| Author | Title | Type | |
|---|---|---|---|
| Baker, David | How to Play Bebop | Book | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bernstein, W. | Tristan und Isolde' from a Jazz-Harmonic Point of View--Reaction to a Recent Article by Altug Unlu | Journal Article | View Record >> |
| Biamonte, Nicole | Augmented Sixth Chords vs. Tritone Substitutes | Journal Article | View Record >> |
| Bleij, Barbara | Harmonie aan het Berklee College of Music | Journal Article | View Record >> |
| Bleij, Barbara | On Harmony and Meaning in Clare Fischer's Music | Journal Article | View Record >> |
| Bloom, Steve | 21st Century Chords for Guitar | Book | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Brandt, Carl | Standard Chord Symbol Notation | Book | View Record >> |
| Buchanon, Herbert H. | Bop Harmony--A New Interdisciplinary Approach: PROLOG, Logic, and Artificial Intelligence | Journal Article | View Record >> |
| Burbat, Wolf | Die Harmonik des Jazz | Book | View Record >> |
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Burstein, Chaim | The Power of Altered Pentatonics | Journal Article | View Record >> |
| Check, John David | Concepts of Compound Melody in Jazz Improvisation | Dissertation | View Record >> |
| Chemillier, Marc | Toward a Formal Study of Jazz Chord Sequences Generated by Steedman's Grammar | Journal Article | View Record >> |
| Coltrane, John | Coltrane on Coltrane | Journal Article | View Record >> |
| Dean-Lewis, Tim | Playing Outside: Excursions from the Tonality in Jazz Improvisation | Dissertation | View Record >> |
| Dean-Lewis, Tim | How Weird Can Things Get? (Maps for Pantonal Improvisation) | Journal Article | View Record >> |
| Demsey, David | Chromatic Third Relations in the Music of John Coltrane | Journal Article | View Record >> |
| Dewhurst, Robin | A Study of the Jazz Composition and Orchestration Techniques Adopted by Gil Evans | Dissertation | View Record >> |
| Dobbins, Bill | A Creative Approach to Jazz Piano Harmony | Book | View Record >> |
| Dobbins, Bill | The Contemporary Jazz Pianist | Book | View Record >> |
| Donelian, Armen | Hearing Chords | Journal Article | View Record >> |
| Ellenberger, Kurt Johann | Materials and Concepts in Jazz Improvisation | Book | View Record >> |
| Elsen, Frans | Jazz Harmony at the Piano: Practical Harmony Method for the Jazz Musician | Book | View Record >> |
| Everett, Walter | A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan | Journal Article | View Record >> |
| Forte, Allen | The Real 'Stella' and the 'Real' 'Stella': A Response to 'Alternate Takes' | Journal Article | View Record >> |
| Forte, Allen | Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin | Journal Article | View Record >> |
| Fowler, William L. | How to Americanize European Augmented Sixth Chords [part 2] | Journal Article | View Record >> |
| Fowler, William L. | How to Americanize European Augmented Sixth Chords [part 1] | Journal Article | View Record >> |
| Gelber, Jesse H. | Bitonality in Jazz of the Twenties and Thirties | Dissertation | View Record >> |
| Givan, Benjamin | Swing Improvisation: A Schenkerian Perspective | Journal Article | View Record >> |
| Goldstein, Gil | Jazz Composer's Companion | Book | View Record >> |
| Gonda, Janos | Problems of Tonality and Function in Modern Jazz Improvisation | Journal Article | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Haerle, Dan | Jazz Piano Voicing Skills | Book | View Record >> |
| Hartman, Charles O. | 'Wrong Together': Structures, Norms, and Standards | Journal Article | View Record >> |
| Haywood, Mark S. | The Harmonic Role of Melody in Vertical and Horizontal Jazz | Journal Article | View Record >> |
| Heble, A. | Landing on the Wrong Note: Jazz, Dissonance and Critical Practice | Book | View Record >> |
| Henriksson, Juha | Chasing the Bird: Functional Harmony in Charlie Parker's Bebop Themes | Dissertation | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Jaffe, Andrew | Jazz Harmony | Book | View Record >> |
| Jost, Ekkehard | Spontaneitat und Klischee in der Jazzimprovisation, dargestellt an John Coltranes Giant Steps | Conference Proceedings | View Record >> |
| Julien, Patricia | The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963 | Dissertation | View Record >> |
| Julien, Patricia | The Function of Non-Functional Harmony | Journal Article | View Record >> |
| Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
| Julien, Patricia | Four-Way Voicings in Jazz Arranging | Journal Article | View Record >> |
| Jungbluth, Axel | Harmonische Analyse (Bill Evans's Very Early: Chromatik als Ubergeordnetes regulativ) | Journal Article | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part Two) | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part One) | Journal Article | View Record >> |
| Koch, Lawrence O. | Harmonic Approaches to the Twelve-Bar Blues Form | Journal Article | View Record >> |
| Koenigsberg, Toby | A Harmonic Technique of Herbie Hancock -- and Learning to Use It | Journal Article | View Record >> |
| Kubik, Gerhard | The African Matrix in Jazz Harmonic Practice | Journal Article | View Record >> |
| Kurzdorfer, James | Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk | Journal Article | View Record >> |
| Kynaston, Trent P. | Jazz Improvisation | Book | View Record >> |
| Lange, Arthur | Arranging for the Modern Dance Orchestra | Book | View Record >> |
| Laporta, John | Tonal Organization of Improvisation Techniques | Book | View Record >> |
| Larson, Steve | Analyzing Jazz: A Schenkerian Approach | Book | View Record >> |
| Larson, Steve | What Makes a Good Bridge? | Journal Article | View Record >> |
| Larson, Steve | 'Yellow Bell' and a Jazz Paradigm | Journal Article | View Record >> |
| Leeuwenberg, Boudewijn | Jazzharmonie aan der Piano by Frans Elsen | Review | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | Jazz Piano Masterclass: The Drop 2 Book | Book | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Liebman, David | A Chromatic Approach to Jazz Harmony and Melody | Book | View Record >> |
| Ligon, Bert | Connecting Chords with Linear Harmony | Book | View Record >> |
| Ligon, Bert | Jazz Theory Resources: Tonal, Harmonic, Melodic and Rhythmic Organization of Jazz | Book | View Record >> |
| Lillos, Brian | Navigating the Be-boppers? a Harmonic Galaxy | Journal Article | View Record >> |
| London, Barbara | Jazz Theory Education in the USA: From Our Perspective | Journal Article | View Record >> |
| Martin, Henry | Jazz Harmony | Dissertation | View Record >> |
| Martin, Henry | Charlie Parker and 'Honeysuckle Rose': Voice Leading, Formula, and Motive | Journal Article | View Record >> |
| Martin, Henry | Jazz Harmony: A Syntactic Background | Journal Article | View Record >> |
| Martin, Henry | Exempli Gratia: As You Like It (Chord Substitution in Ellington's 'Satin Doll') | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | Review | View Record >> |
| Martin, Henry | More Than Just Guidetones: Steve Larson's Analyzing Jazz: A Schenkerian Approach | Review | View Record >> |
| Maxile Jr., Horace J. | Churchy Blues, Bluesy Church: Vernacular Tropes, Expression, and Structure in Charles Mingus's 'Ecclusiastics' | Journal Article | View Record >> |
| McGowan, James J. | Dynamic Consonance in Selected Piano Performances of Tonal Jazz | Dissertation | View Record >> |
| McGowan, James J. | Psychoacoustic Foundations of Contextual Harmonic Stability in Jazz Piano Voicings | Journal Article | View Record >> |
| Mehegan, John | Tonal and Rhythmic Principles | Book | View Record >> |
| Mehegan, John | Jazz Rhythm and the Improvised Line | Book | View Record >> |
| Mehegan, John | Swing and Early Progressive Piano Styles | Book | View Record >> |
| Mehegan, John | Contemporary Piano Styles | Book | View Record >> |
| Mehegan, John | Improvising Jazz Piano | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Creating Modal Chords with the Grip Method | Journal Article | View Record >> |
| Morgan, David | Superimposition in the Improvisations of Herbie Hancock | Journal Article | View Record >> |
| Mueller, Darren | Restructuring, Reharmonization and Continuity in the Music of Jerry Bergonzi | Dissertation | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | The Chord Scale Theory and Jazz Harmony | Book | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Pass, Joe | Chord Encounters of Guitar, Book I: Blues, Chords, and Substitutions | Book | View Record >> |
| Patrick, James S. | Charlie Parker and Harmonic Sources of Bebop Composition: Thoughts on the Repertory of New Jazz in the 1940s | Journal Article | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Towards an Understanding of Scales in Jazz | Journal Article | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Reeves, Scott D. | Creative Beginnings: An Introduction to Jazz Improvisation | Book | View Record >> |
| Ricigliano, Daniel A. | Melody and Harmony in Contemporary Songwriting | Book | View Record >> |
| Ricker, Ramon | Pentatonic Scales for Jazz Improvisation | Book | View Record >> |
| Ricker, Ramon | The Ramon Ricker Improvisation Series | Book | View Record >> |
| Rinzler, Paul | McCoy Tyner: Style and Syntax | Journal Article | View Record >> |
| Rinzler, Paul | The Quartal and Pentatonic Harmony of McCoy Tyner | Journal Article | View Record >> |
| Rinzler, Paul | Slash Chord Harmony | Journal Article | View Record >> |
| Robbins, James | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody,' by James Kent Williams | Review | View Record >> |
| Rohm, Joseph | Jazz Harmony: Structure, Voicing, and Progression | Dissertation | View Record >> |
| Russell, George | The Lydian Chromatic Concept of Tonal Organization for Improvisation | Book | View Record >> |
| Salley, Keith | Beyond Chord-Scale Theory: Realizing a Species Approach to Jazz Improvisation | Journal Article | View Record >> |
| Salvatore, Joseph A. | Jazz Improvisation: Principles and Practices Relating to Harmonic and Scalar Resources | Dissertation | View Record >> |
| Salzman, Eric | Making Changes: A Practical Guide to Vernacular Harmony | Book | View Record >> |
| Sandke, Randy | Harmony for a New Millennium: An Introduction to Metatonal Music | Book | View Record >> |
| Sandke, Randy | Bix Beiderbecke from a Musician's Perspective | Journal Article | View Record >> |
| Sandvik, Scott | Polyharmony, Polymeter, and Motivic Development in Charlie Parker's Klact-Oveeseds-Tene (Take 1) Solo | Journal Article | View Record >> |
| Santa, Matthew | Nonatonic Progressions in the Music of John Coltrane | Journal Article | View Record >> |
| Sargeant, Winthrop | Jazz: Hot and Hybrid | Book | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Strange, P. M. | Keith Jarrett's Uptempo Jazz Trio Playing: Transcription and Analysis of Performances of 'Just in Time' | Dissertation | View Record >> |
| Strunk, Steven | The Harmony of Early Bop: A Layered Approach | Journal Article | View Record >> |
| Strunk, Steven | Comment on 'Toward a Theory of Popular Harmony' | Journal Article | View Record >> |
| Strunk, Steven | Linear Intervallic Patterns in Jazz Repertory | Journal Article | View Record >> |
| Strunk, Steven | Wayne Shorter's 'Yes and No': An Analysis | Journal Article | View Record >> |
| Strunk, Steven | Notes on Harmony in Wayne Shorter's Compositions, 1964-67 | Journal Article | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformation of Standard Tunes | Dissertation | View Record >> |
| Terefenko, Dariusz | 'Just One of Those Things' You Need to Know About Four-Part Chords | Journal Article | View Record >> |
| Terefenko, Dariusz | A 'Dearly Beloved' Jazz Progression- Part One | Journal Article | View Record >> |
| Terefenko, Dariusz | Jazz Transformations of the ii7-V7-I Progression | Journal Article | View Record >> |
| Terefenko, Dariusz | 'Just in Time' For Taking a Solo | Journal Article | View Record >> |
| Terefenko, Dariusz | A 'Dearly Beloved' Jazz Progression--Part Two | Journal Article | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Tymoczko, Dmitri | The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz | Journal Article | View Record >> |
| Ulanowsky, Alex | Harmony | Book | View Record >> |
| Van der Merwe, Peter | Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music | Book | View Record >> |
| Viera, Joe | Grundlagen der Jazzharmonik | Book | View Record >> |
| Waters, Keith | Riffing on [0148]: Maj7#5, the Tonnetz, and Hexatonic and Acoustic Systems | Conference Proceedings | View Record >> |
| Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Wildman, Joan | The Function of the Left Hand in the Evolution of Jazz Piano | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Winkler, Peter K. | Toward a Theory of Popular Harmony | Journal Article | View Record >> |
| Yamaguchi, Masaya | A Creative Approach to Multi-Tonic Changes: Beyond Coltrane's Harmonic Formula | Journal Article | View Record >> |
| Yudkin, Jeremy | Miles Davis, Miles Smiles, and the Invention of Post Bop | Book | View Record >> |
| Ziporyn, Evan | Thelonious Monk's Harmony, Rhythm, and Pianism | Book Chapter | View Record >> |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Williams, J. Kent | Review of Andrew Jaffe, Jazz Theory | Review | View Record >> |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Berkman, David | The Jazz Harmony Book | Book | View Record >> |
| Broze, Yuri | Diachronic Changes in Jazz Harmony: A Cognitive Approach | Journal Article | View Record >> |
| Pokorny, Andrew John | Chord-specific scalar material in classical music: An adaptation of jazz chord-scale theory | Dissertation | View Record >> |
| McClimon, Michael | A transformational approach to jazz harmony | Dissertation | View Record >> |
| Hall, Jared T. | An analysis of the grip system: An approach to jazz harmony | Dissertation | View Record >> |
| Stone, Christopher | Technical Efficacy for Violin Improvisation: How Not to Run Out of Fingers | Dissertation | View Record >> |
| Rosado, Adam | Analyzing Hermeto Pascoal's Calendário do Som | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Palacios, Luis Felipe | Developing a Pedagogical Method for Intermediate and Advanced Saxophone Studios Based on the Analysis of Michael Brecker's Unaccompanied Ballad Solos | Dissertation | View Record >> |
| Bechtel, Teague Stefan | Grant Green: An Analysis of the Blue Note Guitarist's Musical Vocabulary | Dissertation | View Record >> |
| Larsen, David William | Creating the Cool: Understanding the Music of Gerry Mulligan | Dissertation | View Record >> |
| Moorman, Dennis Lee | An Analytic Study Of Jazz Improvisation With Suggestions For Performance (Theory) | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Lancaster, Rodney Allen | Transcription and analysis of selected trombone solos from J. J. Johnson's 1964 recording “Proof Positive" | Dissertation | View Record >> |
| Fiol, Orlando Enrique | Cubaneo in Latin Piano: A Parametric Approach to Gesture, Texture, and Motivic Variation | Dissertation | View Record >> |
| Frink, Nathan A | Dancing in his head: The evolution of Ornette Coleman's music and compositional philosophy | Dissertation | View Record >> |
| McDaniel, Christopher N. | The emancipation of consonance: A pedagogical approach to distinguishing between consonance and harmonic stability | Dissertation | View Record >> |
| Jones, Andrew Daniel | Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics | Dissertation | View Record >> |
| Duke, Daniel Alan | The Piano Improvisations of Chick Corea: An analytical study | Dissertation | View Record >> |
| Briody, Steve | The improvisational phrases of five prominent bebop guitarists: Seven hundred transcribed and categorized lines | Dissertation | View Record >> |
| Lugg, Fiona | Harmonic signification: A study of articulation practices in four unaccompanied jazz double bass solos | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Dent, Cedric Carl | The harmonic development of the black religious quartet singing tradition | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: ii–V Space | Journal Article | View Record >> |
| Smither, Sean R. | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | Journal Article | View Record >> |
| Granroth-Wilding, Mark ; Steedman, Mark | A Robust Parser-Interpreter for Jazz Chord Sequences | Journal Article | View Record >> |
| Clement, Brett | A New Lydian Theory for Frank Zappa’s Modal Music | Journal Article | View Record >> |
| Parncutt, Richard ; Radovanovic, Lazar | The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards | Journal Article | View Record >> |
| Park, Joon | Reflection on (and in) Strunk’s Tonnetz | Journal Article | View Record >> |
| Strunk, Steve | Tonal and Transformational Approaches to Chick Corea’s Compositions of the 1960s | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Keller, Robert ; Schofield, Alexandra ; Toman-Yih, August ; Merritt, Zachary ; Elliott, John | Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis | Journal Article | View Record >> |
| Broze, Yuri ; Shanahan, Daniel | Diachronic Changes in Jazz Harmony: A Cognitive Perspective | Journal Article | View Record >> |
| Murray, J William ; Borém, Fausto | Bill Evans's jazz: background, influences, works and compositional style | Journal Article | View Record >> |
| Yanina Zhurba | The Role of Blues in Jazz Music | Journal Article | View Record >> |
| Katz, Jonah | Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study | Journal Article | View Record >> |
| Agustín-Aquino, Octavio A. ; Mazzola, Guerino | Modulation in tetradic harmony and its role in jazz | Journal Article | View Record >> |
| Waters, Keith | Chick Corea and Postbop Harmony | Journal Article | View Record >> |
| Pinheiro, Ricardo Nuno Futre | Freedom in Music, Freedom in Life: Miles Davis, Stella By Starlight, Harmony, and the Advent of the Second Great Quintet | Journal Article | View Record >> |
| Daugulis, Ēvaldas | Basic principles of melody harmonization in jazz and classical music: common and different | Journal Article | View Record >> |
| Hedges, Thomas | Predicting the Composer and Style of Jazz Chord Progressions | Journal Article | View Record >> |
| Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
| Hobson, Vic | "I Figure Singing and Playing Is the Same": Louis Armstrong and Barbershop Harmony | Journal Article | View Record >> |
| Tiné, Paulo José de Siqueira | Modalism in some Brazilian post-Bossa Nova composers of the 1960s | Journal Article | View Record >> |
| Koops, Hendrik Vincent | Annotator subjectivity in harmony annotations of popular music | Journal Article | View Record >> |
| Cesar, Rafael Do Nascimento | Cariocas de New Orleans: Brazilian Interpretations of North American Jazz | Journal Article | View Record >> |
| Wesolowski, Brian C | Timing deviations in jazz performance: The relationships of selected musical variables on horizontal and vertical timing relations: A case study | Journal Article | View Record >> |
| Durán, Gabriel ; de la Cuadra, Patricio | Transcribing Lead Sheet-Like Chord Progressions of Jazz Recordings | Journal Article | View Record >> |
| Hobson, Vic | Making the Changes: Countermelodies in the Basslines of George "Pops" Foster and Ed "Montudi" Garland | Journal Article | View Record >> |
| Jordan, Stanley | Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz | Journal Article | View Record >> |
| Araújo, Fabiano ; Borém, Fausto | Schoenberg's tonal harmony: a proposal for analysis, realization and composition of lead sheets | Journal Article | View Record >> |
| Setzler, Matthew D ; Goldstone, Robert L | Tonal Emergence: An agent-based model of tonal coordination | Journal Article | View Record >> |
| Moss, Fabian C. | Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis | Journal Article | View Record >> |
| Cutting, Court B. | Microtonal Analysis of "Blue Notes" and the Blues Scale | Journal Article | View Record >> |
| Frieler, Klaus | Miles Vs. Trane: Computational and Statistical Comparison of the Improvisatory Styles of Miles Davis and John Coltrane | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Levy, Brian | Harmonic and Rhythmic Oppositions in Jazz: The Special Case of John Coltrane and His Classic Quartet | Journal Article | View Record >> |
| Mullholland, Joe | The Berklee Book of Jazz Harmony | Book | View Record >> |
| Stover, Chris | Jazz Harmony: A Progress Report | Journal Article | View Record >> |
| Harasim, Daniel | The Jazz Harmony Treebank | Conference Proceedings | View Record >> |
| Hobson, Vic | Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony | Book | View Record >> |
| Rohrmeier, Martin; Moss, Fabian C. | A Formal Model of Extended Tonal Harmony | Conference Proceedings | View Record >> |
| Kaliakatsos-Papakostas, Maximos | Concept Invention And Music: Creating Novel Harmonies Via Conceptual Blending | Conference Proceedings | View Record >> |
| Rohrmeier, Martin | The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Salley, Keith | Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study | Journal Article | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Smith, Stuart | Jazz and Jazz Theory | Book Chapter | View Record >> |
| Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
| Vandemoortele, Peter | Root motion analysis of chord progressions of selected jazz compositions written between 1980 and 2000 | Journal Article | View Record >> |
| Baker, Ben | A Cyclic Approach to Harmony in Robert Glasper’s Music | Journal Article | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Williams, Chris | Embodied music theory and improvised composition: Bill Evans, the architect | Conference Proceedings | View Record >> |
| Brandt, Per Aage | On tonal dynamics and musical meaning | Journal Article | View Record >> |
| Ayad, Lorraine A.K | Creating improvisations on chord progressions using suffix trees | Journal Article | View Record >> |
| Musso, Paul | Utilizing the tone row in jazz pedagogy: A technique to create tonal harmony in an atonal environment | Journal Article | View Record >> |
| Kajanová, Yvetta | Ballade in jazz and in Tadeáš Salva's music | Conference Proceedings | View Record >> |
| Fišer, Anželika Nikolaevna | The harmony of African American jazz of the 1940s: Genesis and specificity | Journal Article | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| García-Valdecasas Vaticón, Guillermo | The Barry Harris harmonic theory in Chopin’s work | Journal Article | View Record >> |
| Lubânaâ, Elena Vladimirovna | The piano jazz techniques in the late 20th and early 21st centuries | Journal Article | View Record >> |
| Freitas, Sérgio Paulo Ribeiro de | Sliding in the song? The case of major harmonies by descending tones | Journal Article | View Record >> |
| Déguernel, Ken | Generating equivalent chord progressions to enrich guided improvisation: Application to rhythm changes | Conference Proceedings | View Record >> |
| Sergi, Giuseppe | Morphology and poetics of the music of Dave Holland from the 1970s to the 1980s | Journal Article | View Record >> |
| Ogura, Yuta | Estimating Unexpectedness In Jazz Harmony With A Probabilistic Incremental Parser | Conference Proceedings | View Record >> |
| Shim, Eunmi | Analysis of Jazz: A Comprehensive Approach by Laurent Cugny (review) | Review | View Record >> |
| King, Aaron Michael | An Exploration of Cultural Transmission through the Application of Jazz Theory to the Music of Frederic Chopin | Dissertation | View Record >> |
| Steinmetz, Uwe | Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age | Dissertation | View Record >> |
| Bunks, C. | Jazz Contrafact Detection | Journal Article | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
| Needle, Simon B. | Mood and Mode: The Impressionistic Commonalities of Claude Debussy and John Coltrane | Journal Article | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| DeMotta, David Joseph III | The contributions of Earl "Bud" Powell to the modern jazz style | Dissertation | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| Peters, Jason | Classical influences on the jazz styles of Bill Evans, Herbie Hancock, Cecil Taylor, and Dave Brubeck | Dissertation | View Record >> |
| Manuel, Peter | Flamenco Jazz: An Analytical Study | Journal Article | View Record >> |
| Facey, Mike | Early Proponents of Electric Bass in Mainstream Jazz: An Analysis of Monk Montgomery and Bob Cranshaw | Dissertation | View Record >> |
| Karača, Igor | Jazz theory: Quartal hamony in jazz music | Journal Article | View Record >> |
| Karača, Igor | Jazz theory: Reharmonization in jazz music | Journal Article | View Record >> |
| McGowan, James | Riemann's functional framework for extended jazz harmony | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker, Composer | Book | View Record >> |
| Salley, Keith | Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition | Book Chapter | View Record >> |
| Stover, Chris | Jazz Theory’s Pragmatics | Book Chapter | View Record >> |
Total: 267 records found matching search query.