| Author | Title | Type | |
|---|---|---|---|
| Benward, Bruce | Jazz Improvisation in Theory and Practice | Book | View Record >> |
| Boling, Mark | The Jazz Theory Workbook | Book | View Record >> |
| Brandt, Carl | Standard Chord Symbol Notation | Book | View Record >> |
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Capuzzo, Guy | Pat Martino's 'The Nature of Guitar': An Intersection of Neo-Riemannian Theory and Jazz Theory | Journal Article | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Dean-Lewis, Tim | Playing Outside: Excursions from the Tonality in Jazz Improvisation | Dissertation | View Record >> |
| Dean-Lewis, Tim | How Weird Can Things Get? (Maps for Pantonal Improvisation) | Journal Article | View Record >> |
| Elsen, Frans | Jazz Harmony at the Piano: Practical Harmony Method for the Jazz Musician | Book | View Record >> |
| Flora, Sim A. | An Analytical Anthology of Improvised Solos Designed to Supplement the Formal Teaching of Jazz Improvisation and Jazz Theory at the University Level | Dissertation | View Record >> |
| Forte, Allen | Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin | Journal Article | View Record >> |
| Greenberg, Janice Leslie | Jazz Books in the 1990s: An Annotated Bibliography | Book | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Jaffe, Andrew | Jazz Harmony | Book | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Lawn, Richard | Jazz Theory and Practice | Book | View Record >> |
| Leeuwenberg, Boudewijn | Jazzharmonie aan der Piano by Frans Elsen | Review | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Ligon, Bert | Jazz Theory Resources: Tonal, Harmonic, Melodic and Rhythmic Organization of Jazz | Book | View Record >> |
| Lillos, Brian | Navigating the Be-boppers? a Harmonic Galaxy | Journal Article | View Record >> |
| Love, Stefan | A Model of Common-Tone Relations Among Jazz Scales | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory: An Overview | Journal Article | View Record >> |
| Martin, Henry | Constructing a Post-Modern-Jazz Pedagogy | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory and Analysis: An Introduction and Brief Bibliography | Journal Article | View Record >> |
| McGowan, James J. | Dynamic Consonance in Selected Piano Performances of Tonal Jazz | Dissertation | View Record >> |
| Nettles, Barrie | The Chord Scale Theory and Jazz Harmony | Book | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rohm, Joseph | Jazz Harmony: Structure, Voicing, and Progression | Dissertation | View Record >> |
| Russell, George | The Lydian Chromatic Concept of Tonal Organization for Improvisation | Book | View Record >> |
| Salley, Keith | Beyond Chord-Scale Theory: Realizing a Species Approach to Jazz Improvisation | Journal Article | View Record >> |
| Santa, Matthew | Nonatonic Progressions in the Music of John Coltrane | Journal Article | View Record >> |
| Satyendra, Ramon | Analyzing the Unity within Contrast: Chick Corea's 'Starlight' | Book Chapter | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Journal Article | View Record >> |
| Strunk, Steven | Tonnetz Chains and Clusters in Post-bebop Jazz | Conference Proceedings | View Record >> |
| Strunk, Steven | Comment on 'Toward a Theory of Popular Harmony' | Journal Article | View Record >> |
| Strunk, Steven | Wayne Shorter's 'Yes and No': An Analysis | Journal Article | View Record >> |
| Waters, Keith | Riffing on [0148]: Maj7#5, the Tonnetz, and Hexatonic and Acoustic Systems | Conference Proceedings | View Record >> |
| Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
| Wilson, Olly | Musical Analysis of African American Music | Conference Proceedings | View Record >> |
| Winkler, Peter K. | Toward a Theory of Popular Harmony | Journal Article | View Record >> |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Berkman, David | The Jazz Harmony Book | Book | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| McDaniel, Christopher N. | The emancipation of consonance: A pedagogical approach to distinguishing between consonance and harmonic stability | Dissertation | View Record >> |
| Balara, Lawrence Matthew | The Personal and Social Dimensions of Creativity in Collective Jazz Improvisation | Dissertation | View Record >> |
| Thompson, Daniel J. | Interpreting Hard Bop: Topics, Narrative, And Subjectivity | Dissertation | View Record >> |
| Morrison, Kenneth John | A polymetric interpretation of the swing impulse: Rhythmic stratification in jazz | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: ii–V Space | Journal Article | View Record >> |
| Park, Joon | Reflection on (and in) Strunk’s Tonnetz | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Gordon, Josh ; Gridley, Mark C. | Musical Preferences as a Function of Stimulus Complexity of Piano Jazz | Journal Article | View Record >> |
| Jordan, Stanley | Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz | Journal Article | View Record >> |
| Abrams, Douglas R. | Recursive Structure and Inversional Pitch-class Relations in Thelonious Monk's "Ruby, My Dear": An Analytical Approach to "Monkishness" | Journal Article | View Record >> |
| O'Gallagher, John | Pitch-Class set Usage and development in late-Period improvisations of John Coltrane | Journal Article | View Record >> |
| Rohrmeier, Martin; Moss, Fabian C. | A Formal Model of Extended Tonal Harmony | Conference Proceedings | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Perfeito, Paulo | Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation | Conference Proceedings | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Michaelsen, Garrett | Groove Topics in Improvised Jazz | Book Chapter | View Record >> |
| Stover, Chris | Mapping jazz’s affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Baker, David J. ; Shanahan, Daniel | Examining fixed and relative similarity metrics through jazz melodies | Book Chapter | View Record >> |
| Musso, Paul | Utilizing the tone row in jazz pedagogy: A technique to create tonal harmony in an atonal environment | Journal Article | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| King, Aaron Michael | An Exploration of Cultural Transmission through the Application of Jazz Theory to the Music of Frederic Chopin | Dissertation | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Andreatta, Moreno | An Introduction on Formal and Computational Models in Popular Music Analysis and Generation | Book Chapter | View Record >> |
| Curry, Ben | Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| McGowan, James | Riemann's functional framework for extended jazz harmony | Journal Article | View Record >> |
| Salley, Keith | Review: “Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)” | Review | View Record >> |
| Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
| Stover, Chris | Jazz Theory’s Pragmatics | Book Chapter | View Record >> |
| Pellegrin, Rich | Stable Norms and Salient Deviations: Multilayered Listening in Jazz and Common-Practice Music | Journal Article | View Record >> |
Total: 78 records found matching search query.