | Tristano's Reichian Theory of Improvisation: Jazz of the Unconscious Mind | Journal Article | View Record >> |
| Rusch, René | Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext | Journal Article | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Thomas, Margaret E | Conlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation | Journal Article | View Record >> |
| Parncutt, Richard ; Radovanovic, Lazar | The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards | Journal Article | View Record >> |
| Chodos, Asher Tobin | The Blues Scale: Historical and Epistemological Considerations | Journal Article | View Record >> |
| Park, Joon | Reflection on (and in) Strunk’s Tonnetz | Journal Article | View Record >> |
| Martin, Jodie L. | Writing about music: The selection and arrangement of notation in jazz students’ written texts | Journal Article | View Record >> |
| Strunk, Steve | Tonal and Transformational Approaches to Chick Corea’s Compositions of the 1960s | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Charyton, Christine ; Holden, John G. ; Jagacinski, Richard J. ; Elliott, John O. | A Historical and Fractal Perspective on the Life and Saxophone Solos of John Coltrane | Journal Article | View Record >> |
| Cosper, David | Breaking (from) the History: Postmodern Narrativity in the Music of Jaki Byard | Journal Article | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Keller, Robert ; Schofield, Alexandra ; Toman-Yih, August ; Merritt, Zachary ; Elliott, John | Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis | Journal Article | View Record >> |
| Abesser, Jakob | Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos | Journal Article | View Record >> |
| Corcoran, Christopher; Frieler, Klaus | Playing It Straight: Analyzing Jazz Soloists' Swing Eighth-note Distributions with the Weimar Jazz Database | Journal Article | View Record >> |
| Dittmar, Christian | A swingogram representation for tracking micro-rhythmic variation in jazz performances | Journal Article | View Record >> |
| Katz, Jonah | Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study | Journal Article | View Record >> |
| Frieler, Klaus | Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation | Journal Article | View Record >> |
| Hedges, Thomas | Predicting the Composer and Style of Jazz Chord Progressions | Journal Article | View Record >> |
| Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
| Cesar, Rafael Do Nascimento | Cariocas de New Orleans: Brazilian Interpretations of North American Jazz | Journal Article | View Record >> |
| Durán, Gabriel ; de la Cuadra, Patricio | Transcribing Lead Sheet-Like Chord Progressions of Jazz Recordings | Journal Article | View Record >> |
| Araújo, Fabiano ; Borém, Fausto | Schoenberg's tonal harmony: a proposal for analysis, realization and composition of lead sheets | Journal Article | View Record >> |
| Moss, Fabian C. | Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Frieler, Klaus ; Zaddach, Wolf-Georg | Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisational Fictions | Journal Article | View Record >> |
| Meyers, John Paul | Standards and Signification between Jazz and Fusion: Miles Davis and "I Fall in Love Too Easily," 1963-1970 | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisation and Collaboration in Anthony Braxton’s Composition 76 | Journal Article | View Record >> |
| Shelley, Braxton D. | Analyzing Gospel | Journal Article | View Record >> |
| Maxile, Horace J. | Implication, Quotation, and Coltrane in Selected Works By David N. Baker | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
| Herzig, Monika ; Baker, David | Beyond Jamming: A Historical and Analytical Perspective on the Creative Process | Journal Article | View Record >> |
| Cohen, Brigid | Enigmas of the Third Space: Mingus and Varese at Greenwich House, 1957 | Journal Article | View Record >> |
| Sheehy, August | Improvisation, Analysis, and Listening Otherwise | Journal Article | View Record >> |
| Reynolds, Dean S. | Song, Beat, Sound, and Solo: Production, Musical Style, and a Recording-Oriented Aesthetic of Jazz | Journal Article | View Record >> |
| Gagastis, Alexander | Bags Still Grooves: Performance Strategies in Milt Jackson's Improvisations | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Abrams, Douglas R. | Recursive Structure and Inversional Pitch-class Relations in Thelonious Monk's "Ruby, My Dear": An Analytical Approach to "Monkishness" | Journal Article | View Record >> |
| Mermikides, Milton | 'Straight and Late': Analytical Perspectives on Coltrane's Time-feel | Journal Article | View Record >> |
| Bierman, Benjamin | Pharoah Sanders, Straight-Ahead and Avant-Garde | Journal Article | View Record >> |
| Pellegrin, Rich | Motive, Collection, and Voice Leading in John Coltrane's "Giant Steps" | Journal Article | View Record >> |
| O'Gallagher, John | Pitch-Class set Usage and development in late-Period improvisations of John Coltrane | Journal Article | View Record >> |
| Mullholland, Joe | The Berklee Book of Jazz Harmony | Book | View Record >> |
| Harasim, Daniel | The Jazz Harmony Treebank | Conference Proceedings | View Record >> |
| Rohrmeier, Martin; Moss, Fabian C. | A Formal Model of Extended Tonal Harmony | Conference Proceedings | View Record >> |
| Kaliakatsos-Papakostas, Maximos | Concept Invention And Music: Creating Novel Harmonies Via Conceptual Blending | Conference Proceedings | View Record >> |
| Rohrmeier, Martin | The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Norgaard, Martin | Patterns in Music: How Linguistic Corpus Analysis Tools Can Be Used to Illuminate Central Aspects of Jazz Improvisation | Journal Article | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Burke, Robert L. | Analysis and observations of pre-learnt and idiosyncratic elements in improvisation: a reflective study in jazz performance | Dissertation | View Record >> |
| Salley, Keith | Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study | Journal Article | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Vandemoortele, Peter | Root motion analysis of chord progressions of selected jazz compositions written between 1980 and 2000 | Journal Article | View Record >> |
| Stover, Chris | Mapping jazz’s affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Kajanová, Yvetta | Ballade in jazz and in Tadeáš Salva's music | Conference Proceedings | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| García-Valdecasas Vaticón, Guillermo | The Barry Harris harmonic theory in Chopin’s work | Journal Article | View Record >> |
| Doffman, Mark | Time in Jazz | Book Chapter | View Record >> |
| Frieler, Klaus | Computational melody analysis | Book Chapter | View Record >> |
| Shim, Eunmi | Analysis of Jazz: A Comprehensive Approach by Laurent Cugny (review) | Review | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Chiriţă, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Andreatta, Moreno | An Introduction on Formal and Computational Models in Popular Music Analysis and Generation | Book Chapter | View Record >> |
| Curry, Ben | Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle | Journal Article | View Record >> |
| Pellegrin, Rich | Schekerian versus Salzerian Analysis of Jazz | Book Chapter | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
| Henry, Lucas | Dig That Lick: Exploring Patterns in Jazz with Computational Methods | Journal Article | View Record >> |
| Heinitsh, Henry | The jazz multilinguist: John Scofield's universal improvisational approach | Dissertation | View Record >> |
| Halley, Lane | Early 21st Century Jazz Composition | Dissertation | View Record >> |
| Seguin, Pierre-Emmanuel | Lydia in Oz: The reception of George Russell in 1960s Australia | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker, Composer | Book | View Record >> |
| Barrett, Frank J. | “Minimal Structures Within a Song: An Analysis of ‘All of Me’ | Journal Article | View Record >> |
| Smither, Sean R. | 'Flexible Conceptual Maps’: A Schema-Based Approach to the Analysis of Jazz Tunes | Journal Article | View Record >> |
| Salley, Keith | Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition | Book Chapter | View Record >> |
| Pellegrin, Rich | Stable Norms and Salient Deviations: Multilayered Listening in Jazz and Common-Practice Music | Journal Article | View Record >> |
| Pellegrin, Rich | Harmony versus Voicing: Modeling Local-Level Salience and Stability in Jazz after 1960 | Journal Article | View Record >> |
| Pellegrin, Rich | Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on ‘All the Things You Are' | Journal Article | View Record >> |
Total: 462 records found matching search query.