| Author | Title | Type | |
|---|---|---|---|
| Berliner, Paul F. | Thinking in Jazz: The Infinite Art of Improvisation | Book | View Record >> |
| Hodson, Robert D. | Interation, Improvisation, and Interplay in Jazz | Book | View Record >> |
| Hodson, Robert D. | Interaction and Improvisation: Group Interplay in Jazz Performance | Dissertation | View Record >> |
| Monson, Ingrid | Saying Something: Jazz Improvisation and Interaction | Book | View Record >> |
| Monson, Ingrid | Musical Interaction in Modern Jazz: An Ethnomusicological Perspective | Dissertation | View Record >> |
| Rinzler, Paul | Preliminary Thoughts on Analyzing Musical Interaction Among Jazz Performers | Journal Article | View Record >> |
| Williams, Thomas | Strategy in Contemporary Jazz Improvisation: Theory and Practice | Dissertation | View Record >> |
| Petumenos, Nicholas Anthony | Collective Time: Exploring Interaction in Music that Swings | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Hong, Seungyoung | The Bassist Is the Quarterback: An Examination of Ron Carter’s Improvised Performance in Different Contexts | Dissertation | View Record >> |
| Levine, Michelle F. | Copresence and coordination in jazz musicians' collaborative music-making | Dissertation | View Record >> |
| Balara, Lawrence Matthew | The Personal and Social Dimensions of Creativity in Collective Jazz Improvisation | Dissertation | View Record >> |
| Michaelsen, Garrett | Analyzing musical interaction in jazz improvisations of the 1960s | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Keesecker, Jamie | Into the Bends of Time and Musical Forces in Jazz: Group Interaction and Double-time in "My Foolish Heart" as performed by the Bill Evans Trio with Scott LaFaro and Paul Motian | Dissertation | View Record >> |
| Fyffe, Jamie Robert | 'Kind of Blue' and the Signifyin(g) Voice of Miles Davis | Dissertation | View Record >> |
| Gupta, Christopher Martin | Getting Out of a Jam: Collective Improvisation in Popular Music | Dissertation | View Record >> |
| Smith, Christopher John | “I can show it to you better than I can explain it to you”: Analyzing procedural cues in African-American musical improvisations | Dissertation | View Record >> |
| Ryan, Kevin J., Jr. | Making in the Moment: The Dynamic Cognition of Musicians-in-action | Dissertation | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Solli, Mattias ; Aksdal, Erling ; Inderberg, John Pal | Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1) | Journal Article | View Record >> |
| Setzler, Matthew D ; Goldstone, Robert L | Tonal Emergence: An agent-based model of tonal coordination | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Miller, Brian A. | 'All of the Rules of Jazz': Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation. | Journal Article | View Record >> |
| Stover, Chris | Mapping jazz’s affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Ayad, Lorraine A.K | Creating improvisations on chord progressions using suffix trees | Journal Article | View Record >> |
| Friberg, Anders | Developing a Method for Identifying Improvisation Strategies in Jazz Duos | Conference Proceedings | View Record >> |
| Steinbeck, Paul | George Lewis’s Voyager | Book Chapter | View Record >> |
Total: 28 records found matching search query.