| Author | Title | Type | |
|---|---|---|---|
| Aebersold, Jamey | Jazz Ear Training | Audiovisual Material | View Record >> |
| Aebersold, Jamey | A New Approach to Jazz Improvisation | Book | View Record >> |
| Aebersold, Jamey | Miles Davis | Audiovisual Material | View Record >> |
| Aebersold, Jamey | All Bird | Audiovisual Material | View Record >> |
| Aebersold, Jamey | Sonny Rollins | Audiovisual Material | View Record >> |
| Al-Zand, Karim | Theoretical Observations on Jazz Improvisation: The Solos of Julian 'Cannonball' Adderley | Dissertation | View Record >> |
| Al-Zand, Karim | Improvisation as Continually Juggled Priorities: Julian 'Cannonball' Adderley's 'Straight, No Chaser' | Journal Article | View Record >> |
| Anderson, Gene | Blues for You, Johnny: Johnny Dodds and His 'Wild Man Blues' Recordings of 1927 and 1928 | Journal Article | View Record >> |
| Anderson, Gene | The Origin of Armstrong's Hot Fives and Hot Sevens | Journal Article | View Record >> |
| Bailey, Derek | Free Improvisation | Book Chapter | View Record >> |
| Bailey, Derek | Improvisation: Its Nature and Practice in Music | Book | View Record >> |
| Baker, David | Jazz Improvisation: A Comprehensive Method for All Players | Book | View Record >> |
| Baker, David | J. J. Johnson, Trombone | Book | View Record >> |
| Baker, David | How to Play Bebop | Book | View Record >> |
| Baker, David | Advanced Improvisation | Book | View Record >> |
| Barron, William | Improvisation and Related Concepts in Aesthetic Education | Dissertation | View Record >> |
| Benadon, Fernando | Time Warps in Early Jazz | Journal Article | View Record >> |
| Benson, Bruce Ellis | The Improvisation of Musical Dialogue: A Phenomenology of Music | Book | View Record >> |
| Benson, Bruce Ellis | The Fundamental Heteronomy of Jazz Improvisation | Journal Article | View Record >> |
| Benward, Bruce | Jazz Improvisation in Theory and Practice | Book | View Record >> |
| Berardinelli, Paula | Bill Evans: His Contributions as a Jazz Pianist and An Analysis of His Musical Style | Dissertation | View Record >> |
| Bergonzi, Jerry | Pentatonics | Book | View Record >> |
| Bergonzi, Jerry | Melodic Structure | Book | View Record >> |
| Bergonzi, Jerry | Jazz Line | Book | View Record >> |
| Bergonzi, Jerry | Melodic Rhythm | Book | View Record >> |
| Bergonzi, Jerry | Thesaurus of Intervallic Melodies | Book | View Record >> |
| Bergonzi, Jerry | Developing a Jazz Language | Book | View Record >> |
| Bergonzi, Jerry | Hexatonics | Book | View Record >> |
| Berkman, David | The Jazz Singer's Guidebook: A Course in Jazz Harmony and Scat Singing for the Serious Jazz Vocalist | Book | View Record >> |
| Berlin, Edward A. | Ragtime and Improvised Piano: Another View | Journal Article | View Record >> |
| Berliner, Paul F. | Thinking in Jazz: The Infinite Art of Improvisation | Book | View Record >> |
| Blair, J. J. | Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations | Dissertation | View Record >> |
| Blanq, Charles Clement III | Melodic Improvisation in American Jazz: The Style of Theodore 'Sonny' Rollins | Dissertation | View Record >> |
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Block, Steven | 'Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz | Journal Article | View Record >> |
| Bloom, Steve | 21st Century Chords for Guitar | Book | View Record >> |
| Blume, G. | Blurred Affinities: Tracing the Influence of North Indian Classical Music in Keith Jarrett's Solo Piano Improvisations | Journal Article | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Brecker, Michael | Improvised Saxophone Solos | Book | View Record >> |
| Brecker, Michael | The Michael Brecker Collection | Book | View Record >> |
| Brecker, Michael | Artist Transcriptions | Book | View Record >> |
| Brofsky, Howard | Miles David and 'My Funny Valentine': The Evolution of a Solo | Journal Article | View Record >> |
| Brown, Lee B. | 'Feeling My Way': Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection. | Journal Article | View Record >> |
| Brownell, John | Analytical Models of Jazz Improvisation | Journal Article | View Record >> |
| Burbat, Wolf | Die Harmonik des Jazz | Book | View Record >> |
| Busse, Walter Gerard | Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates | Journal Article | View Record >> |
| Byrnside, Ronald | The Performer as Creator: Jazz Improvisation | Book Chapter | View Record >> |
| Caporaletti, Vincenzo | I processi improvvisativi nella musica: un approccio globale | Book | View Record >> |
| Caporaletti, Vincenzo | La fenomenologia del ritmo nella musica audiotattile: Il 'tempo doppio' | Journal Article | View Record >> |
| Carvalho, John M. | Repetition and Self-Realization in Jazz Improvisation | Journal Article | View Record >> |
| Charry, Eric | Freedom and Form in Ornette Coleman's Early Atlantic Recordings | Journal Article | View Record >> |
| Check, John David | Concepts of Compound Melody in Jazz Improvisation | Dissertation | View Record >> |
| Christiansen, Corey | Essential Jazz Lines in the Style of Charlie Parker | Book | View Record >> |
| Clayton, Jay | Sing Your Story: A Practical Guide for Learning and Teaching the Art of Jazz Singing | Book | View Record >> |
| Cogswell, Michael | Melodic Organization in Two Solos by Ornette Coleman | Journal Article | View Record >> |
| Coker, Jerry | Improvising Jazz | Book | View Record >> |
| Coker, Jerry | Listening to Jazz | Book | View Record >> |
| Coltrane, John | The Works of John Coltrane | Book | View Record >> |
| Coltrane, John | Coltrane on Coltrane | Journal Article | View Record >> |
| Coolman, Todd F. | The Miles Davis Quintet of the mid-1960s: Synthesis of Improvisational and Compositional Elements | Dissertation | View Record >> |
| Cooper, Gloria | Jazz Phrasing: A Workshop for Jazz Vocalists | Book | View Record >> |
| Corbett, John | Out of Nowhere: Meditations on Deleuzian Music, Anti-Cadential Strategies, and Endpoints in Improvisation | Book Chapter | View Record >> |
| Cotro, Vincent | Virtuosit??_ et invention musicale dans le jazz: Pistes de r??_flextion et d'analyse | Journal Article | View Record >> |
| Covach, John | Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970's American Progressive Rock | Book Chapter | View Record >> |
| Crook, Hal | How To Improvise | Book | View Record >> |
| Crook, Hal | How to Comp | Book | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Daley, Samuel J. | Sure System of Improvising for all Lead Instruments, especially adapted for Saxophone, Clarinet, Violin, Trumpet, Trombone | Book | View Record >> |
| Damron Jr., Bert L. | The Development and Evaluation of a Self-Instructional Sequence in Jazz Improvistion | Dissertation | View Record >> |
| Day, William | Knowing as Instancing: Jazz Improvisation and Moral Perfectionism | Journal Article | View Record >> |
| Dean-Lewis, Tim | Playing Outside: Excursions from the Tonality in Jazz Improvisation | Dissertation | View Record >> |
| Dean-Lewis, Tim | How Weird Can Things Get? (Maps for Pantonal Improvisation) | Journal Article | View Record >> |
| Dean, Roger | The Control of Acoustic Intensity during Jazz and Free Improvisation Performance | Journal Article | View Record >> |
| DeMichael, Don | John Coltrane and Eric Dolphy Answer the Jazz Critics | Journal Article | View Record >> |
| Demsey, David | John Coltrane Plays 'Giant Steps' | Book | View Record >> |
| Dessen, Michael | Improvising in a Different Clave: Steve Coleman and AfroCuba de Mantanzas | Book Chapter | View Record >> |
| DeVeaux, Scott | Jazz in Transition: Coleman Hawkins and Howard McGhee, 1935-1945 | Dissertation | View Record >> |
| DiBlasio, Denis | Guide for Jazz and Scat Vocalists: Survival Manual for Aspiring Jazz Singers | Book | View Record >> |
| Dietrich, Kurt | Duke's 'Bones: Ellington's Great Trombonists | Book | View Record >> |
| Dobbins, Bill | A Creative Approach to Jazz Piano Harmony | Book | View Record >> |
| Dobbins, Bill | The Contemporary Jazz Pianist | Book | View Record >> |
| Doerschuk, Robert L. | Dick Hyman: Past Tenths & Other Musical Highlights of Jazz Piano History | Journal Article | View Record >> |
| Donahue, Miles | Aural Awareness: Out with the Blues Scale; In with the Mixolydian | Journal Article | View Record >> |
| Donelian, Armen | Training the Ear for the Improvising Musician | Book | View Record >> |
| Downs, Clive | Metric Displacement in the Improvisation of Charlie Christian | Journal Article | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Duke, John Robert | Teaching Musical Improvisation: A Study of Eighteenth and Twentieth-Century Methods | Dissertation | View Record >> |
| Ellenberger, Kurt Johann | Materials and Concepts in Jazz Improvisation | Book | View Record >> |
| Ellington, Duke | Piano Method for Blues | Book | View Record >> |
| Elsdon, Peter | Style and the Improvised Line in Keith Jarrett's Solo Concerts | Journal Article | View Record >> |
| Elsen, Frans | Jazz Harmony at the Piano: Practical Harmony Method for the Jazz Musician | Book | View Record >> |
| Feurzeig, David Kahn | Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic | Dissertation | View Record >> |
| Fischlin, Daniel and Heble, Ajay | The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue | Book Chapter | View Record >> |
| Fischlin, Daniel and Heble, Ajay | A Composition on Improvisation | Book Chapter | View Record >> |
| Fischlin, Daniel, Heble, Ajay, and Lefebvre, Benjamin | Toward Further Dialogue: A Bibliography on Improvisation | Book Chapter | View Record >> |
| Flora, Sim A. | An Analytical Anthology of Improvised Solos Designed to Supplement the Formal Teaching of Jazz Improvisation and Jazz Theory at the University Level | Dissertation | View Record >> |
| Folio, Cynthia | An Analysis of Polyrhythm in Selected Improvised Jazz Solos | Book Chapter | View Record >> |
| Folio, Cynthia | Dexter Gordon's Ultimate 'Body and Soul' | Conference Proceedings | View Record >> |
| Freedy, David Rawlings | Brecker's Blue Transcription and Theoretical Analysis of Six Selected Improvised Blues Solos by Jazz Saxophonist Michael Brecker | Dissertation | View Record >> |
| Gabbard, Krin | Improvisation and Imitation: Marlon Brando as Jazz Actor | Book Chapter | View Record >> |
| Givan, Benjamin | Django Reinhardt's 'I'll See You in My Dreams' | Journal Article | View Record >> |
| Givan, Benjamin | Thelonious Monk's Pianism | Journal Article | View Record >> |
| Goldstein, Gil | Jazz Composer's Companion | Book | View Record >> |
| Gonda, Janos | Problems of Tonality and Function in Modern Jazz Improvisation | Journal Article | View Record >> |
| Gould, Carol S. | The Essential Role of Improvisation in Musical Performance | Journal Article | View Record >> |
| Gridley, Mark | Perception of Emotion in Jazz Improvisation | Journal Article | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Gushee, Lawrence | The Improvisation of Louis Armstrong | Book Chapter | View Record >> |
| Gushee, Lawrence | A Sense Is Possible: Miles Davis and the Semiotics of Improvised Performance | Book Chapter | View Record >> |
| Gushee, Lawrence | Lester Young's 'Shoe Shine Boy' | Conference Proceedings | View Record >> |
| Haerle, Dan | Jazz Piano Voicing Skills | Book | View Record >> |
| Haerle, Dan | Scales for Improvisation | Book | View Record >> |
| Haerle, Dan | The Jazz Sound | Book | View Record >> |
| Haerle, Dan | The Jazz Language | Book | View Record >> |
| Harker, Brian | 'Telling a Story': Louis Armstrong and Coherence in Early Jazz | Journal Article | View Record >> |
| Hartman, Charles O. | Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song | Book | View Record >> |
| Haywood, Mark S. | Order and Chaos in Bird and Trane | Journal Article | View Record >> |
| Heavner, T. | Michael Brecker's Side-Slipping Tenor Saxophone Solo on Delta City Blues | Journal Article | View Record >> |
| Heble, A. | Landing on the Wrong Note: Jazz, Dissonance and Critical Practice | Book | View Record >> |
| Heen, Carol Louise | Procedures for Style Analysis of Jazz | Dissertation | View Record >> |
| Hodson, Robert D. | Interation, Improvisation, and Interplay in Jazz | Book | View Record >> |
| Hodson, Robert D. | Interaction and Improvisation: Group Interplay in Jazz Performance | Dissertation | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Jaffe, Andrew | Jazz Harmony | Book | View Record >> |
| Jairazbhoy, Nazir A. | The 'Objective' and 'Subjective' View of Music Transcription | Journal Article | View Record >> |
| Jarrett, Michael | Cutting Sides: Jazz Record Producers and Improvisation | Book Chapter | View Record >> |
| Johnson-Laird, P. N. | How Jazz Musicians Improvise | Journal Article | View Record >> |
| Jost, Ekkehard | Spontaneitat und Klischee in der Jazzimprovisation, dargestellt an John Coltranes Giant Steps | Conference Proceedings | View Record >> |
| Kahn, Ashley | A Love Supreme: The Creation of John Coltrane's Classic Album | Book | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Kenny, Barry | Jazz Analysis as Cultural Imperative (and Other Urban Myths): A Critical Overview of Jazz Analysis and Its Relationship to Pedagogy | Journal Article | View Record >> |
| Kenny, Barry | Structure in Jazz Improvisation: A Formulaic Analysis of the Improvisations of Bill Evans | Journal Article | View Record >> |
| Kernfeld, Barry | Two Coltranes | Journal Article | View Record >> |
| Kingscott, John | Keyboard Improvisation: A Phenomenological Study | Journal Article | View Record >> |
| Knauer, Wolfram | Parker's Mood: Genesis of a Blues Improvisation | Journal Article | View Record >> |
| Koenigsberg, Toby | A Harmonic Technique of Herbie Hancock -- and Learning to Use It | Journal Article | View Record >> |
| Korman, Clifford | 'Criss Cross': Motivic Construction in Composition and Improvisation | Journal Article | View Record >> |
| Kynaston, Trent P. | Jazz Improvisation | Book | View Record >> |
| Laporta, John | Tonal Organization of Improvisation Techniques | Book | View Record >> |
| Larson, Steve | Analyzing Jazz: A Schenkerian Approach | Book | View Record >> |
| Larson, Steve | Conversations with Monk and Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Swing and Motive in Three Performances by Oscar Peterson | Journal Article | View Record >> |
| Larson, Steve | Composition versus Improvisation? | Journal Article | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Lateef, Yusef | Repository of Scales and Melodic Patterns | Book | View Record >> |
| Lawn, Richard | Jazz Theory and Practice | Book | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | Jazz Piano Masterclass: The Drop 2 Book | Book | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Lewis, George E. | Improvised Music After 1950: Afrological and Eurological Perspectives | Book Chapter | View Record >> |
| Lewis, George E. | Afterword to 'Improvised Music after 1950': The Changing Same | Book Chapter | View Record >> |
| Liebman, David | A Chromatic Approach to Jazz Harmony and Melody | Book | View Record >> |
| London, Barbara | Jazz Theory Education in the USA: From Our Perspective | Journal Article | View Record >> |
| Love, Stefan | An Approach to Phrase Rhythm in Jazz | Journal Article | View Record >> |
| Love, Stefan | 'Possible Paths': Schemata of Phrasing and Melody in Charlie Parker's Blues | Journal Article | View Record >> |
| Mackey, Nathaniel | Paracritical Hinge | Book Chapter | View Record >> |
| Martin, Henry | Jazz Pianists of the 1920s and 1930s | Book Chapter | View Record >> |
| Martin, Henry | From Fountain to Furious: Ellington's Development a Stride Pianist | Journal Article | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | We Remember Clifford: Variation Technique at the Middleground | Journal Article | View Record >> |
| Martin, Henry | The Nature of Recomposition: Miles Davis and 'Stella by Starlight' | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Thomas Owens's Bebop: The Music and Its Players | Review | View Record >> |
| May, Lissa F. | Factors and Abilities Influencing Achievement in Instrumental Jazz Improvisation | Journal Article | View Record >> |
| McMurdy, Ronald C. | Jazz Improvisation Series: Approaching the Standards | Book | View Record >> |
| Mehegan, John | Tonal and Rhythmic Principles | Book | View Record >> |
| Mehegan, John | Jazz Rhythm and the Improvised Line | Book | View Record >> |
| Mehegan, John | Swing and Early Progressive Piano Styles | Book | View Record >> |
| Mehegan, John | Contemporary Piano Styles | Book | View Record >> |
| Mehegan, John | Improvising Jazz Piano | Book | View Record >> |
| Monson, Ingrid | Russell, Coltrane, and Modal Jazz | Book Chapter | View Record >> |
| Monson, Ingrid | Saying Something: Jazz Improvisation and Interaction | Book | View Record >> |
| Monson, Ingrid | Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology | Journal Article | View Record >> |
| Monson, Ingrid | Riffs, Repetition, and Theories of Globalization | Journal Article | View Record >> |
| Morgan, David | Superimposition in the Improvisations of Herbie Hancock | Journal Article | View Record >> |
| Morrison, Steven J. | Jazz Expertise and Its Relationship to Pitch and Rhythm Placement among Trumpet Players | Journal Article | View Record >> |
| Murphy, John P. | Jazz Improvisation: The Joy of Influence | Journal Article | View Record >> |
| Neal, Mark Anthony | '. . . A Way Out of No Way': Jazz, Hip-Hop, and Black Social Improvisation | Book Chapter | View Record >> |
| Nelson, Oliver | Patterns for Improvisation | Book | View Record >> |
| Nettles, Barrie | The Chord Scale Theory and Jazz Harmony | Book | View Record >> |
| Newberger, Eli H. | The Transition from Ragtime to Improvised Piano Style | Journal Article | View Record >> |
| Niemack, Judy | Hear It & Sing It! | Book | View Record >> |
| Oliveros, Pauline | Harmonic Anatomy: Women in Improvisation | Book Chapter | View Record >> |
| Owens, Thomas | Analysing Jazz | Book Chapter | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Patrick, James S. | Charlie Parker and Harmonic Sources of Bebop Composition: Thoughts on the Repertory of New Jazz in the 1940s | Journal Article | View Record >> |
| Perlman, Alan M. | Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure | Book Chapter | View Record >> |
| Porter, Lewis | John Coltrane: His Life and Music | Book | View Record >> |
| Porter, Lewis | Lester Young | Book | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Towards an Understanding of Scales in Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Review of Thinking in Jazz, by Paul Berliner | Review | View Record >> |
| Pressing, Jeff | Pitch Class Set Structures in Contemporary Jazz | Journal Article | View Record >> |
| Pressing, Jeff | How to Cultivate an Uneven Touch | Journal Article | View Record >> |
| Prvost, Eddie | The Discourse of a Dysfunctional Drummer: Collaborative Dissonances, Improvisation, and Cultural Theory | Book Chapter | View Record >> |
| Ramirez, Rafael | A Tool for Generating and Explaining Expressive Music Performances of Monophonic Jazz Melodies | Journal Article | View Record >> |
| Ramirez, Rafael et al | Discovering Expressive Transformation Rules from Saxophone Jazz Performance | Journal Article | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Rawlins, Steve | 21 Bebop Exercises for Vocalists and Imstrumentalists: For the Development of Jazz Phrasing, Style, and Note Selection | Book | View Record >> |
| Reason, Dana | 'Navigable Structures and Transforming Mirrors': Improvisation and Interactivity | Book Chapter | View Record >> |
| Reeves, Scott D. | Creative Beginnings: An Introduction to Jazz Improvisation | Book | View Record >> |
| Reyman, R. G. | An Analysis of Melodic Improvisational Practices of Miles Davis | Conference Proceedings | View Record >> |
| Ricker, Ramon | Pentatonic Scales for Jazz Improvisation | Book | View Record >> |
| Ricker, Ramon | The Ramon Ricker Improvisation Series | Book | View Record >> |
| Rinzler, Paul | Preliminary Thoughts on Analyzing Musical Interaction Among Jazz Performers | Journal Article | View Record >> |
| Russell, George | The Lydian Chromatic Concept of Tonal Organization for Improvisation | Book | View Record >> |
| Sabina, Leslie M. | 'Body and Soul' Ben Webster: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Found a New Baby' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Corner Pocket' by Thad Jones: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Half Nelson' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Hootie Blues' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'A Foggy Day' by Jackie McLean: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | Caf? Black Rose' by David Sanborn: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Oasis' by Dave Liebman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Grand Prix' Stanley Clarke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Texas Moaner Blues' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Don't Blame Me' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Sandu' by Clifford Brown: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Caravan' by Joe Pass: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Long Note Blues' by Sahib Shihab: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Jack Teagarden: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Blue Nun' by J. J. Johnson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Haresah' by Steve Grossman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'After You've Gone' by Benny Goodman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'All the Things You Are' by Sonny Criss: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Louis Armstrong: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'For Stompers Only' Stan Getz: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Things Ain't What They Used To Be' by Charles Mingus: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Crawlspace' by Art Farmer: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How Deep Is The Ocean?' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Solar' by Miles Davis: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Lady, Be Good' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'So Do It!' Wes Montgomery: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Rifftide' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight" by James Moody: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Mogie' by Lee Morgan: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tight Squeeze' Lucky Thompson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Singin' the Blues' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tomorrow Land' by John Scofield: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How High the Moon' by Sonny Stitt: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'The Great Lie' Woody Herman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Eli's Coming' by Maynard Ferguson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Riverboat Shuffle' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 2] | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Fancy Free' by Donald Byrd: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'First Light' by Freddie Hubbard: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Want a LIttle Girl' by Lester Young | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Jive Samba' by Cannonball Adderley: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shoe Shine Boy' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Moonray' by Milt Jackson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 1] | Journal Article | View Record >> |
| Sagee, Alona | Miles Davis's Improvised Solos in Recordings of 'Walking': 1954-67 | Journal Article | View Record >> |
| Salvatore, Joseph A. | Jazz Improvisation: Principles and Practices Relating to Harmonic and Scalar Resources | Dissertation | View Record >> |
| Sandke, Randy | Harmony for a New Millennium: An Introduction to Metatonal Music | Book | View Record >> |
| Sandke, Randy | Bix Beiderbecke from a Musician's Perspective | Journal Article | View Record >> |
| Sarath, Ed | Music Theory Through Improvisation | Book | View Record >> |
| Sarath, Ed | A New Look at Improvisation | Journal Article | View Record >> |
| Sargeant, Winthrop | Jazz: Hot and Hybrid | Book | View Record >> |
| Scaturro, Fabrizio | 'Free Jazz' di Ornette Coleman, per un'analisi formale e timbrica | Journal Article | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Journal Article | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Book Chapter | View Record >> |
| Scott, Andrew | Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of 'So What' | Journal Article | View Record >> |
| Shull, Ted | When Backward Comes Out Ahead: Lucky Thompson's Phrasing and Improvisation | Journal Article | View Record >> |
| Smith, Gregory E. | Homer, Gregory, and Bill Evans: The Theory of Formulaic Composition in the Context of Jazz Piano Improvisation | Dissertation | View Record >> |
| Smith, Gregory E. | In Quest of a New Perspective on Improvised Jazz: A View from the Balkans | Journal Article | View Record >> |
| Smith, Julie Dawn | Playing Like a Girl: The Queer Laughter of the Feminist Improvising Group | Book Chapter | View Record >> |
| Snidero, Jim | Jazz Conceptions: 21 Solo Etudes for Scat Singing, Jazz Phrasing, Interpretation, and Improvisation | Book | View Record >> |
| Snow, Michael | A Composition on Improvisation | Book Chapter | View Record >> |
| Sorrell, Neil | Improvisation | Book Chapter | View Record >> |
| Soules, Marshall | Improvising Character: Jazz, the Actor, and Protocols of Improvisation | Book Chapter | View Record >> |
| Stanyek, Jason | Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation | Book Chapter | View Record >> |
| Steinbeck, Paul | Analyzing the Music of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Sterritt, David | Revision, Prevision, and the Aura of Improvisatory Art | Journal Article | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Dissertation | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Journal Article | View Record >> |
| Stoloff, Bob | Scat!: Vocal Improvisation Techniques | Book | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Strange, P. M. | Keith Jarrett's Uptempo Jazz Trio Playing: Transcription and Analysis of Performances of 'Just in Time' | Dissertation | View Record >> |
| Sudnow, David | Ways of the Hand | Book | View Record >> |
| Taylor, Billy | Billy Taylor's Basic Be-Bop Instruction | Book | View Record >> |
| Taylor, Billy | How to Play Bebop Piano | Book | View Record >> |
| Taylor, Mark | Charlie Parker | Book | View Record >> |
| Terefenko, Dariusz | The Art of the Solo Piano Introduction? Formal Improvisation | Conference Proceedings | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformation of Standard Tunes | Dissertation | View Record >> |
| Tirro, Frank | Constructive Elements in Jazz Improvisation | Journal Article | View Record >> |
| Treitler, Leo | Homer and Gregory: The Transmission of Epic Poetry and Plainchant | Journal Article | View Record >> |
| Tucker, Sherrie | Bordering on Community: Improvising Women Improvising Women-in-Jazz | Book Chapter | View Record >> |
| Velleman, Barry L. | Speaking of Jazz: Improvisation Through Linguistic Methods | Journal Article | View Record >> |
| Ward-Steinman, Patrice Madura | Vocal Improvisation and Creative Thinking by Australian and American University Jazz Singers: A Factor Analytic Study | Journal Article | View Record >> |
| Waters, Keith | Outside Forces: 'Autumn Leaves' in the 1960s | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Motivic and Formal Improvisation in the Miles Davis Quintet 1965-1968 | Journal Article | View Record >> |
| Watson, Kevin E. | The Effects of Aural Versus Notated Instructional Materials on Achievement and Self-Efficacy in Jazz Improvisation | Journal Article | View Record >> |
| Weir, Michele | Vocal Improvisation | Book | View Record >> |
| Weir, Michele | Jazz Singer's Handbook: The Artistry and Mastery of Singing | Book | View Record >> |
| Weisberg, Robert W. | Toward a Cognitive Analysis of Musical Creativity in Jazz Improvisation | Journal Article | View Record >> |
| Weiskopf, Walt | The Augmented Scale in Jazz: A Player's Guide | Book | View Record >> |
| Williams, Martin | Extended Improvisation and Form: Some Solutions | Journal Article | View Record >> |
| Wilson, Teddy | Teddy Wilson's Advanced Course in Modern Piano Playing | Edited Book | View Record >> |
| Zagalaz, Juan | La metamorfosis de la musica popular americana: el estilo de Teddy Wilson: 1935-1940 | Journal Article | View Record >> |
| Zano, Anthony | Mechanics of Modern Music: An Analysis of Contemporary and Jazz Techniques. Tecnica della musica moderna: introduzione all tecnica della musica leggera e jazz | Book | View Record >> |
| Zegree, Stephen | The Complete Guide to Teaching Vocal Jazz (Including Pop and Other Show Styles) | Book | View Record >> |
| In the Course of Performance: Studies in the World of Musical Improvisation | Edited Book | View Record >> | |
| The Oxford Companion to Jazz | Edited Book | View Record >> | |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| The Charlie Parker Collection | Edited Book | View Record >> | |
| The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue | Edited Book | View Record >> | |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Williams, J. Kent | Review of Andrew Jaffe, Jazz Theory | Review | View Record >> |
| Anderson, Fred | Exercises for the Creative Musician | Book | View Record >> |
| Steinbeck, Paul | 'Area by Area the Machine Unfolds': The Improvisational Performance Practice of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Anderson, Fred | Exercises for the Creative Musician | Book | View Record >> |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Schroeder, David | Four Approaches to Jazz Improvisation Instruction | Journal Article | View Record >> |
| Gushee, Lawrence | Improvisation and Related Terms in Middle-Period Jazz | Book Chapter | View Record >> |
| Givan, Benjamin | Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Context, Intentionality, and Jazz Analysis | Journal Article | View Record >> |
| Mounzer, Jason | Law of the Shortest Way and Jazz Improvisation : A Voice-Leading Model for the Analysis of | Dissertation | View Record >> |
| Vivian, Peter James | The Significance of Kenny Wheeler in the Evolution of Jazz Compozition from Diatonic Chromatic Background | Dissertation | View Record >> |
| Smither, Sean R.â | Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Dissertation | View Record >> |
| Williams, Shawn Edward. | Three in One: The Style, Structure, and Sound of Thad Jones as a Jazz Trumpeter | Dissertation | View Record >> |
| Sample, T. W. | An Analysis of the Improvisational Style of Jazz Organist Jimmy Smith through Selected Right Hand Transcriptions | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Williams, Thomas | Strategy in Contemporary Jazz Improvisation: Theory and Practice | Dissertation | View Record >> |
| Bartholomew, Zachary Charles | A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms | Dissertation | View Record >> |
| Stillman, Jason Patrick | Individualism and Audibility in Jazz: The Music of Bunky Green | Dissertation | View Record >> |
| Monroy Romero, Juan Manuel | An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz | Dissertation | View Record >> |
| Whitmire, Jonathan | A description of the musical concepts artist-level jazz musicians employ while improvising | Dissertation | View Record >> |
| Gabric, Lukas | Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | Dissertation | View Record >> |
| Ivanov, Oleg Viktorovich | The Art of Solo Guitar | Dissertation | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Stone, Christopher | Technical Efficacy for Violin Improvisation: How Not to Run Out of Fingers | Dissertation | View Record >> |
| Hanegan, Brian Scott | A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943) | Dissertation | View Record >> |
| Pilzer, Leigh | Gerry Mulligan, Soloist: Transcription and Analysis of His Small-Group Solos on Line for Lyons, Curtains, and The Flying Scotsman | Dissertation | View Record >> |
| Madura, Patrice Dawn | Relationships among vocal jazz improvisation achievement, jazz theory knowledge, imitative ability, previous musical experience, general creativity, and gender | Dissertation | View Record >> |
| Johnson, Michael John | An instructional approach for a university jazz vocal improvisation course sequence incorporating jazz theory, ear -training, and keyboard | Dissertation | View Record >> |
| Davis, Connor | Thelonious Monk's Prototypical Style: Close and Distant Readings of Jazz Stylings | Dissertation | View Record >> |
| Morrison, Murray James | Practitioner and Prophet: An Analysis of Sonny Stitt's Music and Relationship to Charlie Parker | Dissertation | View Record >> |
| Palacios, Luis Felipe | Developing a Pedagogical Method for Intermediate and Advanced Saxophone Studios Based on the Analysis of Michael Brecker's Unaccompanied Ballad Solos | Dissertation | View Record >> |
| Bechtel, Teague Stefan | Grant Green: An Analysis of the Blue Note Guitarist's Musical Vocabulary | Dissertation | View Record >> |
| Goods, Emmett C. | The Hard Bop Trombone: An Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964) | Dissertation | View Record >> |
| Moorman, Dennis Lee | An Analytic Study Of Jazz Improvisation With Suggestions For Performance (Theory) | Dissertation | View Record >> |
| SchoÌgler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Moore, David Michael | Blue: A Stylistic Analysis of Blue Mitchell | Dissertation | View Record >> |
| Doyle, Frank Vincent | Horace Silver: Transcription and Analysis of Ten Blues Compositions Including the Piano Improvisations 1954â1969 | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltraneâs Use of Thirds-Related Materials over âImpressionsâ with Analysis of Selected Solos | Dissertation | View Record >> |
| Greenstein, Jonathan | Astral Fire: A Meditation on Spiritual Jazz as Modeled by Five Saxophone Players, 1969-1979 | Dissertation | View Record >> |
| Sutley, Jaclyn Paige | Improvisation: A Strategic Analysis of Innovation Through Musical History and Practical Application in a Choral Setting for Both Students and Teacher | Dissertation | View Record >> |
| Hong, Seungyoung | The Bassist Is the Quarterback: An Examination of Ron Carterâs Improvised Performance in Different Contexts | Dissertation | View Record >> |
| Katuszonek, Nicholas | Jazz, Pop, Improvisation, National Identity and the Role of the Jazz Drummer | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's âDolphin Danceâ | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Lancaster, Rodney Allen | Transcription and analysis of selected trombone solos from J. J. Johnson's 1964 recording âProof Positive" | Dissertation | View Record >> |
| Gagatsis, Alexander Christos | Jazz improvisation as situated cognition: historical and analytical perspectives on the music of milt jackson | Dissertation | View Record >> |
| Levine, Michelle F. | Copresence and coordination in jazz musicians' collaborative music-making | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Radano, Ronald Michael | Anthony Braxton And His Two Musical Traditions, The Meeting Of Concert Music And Jazz. (Volumes I And Ii) (Avant-Garde, Free Jazz) | Dissertation | View Record >> |
| Mermikes, Milton | Changes over time: theory and practice | Dissertation | View Record >> |
| King-Bennett, Elizabeth | Beyond Genre: Analysis of Selected Saxophone Music by Alex Mincek, Anthony Braxton, and Jack Wright through a Lens of Genre Theory | Dissertation | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| Balara, Lawrence Matthew | The Personal and Social Dimensions of Creativity in Collective Jazz Improvisation | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' âSo Whatâ as Modal Jazz Case Study | Dissertation | View Record >> |
| Hiller, James | Theoretical foundations for understanding the meaning potentials of rhythm in improvisation | Dissertation | View Record >> |
| Michaelsen, Garrett | Analyzing musical interaction in jazz improvisations of the 1960s | Dissertation | View Record >> |
| Simon, Scott J. | A multi -dimensional entropy model of jazz improvisation for music information retrieval | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Duke, Daniel Alan | The Piano Improvisations of Chick Corea: An analytical study | Dissertation | View Record >> |
| Rinne, Henry Q. | Concepts of time and space in selected works of jazz improvisation and painting | Dissertation | View Record >> |
| Briody, Steve | The improvisational phrases of five prominent bebop guitarists: Seven hundred transcribed and categorized lines | Dissertation | View Record >> |
| Washington, Michael Spence | Beautiful nightmare: Coltrane, jazz, and American culture | Dissertation | View Record >> |
| Scott, Andrew Jacob | The life, music and improvisational style of Herbert Lawrence âSonnyâ Greenwich | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Methenyâs Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Fyffe, Jamie Robert | 'Kind of Blue' and the Signifyin(g) Voice of Miles Davis | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Brownell, John E. B | Drum set improvisation: Towards a conceptual model | Dissertation | View Record >> |
| Schachter, Michael | On Musical Reasoning: A Garland of Three Articles | Dissertation | View Record >> |
| Robertson, Benjamin I. R. | What Happens Next? Imaginative Presence in Gary Peacock and Lee Konitz: Divergent Fields, Audiation, and the Unexpected | Dissertation | View Record >> |
| Nicholls, Tracey | It does too matter: Aesthetic value(s), avant -garde art, and problems of theory choice | Dissertation | View Record >> |
| Gupta, Christopher Martin | Getting Out of a Jam: Collective Improvisation in Popular Music | Dissertation | View Record >> |
| Calhoun, Fraser C. | Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| Smith, Christopher John | âI can show it to you better than I can explain it to youâ: Analyzing procedural cues in African-American musical improvisations | Dissertation | View Record >> |
| Ryan, Kevin J., Jr. | Making in the Moment: The Dynamic Cognition of Musicians-in-action | Dissertation | View Record >> |
| Chirita, Claudia-Elena | Logics and Reasoning for Computational Creativity | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: iiâV Space | Journal Article | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Fisher, John Andrew | Jazz and Musical Works: Hypnotized by the Wrong Model | Journal Article | View Record >> |
| Solli, Mattias ; Aksdal, Erling ; Inderberg, John Pal | Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1) | Journal Article | View Record >> |
| Aldridge, James | Tristano's Reichian Theory of Improvisation: Jazz of the Unconscious Mind | Journal Article | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Thomas, Margaret E | Conlon Nancarrow, âHotâ Jazz, and the Principle of Collective Improvisation | Journal Article | View Record >> |
| de Bruin, Leon | Theory and practice in idea generation and creativity in Jazz improvisation | Journal Article | View Record >> |
| Stover, Chris | Improvisation, Deleuze and Guattari, philosophy, performance, temporality | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Gordon, Josh ; Gridley, Mark C. | Musical Preferences as a Function of Stimulus Complexity of Piano Jazz | Journal Article | View Record >> |
| Charyton, Christine ; Holden, John G. ; Jagacinski, Richard J. ; Elliott, John O. | A Historical and Fractal Perspective on the Life and Saxophone Solos of John Coltrane | Journal Article | View Record >> |
| Cosper, David | Breaking (from) the History: Postmodern Narrativity in the Music of Jaki Byard | Journal Article | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Abesser, Jakob | Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos | Journal Article | View Record >> |
| Dittmar, Christian | A swingogram representation for tracking micro-rhythmic variation in jazz performances | Journal Article | View Record >> |
| Frieler, Klaus | Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation | Journal Article | View Record >> |
| Carpenter, Angela C. ; Levitt, Andrea G. | Rhythm in the Speech and Music of Jazz and Riddim Musicians | Journal Article | View Record >> |
| Setzler, Matthew D ; Goldstone, Robert L | Tonal Emergence: An agent-based model of tonal coordination | Journal Article | View Record >> |
| Martin, Henry | Four studies of charlie parker's compositional processes | Journal Article | View Record >> |
| Frieler, Klaus ; Zaddach, Wolf-Georg | Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisational Fictions | Journal Article | View Record >> |
| Meyers, John Paul | Standards and Signification between Jazz and Fusion: Miles Davis and "I Fall in Love Too Easily," 1963-1970 | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
| Herzig, Monika ; Baker, David | Beyond Jamming: A Historical and Analytical Perspective on the Creative Process | Journal Article | View Record >> |
| Cohen, Brigid | Enigmas of the Third Space: Mingus and Varese at Greenwich House, 1957 | Journal Article | View Record >> |
| Sheehy, August | Improvisation, Analysis, and Listening Otherwise | Journal Article | View Record >> |
| Frieler, Klaus | Miles Vs. Trane: Computational and Statistical Comparison of the Improvisatory Styles of Miles Davis and John Coltrane | Journal Article | View Record >> |
| Smither, Sean R. | All the Things Tunes Are: Avant-Textes and Referents in Jazz Improvisation | Journal Article | View Record >> |
| Reynolds, Dean S. | Song, Beat, Sound, and Solo: Production, Musical Style, and a Recording-Oriented Aesthetic of Jazz | Journal Article | View Record >> |
| Gagastis, Alexander | Bags Still Grooves: Performance Strategies in Milt Jackson's Improvisations | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Gluck, Bob | Paul Bley and Live Synthesizer Performance | Journal Article | View Record >> |
| Miller, Brian A. | 'All of the Rules of Jazz': Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation. | Journal Article | View Record >> |
| O'Gallagher, John | Pitch-Class set Usage and development in late-Period improvisations of John Coltrane | Journal Article | View Record >> |
| Hobson, Vic | Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony | Book | View Record >> |
| Norgaard, Martin | Patterns in Music: How Linguistic Corpus Analysis Tools Can Be Used to Illuminate Central Aspects of Jazz Improvisation | Journal Article | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Burke, Robert L. | Analysis and observations of pre-Âlearnt and idiosyncratic elements in  improvisation: a reflective study in jazz performance | Dissertation | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
| Smith, Stuart | Jazz and Jazz Theory | Book Chapter | View Record >> |
| Perfeito, Paulo | Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation | Conference Proceedings | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russellâs Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Mawer, Deborah | Performing Improvisation: Bill Evans and Jean-Yves Thibaudet | Book Chapter | View Record >> |
| Vladimirovich, Pokaz Andrey | Structural Components Of The Modern Jazz Piano Playerâs Performing Style | Journal Article | View Record >> |
| Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
| Michaelsen, Garrett | Groove Topics in Improvised Jazz | Book Chapter | View Record >> |
| Stover, Chris | Mapping jazzâs affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Williams, Chris | Embodied music theory and improvised composition: Bill Evans, the architect | Conference Proceedings | View Record >> |
| Brandt, Per Aage | On tonal dynamics and musical meaning | Journal Article | View Record >> |
| Ayad, Lorraine A.K | Creating improvisations on chord progressions using suffix trees | Journal Article | View Record >> |
| Giraldo, Sergio ; RamĂrez, Rafael | A machine learning approach to ornamentation modeling and synthesis in jazz guitar | Journal Article | View Record >> |
| Mermikides, Milton | The shape of musical improvisation | Book Chapter | View Record >> |
| LubĂąnaĂą, Elena Vladimirovna | The piano jazz techniques in the late 20th and early 21st centuries | Journal Article | View Record >> |
| DĂ©guernel, Ken | Generating equivalent chord progressions to enrich guided improvisation: Application to rhythm changes | Conference Proceedings | View Record >> |
| Sergi, Giuseppe | Morphology and poetics of the music of Dave Holland from the 1970s to the 1980s | Journal Article | View Record >> |
| De Souza, Jonathan | Melodic Transformation in George Garzoneâs Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving | Journal Article | View Record >> |
| Friberg, Anders | Developing a Method for Identifying Improvisation Strategies in Jazz Duos | Conference Proceedings | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davisâ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| ChiriĆŁÄ, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Carmona, Taylor Mar | Melodic conventions through improvisation | Dissertation | View Record >> |
| Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
| Pellegrin, Rich | Schekerian versus Salzerian Analysis of Jazz | Book Chapter | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| DeMotta, David Joseph III | The contributions of Earl "Bud" Powell to the modern jazz style | Dissertation | View Record >> |
| Henry, Lucas | Dig That Lick: Exploring Patterns in Jazz with Computational Methods | Journal Article | View Record >> |
| Frieler, Klaus | Constructing Jazz Lines : Taxonomy, Vocabulary, Grammar | Book Chapter | View Record >> |
| Heinitsh, Henry | The jazz multilinguist: John Scofield's universal improvisational approach | Dissertation | View Record >> |
| Manuel, Peter | Flamenco Jazz: An Analytical Study | Journal Article | View Record >> |
| KaraÄa, Igor | Jazz theory: Reharmonization in jazz music | Journal Article | View Record >> |
| Gruppe, Gerd | Jazz meets India: The difficulties of musical encounters | Journal Article | View Record >> |
| Seguin, Pierre-Emmanuel | Lydia in Oz: The reception of George Russell in 1960s Australia | Journal Article | View Record >> |
| Edwards, Brent Hayes | Louis Armstrong and the syntax of scat | Journal Article | View Record >> |
| Porter, Eric C. | 'Born out of jazz...yet embracing all music': Race, gender, and technology in George Russell's Lydian chromatic concept | Book Chapter | View Record >> |
| Love, Stefan Caris | The Jazz Solo as Virtuous Act | Journal Article | View Record >> |
| Barrett, Frank J. | âMinimal Structures Within a Song: An Analysis of âAll of Meâ | Journal Article | View Record >> |
| Zack, Michael H. | Jazz Improvisation and Organizing: Once More from the Top | Journal Article | View Record >> |
| Steinbeck, Paul | Sound Experiments: The Music of the AACM | Book | View Record >> |
| Steinbeck, Paul | Message to Our Folks: The Art Ensemble of Chicago | Book | View Record >> |
| Steinbeck, Paul | George Lewisâs Voyager | Book Chapter | View Record >> |
| Steinbeck, Paul | Talking Back: Analyzing Performer-Audience Interaction in Roscoe Mitchellâs Nonaah | Journal Article | View Record >> |
| Smither, Sean R. | 'Flexible Conceptual Mapsâ: A Schema-Based Approach to the Analysis of Jazz Tunes | Journal Article | View Record >> |
| Wren, Toby | Jazz Standard as Archive: Theorizing a Relationship Between Jazz Improvisation and Standard Repertoire | Journal Article | View Record >> |
| Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
| Michaelsen, Garrett | Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More? | Journal Article | View Record >> |
| Stover, Chris | The Queer Rhythm of Cecil Taylorâs âEnter Evening' | Journal Article | View Record >> |
| Stover, Chris | Time, Territorialization, and Improvisational Spaces | Journal Article | View Record >> |
| Pellegrin, Rich | Harmony versus Voicing: Modeling Local-Level Salience and Stability in Jazz after 1960 | Journal Article | View Record >> |
| Pellegrin, Rich | Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldauâs Improvisation on âAll the Things You Are' | Journal Article | View Record >> |
Total: 481 records found matching search query.