| Author | Title | Type | |
|---|---|---|---|
| Aebersold, Jamey | Jazz Ear Training | Audiovisual Material | View Record >> |
| Aebersold, Jamey | Charlie Parker Omni-Book | Book | View Record >> |
| Aebersold, Jamey | A New Approach to Jazz Improvisation | Book | View Record >> |
| Aebersold, Jamey | Miles Davis | Audiovisual Material | View Record >> |
| Aebersold, Jamey | All Bird | Audiovisual Material | View Record >> |
| Aebersold, Jamey | Sonny Rollins | Audiovisual Material | View Record >> |
| Al-Zand, Karim | Theoretical Observations on Jazz Improvisation: The Solos of Julian 'Cannonball' Adderley | Dissertation | View Record >> |
| Al-Zand, Karim | Improvisation as Continually Juggled Priorities: Julian 'Cannonball' Adderley's 'Straight, No Chaser' | Journal Article | View Record >> |
| Allen, E. | Michael Brecker's Tenor Sax Solo on Body and Soul | Journal Article | View Record >> |
| Anderson, Gene | Blues for You, Johnny: Johnny Dodds and His 'Wild Man Blues' Recordings of 1927 and 1928 | Journal Article | View Record >> |
| Anderson, Gene | The Origin of Armstrong's Hot Fives and Hot Sevens | Journal Article | View Record >> |
| Ashley, Richard | Do[n't] Change a Hair for Me: The Art of Jazz Rubato | Journal Article | View Record >> |
| Bailey, Derek | Free Improvisation | Book Chapter | View Record >> |
| Bailey, Derek | Improvisation: Its Nature and Practice in Music | Book | View Record >> |
| Baker, David | Jazz Improvisation: A Comprehensive Method for All Players | Book | View Record >> |
| Baker, David | Advanced Ear Training for Jazz Musicians | Book | View Record >> |
| Baker, David | J. J. Johnson, Trombone | Book | View Record >> |
| Baker, David | How to Play Bebop | Book | View Record >> |
| Baker, David | Advanced Improvisation | Book | View Record >> |
| Barron, William | Improvisation and Related Concepts in Aesthetic Education | Dissertation | View Record >> |
| Bashour, Frederick | A Different View: 'On Miles and the Modes' | Journal Article | View Record >> |
| Bauer, William | Louis Armstrong's 'Skid Dat De Dat': Timbral Organization in an Early Scat Solo | Journal Article | View Record >> |
| Benadon, Fernando | Time Warps in Early Jazz | Journal Article | View Record >> |
| Benadon, Fernando | Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm | Journal Article | View Record >> |
| Benadon, Fernando | Commentary on Matthew W. Butterfield's 'The Power of Anacrusis' | Journal Article | View Record >> |
| Benadon, Fernando | Gridless Beats | Journal Article | View Record >> |
| Benninghof, James | Some Ramblings on Robert Johnson's Mind: Critical Analysis and Aesthetic Value in Delta Blues | Book Chapter | View Record >> |
| Benninghof, James | Some Ramblings on Robert Johnson's Mind: Critical Analysis and Aesthetic Value in Delta Blues | Journal Article | View Record >> |
| Benninghof, James | Heliotrope Bouquet and the Critical Analysis of American Music | Journal Article | View Record >> |
| Benson, Bruce Ellis | The Improvisation of Musical Dialogue: A Phenomenology of Music | Book | View Record >> |
| Benson, Bruce Ellis | The Fundamental Heteronomy of Jazz Improvisation | Journal Article | View Record >> |
| Benward, Bruce | Jazz Improvisation in Theory and Practice | Book | View Record >> |
| Berardinelli, Paula | Bill Evans: His Contributions as a Jazz Pianist and An Analysis of His Musical Style | Dissertation | View Record >> |
| Berger, Morroe | Benny Carter: A Life in American Music | Book | View Record >> |
| Bergonzi, Jerry | Pentatonics | Book | View Record >> |
| Bergonzi, Jerry | Melodic Structure | Book | View Record >> |
| Bergonzi, Jerry | Jazz Line | Book | View Record >> |
| Bergonzi, Jerry | Melodic Rhythm | Book | View Record >> |
| Bergonzi, Jerry | Thesaurus of Intervallic Melodies | Book | View Record >> |
| Bergonzi, Jerry | Developing a Jazz Language | Book | View Record >> |
| Bergonzi, Jerry | Hexatonics | Book | View Record >> |
| Berkman, David | The Jazz Singer's Guidebook: A Course in Jazz Harmony and Scat Singing for the Serious Jazz Vocalist | Book | View Record >> |
| Berlin, Edward A. | Ragtime Songs | Book Chapter | View Record >> |
| Berlin, Edward A. | Ragtime: A Musical and Cultural History | Book | View Record >> |
| Berlin, Edward A. | King of Ragtime: Scott Joplin and His Era | Book | View Record >> |
| Berlin, Edward A. | Ragtime and Improvised Piano: Another View | Journal Article | View Record >> |
| Berliner, Paul F. | Thinking in Jazz: The Infinite Art of Improvisation | Book | View Record >> |
| Berliner, Paul F. | Adding to Arrangements | Journal Article | View Record >> |
| Bernstein, Charles M. | The Traditional Roots of Billy Higgins | Journal Article | View Record >> |
| Bernstein, W. | Tristan und Isolde' from a Jazz-Harmonic Point of View--Reaction to a Recent Article by Altug Unlu | Journal Article | View Record >> |
| Berry, Mark Andrew | Musical Borrowing, Dialogism, and American Culture, 1960-1975: Bob Dylan's Self Portrait, George Rochberg's Third String Quartet, and Herbie Hancock's Watermelon Man | Dissertation | View Record >> |
| Biamonte, Nicole | Augmented Sixth Chords vs. Tritone Substitutes | Journal Article | View Record >> |
| Bierman, Benjamin | George Handy Composes the Bloos | Journal Article | View Record >> |
| Bierman, Benjamin | Unlocking the Mysteries of the Second Miles Davis Quintet [Book review of Keith Waters, The Studio Recordings of the Miles Davis Quintet, 1965-68; New York: Oxford University Press, 2011] | Review | View Record >> |
| Birtwistle, Andy | Marking Time and Sounding Difference: Brubeck, Temporality and Modernity | Journal Article | View Record >> |
| Blair, J. J. | Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations | Dissertation | View Record >> |
| Blanq, Charles Clement III | Melodic Improvisation in American Jazz: The Style of Theodore 'Sonny' Rollins | Dissertation | View Record >> |
| Bleij, Barbara | Harmonie aan het Berklee College of Music | Journal Article | View Record >> |
| Bleij, Barbara | On Harmony and Meaning in Clare Fischer's Music | Journal Article | View Record >> |
| Block, Steven | Organized Sound: Pitch-Class Relations in the Music of Ornette Coleman | Journal Article | View Record >> |
| Block, Steven | Pitch Class Transformation in Free Jazz | Journal Article | View Record >> |
| Block, Steven | 'Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz | Journal Article | View Record >> |
| Bloom, Steve | 21st Century Chords for Guitar | Book | View Record >> |
| Blume, G. | Blurred Affinities: Tracing the Influence of North Indian Classical Music in Keith Jarrett's Solo Piano Improvisations | Journal Article | View Record >> |
| Boling, Mark | The Jazz Theory Workbook | Book | View Record >> |
| Bouffard, P. P. | Foundations for a New Mode of Expression in Modern Jazz: Miles Davis's Kind of Blue and Modal Jazz | Dissertation | View Record >> |
| Brandt, Carl | Standard Chord Symbol Notation | Book | View Record >> |
| Brecker, Michael | Improvised Saxophone Solos | Book | View Record >> |
| Brecker, Michael | The Michael Brecker Collection | Book | View Record >> |
| Brecker, Michael | Artist Transcriptions | Book | View Record >> |
| Brofsky, Howard | Miles David and 'My Funny Valentine': The Evolution of a Solo | Journal Article | View Record >> |
| Brown, Lee B. | Afrocentrism Old and New: The Critical Theory of Jazz. | Journal Article | View Record >> |
| Brown, Lee B. | 'Feeling My Way': Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection. | Journal Article | View Record >> |
| Brown, T. Dennis | Vic Berton: A Forgotten Giant of the Drums | Journal Article | View Record >> |
| Brown, Theodore | A History and Analysis of Jazz Drumming to 1942 | Dissertation | View Record >> |
| Brownell, John | Analytical Models of Jazz Improvisation | Journal Article | View Record >> |
| Buchanon, Herbert H. | Bop Harmony--A New Interdisciplinary Approach: PROLOG, Logic, and Artificial Intelligence | Journal Article | View Record >> |
| Buchmann-Moller, Frank | You Got to Be Original, Man: The Music of Lester Young | Book | View Record >> |
| Budds, Michael J. | Jazz in the Sixties: The Expansion of Musical Resources and Techniques | Book | View Record >> |
| Buehrer, Ted | Metric Dissonance in Jazz | Conference Proceedings | View Record >> |
| Burbat, Wolf | Die Harmonik des Jazz | Book | View Record >> |
| Burns, Lori | Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong | Journal Article | View Record >> |
| Burstein, Chaim | The Power of Pentatonics | Journal Article | View Record >> |
| Burstein, Chaim | The Power of Altered Pentatonics | Journal Article | View Record >> |
| Busse, Walter Gerard | Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates | Journal Article | View Record >> |
| Butterfield, Matthew W. | Race and Rhythm: The Social Component of the Swing Groove | Journal Article | View Record >> |
| Butterfield, Matthew W. | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | Journal Article | View Record >> |
| Butterfield, Matthew W. | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | Journal Article | View Record >> |
| Butterfield, Matthew W. | Why Do Jazz Musicians Swing Their Eighth Notes? | Journal Article | View Record >> |
| Butterfield, Matthew W. | Response to Fernando Benadon | Journal Article | View Record >> |
| Butterfield, Matthew W. | Participatory Discrepancies and the Perception of Beats in Jazz | Journal Article | View Record >> |
| Byrnside, Ronald | The Performer as Creator: Jazz Improvisation | Book Chapter | View Record >> |
| Caporaletti, Vincenzo | Esperienze di analisi del jazz | Book | View Record >> |
| Caporaletti, Vincenzo | I processi improvvisativi nella musica: un approccio globale | Book | View Record >> |
| Caporaletti, Vincenzo | La definizione dello swing | Book | View Record >> |
| Caporaletti, Vincenzo | La fenomenologia del ritmo nella musica audiotattile: Il 'tempo doppio' | Journal Article | View Record >> |
| Caporaletti, Vincenzo | Evoluzione di un volo: il | Journal Article | View Record >> |
| Capuzzo, Guy | Pat Martino's 'The Nature of Guitar': An Intersection of Neo-Riemannian Theory and Jazz Theory | Journal Article | View Record >> |
| Carter, Allen | Interactive Arranging | Book | View Record >> |
| Carvalho, John M. | Repetition and Self-Realization in Jazz Improvisation | Journal Article | View Record >> |
| Charry, Eric | Freedom and Form in Ornette Coleman's Early Atlantic Recordings | Journal Article | View Record >> |
| Check, John D. | Compound Melody and Jazz Improvisations: A Reconsideration | Journal Article | View Record >> |
| Check, John David | Concepts of Compound Melody in Jazz Improvisation | Dissertation | View Record >> |
| Chemillier, Marc | Toward a Formal Study of Jazz Chord Sequences Generated by Steedman's Grammar | Journal Article | View Record >> |
| Christiansen, Corey | Essential Jazz Lines in the Style of Charlie Parker | Book | View Record >> |
| Clark, John L., Jr. | Archie Bleyer and the Lost Influence of Stock Arrangements in Jazz | Journal Article | View Record >> |
| Clayton, Jay | Sing Your Story: A Practical Guide for Learning and Teaching the Art of Jazz Singing | Book | View Record >> |
| Cogswell, Michael | Melodic Organization in Two Solos by Ornette Coleman | Journal Article | View Record >> |
| Coker, Jerry | Improvising Jazz | Book | View Record >> |
| Coker, Jerry | Listening to Jazz | Book | View Record >> |
| Collier, Geoffrey L. | A Study of Timing in Two Louis Armstrong Solos | Journal Article | View Record >> |
| Collier, Geoffrey L. | Microrhythms in Jazz: A Review of Papers | Journal Article | View Record >> |
| Collier, Geoffrey L. | Studies of Tempo Using a Double Timing Paradigm | Journal Article | View Record >> |
| Coltrane, John | The Works of John Coltrane | Book | View Record >> |
| Coltrane, John | Coltrane on Coltrane | Journal Article | View Record >> |
| Coolman, Todd F. | The Miles Davis Quintet of the mid-1960s: Synthesis of Improvisational and Compositional Elements | Dissertation | View Record >> |
| Cooper, Gloria | Jazz Phrasing: A Workshop for Jazz Vocalists | Book | View Record >> |
| Corbett, John | Out of Nowhere: Meditations on Deleuzian Music, Anti-Cadential Strategies, and Endpoints in Improvisation | Book Chapter | View Record >> |
| Cotro, Vincent | Virtuosit??_ et invention musicale dans le jazz: Pistes de r??_flextion et d'analyse | Journal Article | View Record >> |
| Covach, John | Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970's American Progressive Rock | Book Chapter | View Record >> |
| Crawford, Richard | Jazz Standards on Record, 1900-1942: A Core Repertory | Book | View Record >> |
| Crawford, Richard | Notes on Jazz Standards By Black Authors and Composers | Book Chapter | View Record >> |
| Crook, Hal | How To Improvise | Book | View Record >> |
| Crook, Hal | How to Comp | Book | View Record >> |
| Cugny, Laurent | Analyser le jazz | Book | View Record >> |
| Daley, Samuel J. | Sure System of Improvising for all Lead Instruments, especially adapted for Saxophone, Clarinet, Violin, Trumpet, Trombone | Book | View Record >> |
| Damron Jr., Bert L. | The Development and Evaluation of a Self-Instructional Sequence in Jazz Improvistion | Dissertation | View Record >> |
| Daniels, Douglas Henry | Lester Young: Master of Jive | Journal Article | View Record >> |
| Dapogny, James | Jelly Roll Morton and Ragtime | Book Chapter | View Record >> |
| Day, William | Knowing as Instancing: Jazz Improvisation and Moral Perfectionism | Journal Article | View Record >> |
| Dean-Lewis, Tim | Playing Outside: Excursions from the Tonality in Jazz Improvisation | Dissertation | View Record >> |
| Dean-Lewis, Tim | Treading the Board--?A Pedal Play: The Artistry of Jimmy Smith in Performance | Journal Article | View Record >> |
| Dean-Lewis, Tim | How Weird Can Things Get? (Maps for Pantonal Improvisation) | Journal Article | View Record >> |
| Dean, Roger | The Control of Acoustic Intensity during Jazz and Free Improvisation Performance | Journal Article | View Record >> |
| DeMichael, Don | The Varied Peripteries of Drummer Roy Haynes or They Call Snap Crackle | Journal Article | View Record >> |
| DeMichael, Don | John Coltrane and Eric Dolphy Answer the Jazz Critics | Journal Article | View Record >> |
| DeMotta, David | An Analysis of Herbie Hancock's Accompanying in the Miles Davis Quintet on the 1967 Album No Blues | Dissertation | View Record >> |
| Demsey, David | John Coltrane Plays 'Giant Steps' | Book | View Record >> |
| Demsey, David | Chromatic Third Relations in the Music of John Coltrane | Journal Article | View Record >> |
| Dessen, Michael | Improvising in a Different Clave: Steve Coleman and AfroCuba de Mantanzas | Book Chapter | View Record >> |
| DeVeaux, Scott | The Birth of Bebop: A Social and Musical History | Book | View Record >> |
| DeVeaux, Scott | Jazz in Transition: Coleman Hawkins and Howard McGhee, 1935-1945 | Dissertation | View Record >> |
| DeVeaux, Scott | 'Nice Work if You Can Get It': Thelonious Monk and Popular Song. | Journal Article | View Record >> |
| Dewhurst, Robin | A Study of the Jazz Composition and Orchestration Techniques Adopted by Gil Evans | Dissertation | View Record >> |
| DiBlasio, Denis | Guide for Jazz and Scat Vocalists: Survival Manual for Aspiring Jazz Singers | Book | View Record >> |
| Dietrich, Kurt | Duke's 'Bones: Ellington's Great Trombonists | Book | View Record >> |
| Dietrich, Kurt | Joe 'Tricky Sam' Nanton: Duke Ellington's Master of the Plunger Trombone | Journal Article | View Record >> |
| Dobbins, Bill | A Creative Approach to Jazz Piano Harmony | Book | View Record >> |
| Dobbins, Bill | Jazz Arranging and Composing: A Linear Approach | Book | View Record >> |
| Dobbins, Bill | The Contemporary Jazz Pianist | Book | View Record >> |
| Doerschuk, Robert L. | Dick Hyman: Past Tenths & Other Musical Highlights of Jazz Piano History | Journal Article | View Record >> |
| Donahue, Miles | Aural Awareness: Out with the Blues Scale; In with the Mixolydian | Journal Article | View Record >> |
| Donelian, Armen | Training the Ear for the Improvising Musician | Book | View Record >> |
| Donelian, Armen | Hearing Chords | Journal Article | View Record >> |
| Downs, Clive | Metric Displacement in the Improvisation of Charlie Christian | Journal Article | View Record >> |
| DuBoff, Rob | Miles Davis: Kind of Blue | Book | View Record >> |
| Duke, John Robert | Teaching Musical Improvisation: A Study of Eighteenth and Twentieth-Century Methods | Dissertation | View Record >> |
| Ellenberger, Kurt Johann | Materials and Concepts in Jazz Improvisation | Book | View Record >> |
| Ellington, Duke | Piano Method for Blues | Book | View Record >> |
| Elsdon, Peter | Jazz Recordings and the Capturing of Performance | Book Chapter | View Record >> |
| Elsdon, Peter | Listening in the gaze: the body in Keith Jarrett's solo piano improvisations | Book Chapter | View Record >> |
| Elsdon, Peter | Style and the Improvised Line in Keith Jarrett's Solo Concerts | Journal Article | View Record >> |
| Elsen, Frans | Jazz Harmony at the Piano: Practical Harmony Method for the Jazz Musician | Book | View Record >> |
| Everett, Walter | A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan | Journal Article | View Record >> |
| Feather, Leonard | Inside Jazz | Book | View Record >> |
| Feurzeig, David Kahn | Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic | Dissertation | View Record >> |
| Finkelman, Jonathan | Charlie Christian, Bebop, and the Recordings at Minton's | Journal Article | View Record >> |
| Fischlin, Daniel and Heble, Ajay | The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue | Book Chapter | View Record >> |
| Fischlin, Daniel and Heble, Ajay | A Composition on Improvisation | Book Chapter | View Record >> |
| Fischlin, Daniel, Heble, Ajay, and Lefebvre, Benjamin | Toward Further Dialogue: A Bibliography on Improvisation | Book Chapter | View Record >> |
| Flora, Sim A. | An Analytical Anthology of Improvised Solos Designed to Supplement the Formal Teaching of Jazz Improvisation and Jazz Theory at the University Level | Dissertation | View Record >> |
| Floyd, Samuel A., Jr. | The Power of Black Music: Interpreting Its History from Africa to the United States | Book | View Record >> |
| Folio, Cynthia | An Analysis of Polyrhythm in Selected Improvised Jazz Solos | Book Chapter | View Record >> |
| Folio, Cynthia | Dexter Gordon's Ultimate 'Body and Soul' | Conference Proceedings | View Record >> |
| Folio, Cynthia | Billie Holiday's Art of Paraphrase: A Study in Consistency | Book Chapter | View Record >> |
| Folio, Cynthia | 'The Great Symphonic Theme': Multiple Takes on | Journal Article | View Record >> |
| Folio, Cynthia | Toward a Cognitive Analysis of Musical Creativity in Jazz Improvisation | Journal Article | View Record >> |
| Forte, Allen | The American Popular Ballad of the Golden Era, 1924-1950 | Book | View Record >> |
| Forte, Allen | The Real 'Stella' and the 'Real' 'Stella': A Response to 'Alternate Takes' | Journal Article | View Record >> |
| Forte, Allen | Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin | Journal Article | View Record >> |
| Forte, Allen | The Development of Diminutions in American Jazz | Journal Article | View Record >> |
| Fowler, William L. | How to Americanize European Augmented Sixth Chords [part 2] | Journal Article | View Record >> |
| Fowler, William L. | How to Americanize European Augmented Sixth Chords [part 1] | Journal Article | View Record >> |
| Franklin, Judy | Jazz Melody Generation Using Recurrent Networks and Reinforcement Learning | Journal Article | View Record >> |
| Freedy, David Rawlings | Brecker's Blue Transcription and Theoretical Analysis of Six Selected Improvised Blues Solos by Jazz Saxophonist Michael Brecker | Dissertation | View Record >> |
| Friberg, Anders | Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern | Journal Article | View Record >> |
| Gabbard, Krin | Improvisation and Imitation: Marlon Brando as Jazz Actor | Book Chapter | View Record >> |
| Garcia, Antonio | Where's the Beat? (Part 1) | Journal Article | View Record >> |
| Garcia, Antonio | Where's the Beat? (Part 2) | Journal Article | View Record >> |
| Garcia, Russell | The Professional Arranger Composer | Book | View Record >> |
| Gates, Henry Louis Jr. | The Signifying Monkey: A Theory of African-American Literary Criticism | Book | View Record >> |
| Gelber, Jesse H. | Bitonality in Jazz of the Twenties and Thirties | Dissertation | View Record >> |
| Gilbert, Steven E. | The Music of Gershwin | Book | View Record >> |
| Gilbert, Steven E. | Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Songs and Jazz | Book Chapter | View Record >> |
| Gilbert, Steven E. | Gershwin's Art of Counterpoint | Journal Article | View Record >> |
| Gillis, Frank J. | Hot Rhythm in Piano Ragtime | Book Chapter | View Record >> |
| Givan, Benjamin | The Music of Django Reinhardt | Book | View Record >> |
| Givan, Benjamin | Forte's Lecture on Jazz: An Introduction | Journal Article | View Record >> |
| Givan, Benjamin | Duets for One: Louis Armstrong's Vocal Recordings | Journal Article | View Record >> |
| Givan, Benjamin | Django Reinhardt's 'I'll See You in My Dreams' | Journal Article | View Record >> |
| Givan, Benjamin | Swing Improvisation: A Schenkerian Perspective | Journal Article | View Record >> |
| Givan, Benjamin | Thelonious Monk's Pianism | Journal Article | View Record >> |
| Givan, Benjamin | Discontinuity in the Music of Django Reinhardt | Journal Article | View Record >> |
| Goldstein, Gil | Jazz Composer's Companion | Book | View Record >> |
| Gonda, Janos | Problems of Tonality and Function in Modern Jazz Improvisation | Journal Article | View Record >> |
| Gould, Carol S. | The Essential Role of Improvisation in Musical Performance | Journal Article | View Record >> |
| Graham, Alexander H. | The Living Framework: Miles Davis and the Evolution of American Popular Song | Dissertation | View Record >> |
| Green, Edward | 'Harlem Air Shaft': A True Programmatic Composition? | Journal Article | View Record >> |
| Greenberg, Janice Leslie | Jazz Books in the 1990s: An Annotated Bibliography | Book | View Record >> |
| Gridley, Mark | Jazz Styles: History & Analysis | Book | View Record >> |
| Gridley, Mark | Perception of Emotion in Jazz Improvisation | Journal Article | View Record >> |
| Gross, Austin Andrew | Bill Evans and the Craft of Improvisation | Dissertation | View Record >> |
| Gushee, Lawrence | The Improvisation of Louis Armstrong | Book Chapter | View Record >> |
| Gushee, Lawrence | A Sense Is Possible: Miles Davis and the Semiotics of Improvised Performance | Book Chapter | View Record >> |
| Gushee, Lawrence | Lester Young's 'Shoe Shine Boy' | Conference Proceedings | View Record >> |
| Haerle, Dan | Jazz Piano Voicing Skills | Book | View Record >> |
| Haerle, Dan | Scales for Improvisation | Book | View Record >> |
| Haerle, Dan | The Jazz Sound | Book | View Record >> |
| Haerle, Dan | The Jazz Language | Book | View Record >> |
| Hagert, Thornton | Band and Orchestral Ragtime | Book Chapter | View Record >> |
| Hancock, Herbie | Classic Jazz Compositions and Solos | Edited Book | View Record >> |
| Handy, William Christopher | The Blues: An Anthology | Book | View Record >> |
| Harker, Brian | 'Telling a Story': Louis Armstrong and Coherence in Early Jazz | Journal Article | View Record >> |
| Harker, Brian | Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing | Journal Article | View Record >> |
| Harrison, Max | Charlie Parker | Book Chapter | View Record >> |
| hartigan, royal | dancin' on the time: advanced rhythmic layers for drumset | Book | View Record >> |
| Hartman, Charles O. | Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song | Book | View Record >> |
| Hartman, Charles O. | 'Wrong Together': Structures, Norms, and Standards | Journal Article | View Record >> |
| Hasse, John Edward | Ragtime from the Top | Book Chapter | View Record >> |
| Haywood, Mark S. | Order and Chaos in Bird and Trane | Journal Article | View Record >> |
| Haywood, Mark S. | The Harmonic Role of Melody in Vertical and Horizontal Jazz | Journal Article | View Record >> |
| Haywood, Mark S. | Rhythmic Readings in Thelonious Monk | Journal Article | View Record >> |
| Heavner, T. | Michael Brecker's Side-Slipping Tenor Saxophone Solo on Delta City Blues | Journal Article | View Record >> |
| Heble, A. | Landing on the Wrong Note: Jazz, Dissonance and Critical Practice | Book | View Record >> |
| Heen, Carol Louise | Procedures for Style Analysis of Jazz | Dissertation | View Record >> |
| Henriksson, Juha | Chasing the Bird: Functional Harmony in Charlie Parker's Bebop Themes | Dissertation | View Record >> |
| Hermann, Richard | Charlie Parker's Solo to 'Ornithology': Facets of Counterpoint, Analysis, and Pedagogy | Journal Article | View Record >> |
| Heyer, David J. | Vocabulary, Voice Leading, and Motivic Coherence in Chet Baker's Jazz Improvisations | Dissertation | View Record >> |
| Heyer, David J. | Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach | Journal Article | View Record >> |
| Hodeir, Andre | Jazz: Its Evolution and Essence | Book | View Record >> |
| Hodson, Robert D. | Interation, Improvisation, and Interplay in Jazz | Book | View Record >> |
| Hodson, Robert D. | Interaction and Improvisation: Group Interplay in Jazz Performance | Dissertation | View Record >> |
| Howland, John | Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz | Book | View Record >> |
| Howland, John | Ellingtonian Extended Composition and the Symphonic Jazz Model | Journal Article | View Record >> |
| Howland, John | Jazz Rhapsodies in Black and White: James P. Johnson's 'Yamekraw' | Journal Article | View Record >> |
| Huang, Hao | Billie Holiday and Tempo Rubato: Understanding Rhythmic Expressivity | Journal Article | View Record >> |
| Iyer, Vijay | Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music | Journal Article | View Record >> |
| Jaffe, Andrew | Jazz Theory | Book | View Record >> |
| Jaffe, Andrew | Jazz Harmony | Book | View Record >> |
| Jairazbhoy, Nazir A. | The 'Objective' and 'Subjective' View of Music Transcription | Journal Article | View Record >> |
| Jarrett, Michael | Cutting Sides: Jazz Record Producers and Improvisation | Book Chapter | View Record >> |
| Jasen, David A. | That American Rag: The Story of Ragtime from Coast to Coast | Book | View Record >> |
| Jeckovich, Jeffrey | The Forms and Orchestration of Five Jelly Roll Morton Piano Solos | Journal Article | View Record >> |
| Johnson-Laird, P. N. | How Jazz Musicians Improvise | Journal Article | View Record >> |
| Jones-Quartey, Kwatei | 'Parker's Mood' Revisited | Journal Article | View Record >> |
| Jost, Ekkehard | Spontaneitat und Klischee in der Jazzimprovisation, dargestellt an John Coltranes Giant Steps | Conference Proceedings | View Record >> |
| Joyner, David | Analyzing Third Stream | Journal Article | View Record >> |
| Julien, Patricia | The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963 | Dissertation | View Record >> |
| Julien, Patricia | The Function of Non-Functional Harmony | Journal Article | View Record >> |
| Julien, Patricia | 'Sakeena's Vision': The Trifocal Organization of Harmonic Relations in One of Wayne Shorter's Early Compositions | Journal Article | View Record >> |
| Julien, Patricia | Four-Way Voicings in Jazz Arranging | Journal Article | View Record >> |
| Jungbluth, Axel | Harmonische Analyse (Bill Evans's Very Early: Chromatik als Ubergeordnetes regulativ) | Journal Article | View Record >> |
| Kahn, Ashley | A Love Supreme: The Creation of John Coltrane's Classic Album | Book | View Record >> |
| Kahn, Ashley | Kind of Blue: The Making of the Miles Davis Masterpiece | Book | View Record >> |
| Keil, Charles M. H. | Motion and Feeling Through Music | Journal Article | View Record >> |
| Kelley, Robin D.G. | New Monastery: Monk and the Jazz Avant-Garde | Journal Article | View Record >> |
| Kenny, Barry | Jazz Analysis as Cultural Imperative (and Other Urban Myths): A Critical Overview of Jazz Analysis and Its Relationship to Pedagogy | Journal Article | View Record >> |
| Kenny, Barry | Structure in Jazz Improvisation: A Formulaic Analysis of the Improvisations of Bill Evans | Journal Article | View Record >> |
| Kernfeld, Barry | What to Listen For in Jazz | Book | View Record >> |
| Kernfeld, Barry | Adderley, Coltrane, Davis at the Twilight of Bebop: The Search for Melodic Coherence | Dissertation | View Record >> |
| Kernfeld, Barry | Two Coltranes | Journal Article | View Record >> |
| Kingscott, John | Keyboard Improvisation: A Phenomenological Study | Journal Article | View Record >> |
| Knauer, Wolfram | Parker's Mood: Genesis of a Blues Improvisation | Journal Article | View Record >> |
| Koch, Lawrence O. | Yardbird Suite: A Compendium of the Music and Life of Charlie Parker | Book | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part Two) | Journal Article | View Record >> |
| Koch, Lawrence O. | Charlie Parker's Recordings | Journal Article | View Record >> |
| Koch, Lawrence O. | Ornithology: A Study of Charlie Parker's Music (Part One) | Journal Article | View Record >> |
| Koch, Lawrence O. | Harmonic Approaches to the Twelve-Bar Blues Form | Journal Article | View Record >> |
| Koch, Lawrence O. | The Jazz Composition/Arrangement | Journal Article | View Record >> |
| Koenigsberg, Toby | A Harmonic Technique of Herbie Hancock -- and Learning to Use It | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part I: Rhythmic Innovator | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part II: Rhythmic Displacement in the Art of Elvin Jones | Journal Article | View Record >> |
| Kofsky, Frank | Elvin Jones Part III: An Interview with Elvin Jones | Journal Article | View Record >> |
| Korman, Clifford | 'Criss Cross': Motivic Construction in Composition and Improvisation | Journal Article | View Record >> |
| Kraut, Robert | Why Does Jazz Matter to Aesthetic Theory? | Journal Article | View Record >> |
| Kubik, Gerhard | The African Matrix in Jazz Harmonic Practice | Journal Article | View Record >> |
| Kurzdorfer, James | Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk | Journal Article | View Record >> |
| Kynaston, Trent P. | Jazz Improvisation | Book | View Record >> |
| Lange, Arthur | Arranging for the Modern Dance Orchestra | Book | View Record >> |
| Laporta, John | Tonal Organization of Improvisation Techniques | Book | View Record >> |
| Larson, Steve | Analyzing Jazz: A Schenkerian Approach | Book | View Record >> |
| Larson, Steve | Conversations with Monk and Evans | Conference Proceedings | View Record >> |
| Larson, Steve | Integration in Jazz Performance: Concealed Repetition in Oscar Peterson's Performance of Thelonious Monk's '''Round Midnight | Conference Proceedings | View Record >> |
| Larson, Steve | Rhythmic Displacement in the Music of Bill Evans | Book Chapter | View Record >> |
| Larson, Steve | Jazz Recipes | Conference Proceedings | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz | Dissertation | View Record >> |
| Larson, Steve | Some Aspects of the Album 'Out of the Woods' by the Chamber Ensemble Oregon | Dissertation | View Record >> |
| Larson, Steve | Swing and Motive in Three Performances by Oscar Peterson | Journal Article | View Record >> |
| Larson, Steve | Composition versus Improvisation? | Journal Article | View Record >> |
| Larson, Steve | Schenkerian Analysis of Modern Jazz: Questions about Method | Journal Article | View Record >> |
| Larson, Steve | Reviews of The American Popular Ballad of the Golden Era, 1924-1950, by Allen Forte; The Music of Gershwin, by Steven Gilbert; and Charlie Parker and Thematic Improvisation, by Henry Martin. | Review | View Record >> |
| Larson, Steve | What Makes a Good Bridge? | Journal Article | View Record >> |
| Larson, Steve | Dave McKenna's Performance of 'Have You Met Miss Jones?' | Journal Article | View Record >> |
| Larson, Steve | 'Yellow Bell' and a Jazz Paradigm | Journal Article | View Record >> |
| Larson, Steve | Analyzing Jazz 'Strategies': Two Performances by Bill Evans | Conference Proceedings | View Record >> |
| Larson, Steve | The Art of Charlie Parker's Rhetoric | Journal Article | View Record >> |
| Larson, Steve | Triple Play: Bill Evans's Three-Piano Performance of Victor Young's 'Stella by Starlight' | Journal Article | View Record >> |
| Lateef, Yusef | Repository of Scales and Melodic Patterns | Book | View Record >> |
| Lawn, Richard | Jazz Theory and Practice | Book | View Record >> |
| Leeuwenberg, Boudewijn | Jazzharmonie aan der Piano by Frans Elsen | Review | View Record >> |
| Levine, Mark | The Jazz Piano Book | Book | View Record >> |
| Levine, Mark | Jazz Piano Masterclass: The Drop 2 Book | Book | View Record >> |
| Levine, Mark | The Jazz Theory Book | Book | View Record >> |
| Lewis, George E. | Improvised Music After 1950: Afrological and Eurological Perspectives | Book Chapter | View Record >> |
| Lewis, George E. | Afterword to 'Improvised Music after 1950': The Changing Same | Book Chapter | View Record >> |
| Liebman, David | A Chromatic Approach to Jazz Harmony and Melody | Book | View Record >> |
| Liebman, David | John Coltrane's Meditation Suite: A Study in Symmetry | Journal Article | View Record >> |
| Ligon, Bert | Connecting Chords with Linear Harmony | Book | View Record >> |
| Ligon, Bert | Jazz Theory Resources: Tonal, Harmonic, Melodic and Rhythmic Organization of Jazz | Book | View Record >> |
| Lillos, Brian | Navigating the Be-boppers? a Harmonic Galaxy | Journal Article | View Record >> |
| Lindeman, Steve | Miles's 'Stella': A Comparison of the Two Quintets | Journal Article | View Record >> |
| Lindsay, Julie Anne | Analytical Approaches to Jazz Polyphony, with Special Reference to the Use of Pitch-Class Theory in the Works of Toshiko Akiyoshi and Phil Woods | Dissertation | View Record >> |
| List, George | The Reliability of Transcription | Journal Article | View Record >> |
| London, Barbara | Jazz Theory Education in the USA: From Our Perspective | Journal Article | View Record >> |
| Love, Stefan | An Approach to Phrase Rhythm in Jazz | Journal Article | View Record >> |
| Love, Stefan | 'Possible Paths': Schemata of Phrasing and Melody in Charlie Parker's Blues | Journal Article | View Record >> |
| Love, Stefan | A Model of Common-Tone Relations Among Jazz Scales | Journal Article | View Record >> |
| Lovell, Jeffrey | Out of the Ordinary: Andrew Hill's 'Verona Rag' | Journal Article | View Record >> |
| Lyons, Len | The Great Jazz Pianists | Book | View Record >> |
| Machlin, Paul | Stride: The Music of Fats Waller | Book | View Record >> |
| Machlin, Paul | Thomas Wright 'Fats' Waller: Performances in Transcription 1927-1943 | Book | View Record >> |
| Machlin, Paul | Fats Waller Composes: The Sketches, Drafts and Lead Sheets in the Institute of Jazz Studies Collection | Journal Article | View Record >> |
| Mackey, Nathaniel | Paracritical Hinge | Book Chapter | View Record >> |
| Magee, Jeffrey | The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz | Book | View Record >> |
| Magee, Jeffrey | Everybody Step: Irving Berlin, Jazz, and Broadway in the 1920s | Journal Article | View Record >> |
| Mancini, Henry | Sounds and Scores | Book | View Record >> |
| Markewich, Reese | The New Expanded Bibliography of Jazz Compositions Based on the Chord Progressions of Standard Tunes | Book | View Record >> |
| Martin, Henry | Jazz: The First 100 Years | Book | View Record >> |
| Martin, Henry | Enjoying Jazz | Book | View Record >> |
| Martin, Henry | Jazz Pianists of the 1920s and 1930s | Book Chapter | View Record >> |
| Martin, Henry | Charlie Parker and Thematic Improvisation | Book | View Record >> |
| Martin, Henry | Jazz Harmony | Dissertation | View Record >> |
| Martin, Henry | From Fountain to Furious: Ellington's Development a Stride Pianist | Journal Article | View Record >> |
| Martin, Henry | Balancing Composition and Improvisation in James P. Johnson's 'Carolina Shout' | Journal Article | View Record >> |
| Martin, Henry | Maria Schneider's 'Hang Gliding': Aspects of Structure | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker and 'Honeysuckle Rose': Voice Leading, Formula, and Motive | Journal Article | View Record >> |
| Martin, Henry | Jazz Harmony: A Syntactic Background | Journal Article | View Record >> |
| Martin, Henry | We Remember Clifford: Variation Technique at the Middleground | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory: An Overview | Journal Article | View Record >> |
| Martin, Henry | Constructing a Post-Modern-Jazz Pedagogy | Journal Article | View Record >> |
| Martin, Henry | Exempli Gratia: As You Like It (Chord Substitution in Ellington's 'Satin Doll') | Journal Article | View Record >> |
| Martin, Henry | The Nature of Recomposition: Miles Davis and 'Stella by Starlight' | Journal Article | View Record >> |
| Martin, Henry | Schenker and the Tonal Jazz Repertory | Journal Article | View Record >> |
| Martin, Henry | Jazz Theory and Analysis: An Introduction and Brief Bibliography | Journal Article | View Record >> |
| Martin, Henry | Charlie Parker as Composer | Journal Article | View Record >> |
| Martin, Henry | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | Review | View Record >> |
| Martin, Henry | Aural Sketches: Chick Corea's 'Where Have I Known You Before' | Journal Article | View Record >> |
| Martin, Henry | More Than Just Guidetones: Steve Larson's Analyzing Jazz: A Schenkerian Approach | Review | View Record >> |
| Martin, Henry | Jeff Sultanof's Miles Davis, Birth of the Cool: Scores from the Original Parts | Review | View Record >> |
| Martin, Henry | Thomas Owens's Bebop: The Music and Its Players | Review | View Record >> |
| Maxile Jr., Horace J. | Churchy Blues, Bluesy Church: Vernacular Tropes, Expression, and Structure in Charles Mingus's 'Ecclusiastics' | Journal Article | View Record >> |
| May, Lissa F. | Factors and Abilities Influencing Achievement in Instrumental Jazz Improvisation | Journal Article | View Record >> |
| McCalla, James | Jazz: A Listener's Guide | Book | View Record >> |
| McFarland,Mark | Schenker and the Tonal Jazz Repertory: A Response to Martin | Journal Article | View Record >> |
| McGowan, James J. | Dynamic Consonance in Selected Piano Performances of Tonal Jazz | Dissertation | View Record >> |
| McGowan, James J. | Psychoacoustic Foundations of Contextual Harmonic Stability in Jazz Piano Voicings | Journal Article | View Record >> |
| McGowan, James J. | 'Consonance' in Tonal Jazz: A Critical Survey of Its Semantic History | Journal Article | View Record >> |
| McMurdy, Ronald C. | Jazz Improvisation Series: Approaching the Standards | Book | View Record >> |
| Meadows, Eddie S. | Ethnomusicology and Jazz Research: A Selective Viewpoint | Journal Article | View Record >> |
| Meehan, Norman | After the Melody: Paul Bley and Jazz Piano After Ornette Coleman | Journal Article | View Record >> |
| Megill, Donald D. | Introduction to Jazz History | Book | View Record >> |
| Mehegan, John | Tonal and Rhythmic Principles | Book | View Record >> |
| Mehegan, John | Jazz Rhythm and the Improvised Line | Book | View Record >> |
| Mehegan, John | Swing and Early Progressive Piano Styles | Book | View Record >> |
| Mehegan, John | Contemporary Piano Styles | Book | View Record >> |
| Mehegan, John | Improvising Jazz Piano | Book | View Record >> |
| Milkowski, Bill | Ed Thigpen | Journal Article | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Modal Jazz Compositions and Harmony | Book | View Record >> |
| Miller, Ron | Creating Modal Chords with the Grip Method | Journal Article | View Record >> |
| Monson, Ingrid | Russell, Coltrane, and Modal Jazz | Book Chapter | View Record >> |
| Monson, Ingrid | Saying Something: Jazz Improvisation and Interaction | Book | View Record >> |
| Monson, Ingrid | Musical Interaction in Modern Jazz: An Ethnomusicological Perspective | Dissertation | View Record >> |
| Monson, Ingrid | Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology | Journal Article | View Record >> |
| Monson, Ingrid | Riffs, Repetition, and Theories of Globalization | Journal Article | View Record >> |
| Moreno, Jairo | Body 'n' Soul?: Voice and Movement in Keith Jarrett's Pianism | Journal Article | View Record >> |
| Morgan, David | Superimposition in the Improvisations of Herbie Hancock | Journal Article | View Record >> |
| Morrison, Steven J. | Jazz Expertise and Its Relationship to Pitch and Rhythm Placement among Trumpet Players | Journal Article | View Record >> |
| Mueller, Darren | Restructuring, Reharmonization and Continuity in the Music of Jerry Bergonzi | Dissertation | View Record >> |
| Murphy, John P. | Jazz Improvisation: The Joy of Influence | Journal Article | View Record >> |
| Murray, Albert | Stomping the Blues | Book | View Record >> |
| Nadeau, Roland | The Grace and Beauty of Classic Rags: Structural Elements in a Distinct Musical Genre | Book Chapter | View Record >> |
| Nanry, Charles | The Jazz Text | Book | View Record >> |
| Neal, Mark Anthony | '. . . A Way Out of No Way': Jazz, Hip-Hop, and Black Social Improvisation | Book Chapter | View Record >> |
| Nelson, Oliver | Patterns for Improvisation | Book | View Record >> |
| Nestico, Sammy | The Complete Arranger | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | Harmony | Book | View Record >> |
| Nettles, Barrie | The Chord Scale Theory and Jazz Harmony | Book | View Record >> |
| Newberger, Eli H. | The Transition from Ragtime to Improvised Piano Style | Journal Article | View Record >> |
| Newberger, Eli H. | The Development of New Orleans and Stride Piano Styles | Journal Article | View Record >> |
| Niemack, Judy | Hear It & Sing It! | Book | View Record >> |
| Nisenson, Eric | The Making of Kind of Blue: Miles Davis and His Masterpiece | Book | View Record >> |
| Oliveros, Pauline | Harmonic Anatomy: Women in Improvisation | Book Chapter | View Record >> |
| Ostransky, Leroy | The Anatomy of Jazz | Book | View Record >> |
| Owens, Thomas | Analysing Jazz | Book Chapter | View Record >> |
| Owens, Thomas | Bebop: The Music and Its Players | Book | View Record >> |
| Owens, Thomas | Charlie Parker: Techniques of Improvisation | Dissertation | View Record >> |
| Owens, Thomas | The Fugal Pieces of the Modern Jazz Quartet | Journal Article | View Record >> |
| Owens, Thomas | Applying the Melograph to | Journal Article | View Record >> |
| Paparelli, Frank | Dizzy Gillespie: A Jazz Master | Edited Book | View Record >> |
| Pass, Joe | Chord Encounters of Guitar, Book I: Blues, Chords, and Substitutions | Book | View Record >> |
| Patrick, James S. | Charlie Parker and Harmonic Sources of Bebop Composition: Thoughts on the Repertory of New Jazz in the 1940s | Journal Article | View Record >> |
| Pejrolo, A. | The Origins of Modal Jazz in the Music of Miles Davis: A Complete Transcription and LInear/Harmonic Analysis of Ascenseur pour l'????chafaud (Lift to the Scaffold), 1957 | Dissertation | View Record >> |
| Perlman, Alan M. | Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure | Book Chapter | View Record >> |
| Perrufo, Paolo | Dal ragtime allo stride piano: l'evoluzione di uno stile | Journal Article | View Record >> |
| Perry, J. C. | A Comparative Analysis of Selected Piano Solos by Red Garland, Bill Evans, Wynton Kelly, and Herbie Hancock from Their Recordings with the Miles Davis Groups, 1955-1968 | Dissertation | View Record >> |
| Pond, Steven F. | Head Hunters: The Making of Jazz's First Platinum Album | Book | View Record >> |
| Pond, Steven F. | Herbie Hancock's Head Hunters: Troubling the Waters of Jazz | Dissertation | View Record >> |
| Porter, Eric | Dizzy Atmosphere: The Challenge of Bebop | Journal Article | View Record >> |
| Porter, Lewis | John Coltrane: His Life and Music | Book | View Record >> |
| Porter, Lewis | Lester Young | Book | View Record >> |
| Porter, Lewis | Jazz: From Its Origins to the Present | Book | View Record >> |
| Porter, Lewis | John Coltrane's A Love Supreme: Jazz Improvisation as Composition | Journal Article | View Record >> |
| Porter, Lewis | The 'Blues Connotation' in Ornette Coleman's Music? ?and Some General Thoughts on the Relation of Blues to Jazz | Journal Article | View Record >> |
| Potter, Gary | Analyzing Improvised Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Towards an Understanding of Scales in Jazz | Journal Article | View Record >> |
| Pressing, Jeff | Black Atlantic Rhythm: Its Computational and Transcultural Foundations | Journal Article | View Record >> |
| Pressing, Jeff | Review of Thinking in Jazz, by Paul Berliner | Review | View Record >> |
| Pressing, Jeff | Pitch Class Set Structures in Contemporary Jazz | Journal Article | View Record >> |
| Pressing, Jeff | How to Cultivate an Uneven Touch | Journal Article | View Record >> |
| Prvost, Eddie | The Discourse of a Dysfunctional Drummer: Collaborative Dissonances, Improvisation, and Cultural Theory | Book Chapter | View Record >> |
| Priestley, Brian | Mingus: A Critical Biography | Book | View Record >> |
| Priestley, Brian | John Coltrane | Book | View Record >> |
| Priestley, Brian | Chasin' the Bird: The Life and Legacy of Charlie Parker | Book | View Record >> |
| Priestley, Brian | Charlie Parker and Popular Music | Journal Article | View Record >> |
| Ramirez, Rafael | A Tool for Generating and Explaining Expressive Music Performances of Monophonic Jazz Melodies | Journal Article | View Record >> |
| Ramirez, Rafael et al | Discovering Expressive Transformation Rules from Saxophone Jazz Performance | Journal Article | View Record >> |
| Rapport, Evan | Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity | Journal Article | View Record >> |
| Rattenbury, Ken | Duke Ellington: Jazz Composer | Book | View Record >> |
| Rawlins, Robert | Jazzology: The Encyclopedia of Jazz Theory for All Musicians | Review | View Record >> |
| Rawlins, Robert | Review of Mark Levine, The Jazz Theory Book | Review | View Record >> |
| Rawlins, Steve | 21 Bebop Exercises for Vocalists and Imstrumentalists: For the Development of Jazz Phrasing, Style, and Note Selection | Book | View Record >> |
| Reason, Dana | 'Navigable Structures and Transforming Mirrors': Improvisation and Interactivity | Book Chapter | View Record >> |
| Reeves, Scott D. | Creative Beginnings: An Introduction to Jazz Improvisation | Book | View Record >> |
| Reeves, Scott D. | Gil Evans: The Art of Musical Transformation | Journal Article | View Record >> |
| Reyman, R. G. | An Analysis of Melodic Improvisational Practices of Miles Davis | Conference Proceedings | View Record >> |
| Ricigliano, Daniel A. | Melody and Harmony in Contemporary Songwriting | Book | View Record >> |
| Ricker, Ramon | Pentatonic Scales for Jazz Improvisation | Book | View Record >> |
| Ricker, Ramon | The Ramon Ricker Improvisation Series | Book | View Record >> |
| Riddle, Ronald | Novelty Piano Music | Book Chapter | View Record >> |
| Rinzler, Paul | Jazz Arranging and Performance Practice | Book | View Record >> |
| Rinzler, Paul | McCoy Tyner: Style and Syntax | Journal Article | View Record >> |
| Rinzler, Paul | The Quartal and Pentatonic Harmony of McCoy Tyner | Journal Article | View Record >> |
| Rinzler, Paul | Preliminary Thoughts on Analyzing Musical Interaction Among Jazz Performers | Journal Article | View Record >> |
| Rinzler, Paul | Slash Chord Harmony | Journal Article | View Record >> |
| Robbins, James | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody,' by James Kent Williams | Review | View Record >> |
| Rohm, Joseph | Jazz Harmony: Structure, Voicing, and Progression | Dissertation | View Record >> |
| Russell, George | The Lydian Chromatic Concept of Tonal Organization for Improvisation | Book | View Record >> |
| Russo, William | Jazz Composition and Orchestration | Book | View Record >> |
| Russo, William | Composing for the Jazz Orchestra | Book | View Record >> |
| Sabina, Leslie M. | Jazz Arranging and Orchestration: A Concise Introduction | Book | View Record >> |
| Sabina, Leslie M. | 'Body and Soul' Ben Webster: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Found a New Baby' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Corner Pocket' by Thad Jones: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Half Nelson' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Hootie Blues' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'A Foggy Day' by Jackie McLean: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | Caf? Black Rose' by David Sanborn: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Oasis' by Dave Liebman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Grand Prix' Stanley Clarke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Texas Moaner Blues' by Sidney Bechet: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Don't Blame Me' by Charlie Parker: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Sandu' by Clifford Brown: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Caravan' by Joe Pass: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Long Note Blues' by Sahib Shihab: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Jack Teagarden: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Blue Nun' by J. J. Johnson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Haresah' by Steve Grossman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'After You've Gone' by Benny Goodman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'All the Things You Are' by Sonny Criss: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shine' by Louis Armstrong: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'For Stompers Only' Stan Getz: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Things Ain't What They Used To Be' by Charles Mingus: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Crawlspace' by Art Farmer: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How Deep Is The Ocean?' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Solar' by Miles Davis: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Lady, Be Good' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'So Do It!' Wes Montgomery: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Rifftide' by Coleman Hawkins: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight" by James Moody: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Mogie' by Lee Morgan: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tight Squeeze' Lucky Thompson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Singin' the Blues' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Tomorrow Land' by John Scofield: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'How High the Moon' by Sonny Stitt: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'The Great Lie' Woody Herman: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Eli's Coming' by Maynard Ferguson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Riverboat Shuffle' by Bix Beiderbecke: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 2] | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Fancy Free' by Donald Byrd: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'First Light' by Freddie Hubbard: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'I Want a LIttle Girl' by Lester Young | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Jive Samba' by Cannonball Adderley: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Shoe Shine Boy' by Lester Young: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Moonray' by Milt Jackson: Transcription and Analysis | Journal Article | View Record >> |
| Sabina, Leslie M. | 'Stella By Starlight' by Jackie McLean: Transcription and Analysis [part 1] | Journal Article | View Record >> |
| Sagee, Alona | Miles Davis's Improvised Solos in Recordings of 'Walking': 1954-67 | Journal Article | View Record >> |
| Salley, Keith | Beyond Chord-Scale Theory: Realizing a Species Approach to Jazz Improvisation | Journal Article | View Record >> |
| Salvatore, Joseph A. | Jazz Improvisation: Principles and Practices Relating to Harmonic and Scalar Resources | Dissertation | View Record >> |
| Salzman, Eric | Making Changes: A Practical Guide to Vernacular Harmony | Book | View Record >> |
| Sandke, Randy | Harmony for a New Millennium: An Introduction to Metatonal Music | Book | View Record >> |
| Sandke, Randy | Bix Beiderbecke from a Musician's Perspective | Journal Article | View Record >> |
| Sandvik, Scott | Polyharmony, Polymeter, and Motivic Development in Charlie Parker's Klact-Oveeseds-Tene (Take 1) Solo | Journal Article | View Record >> |
| Santa, Matthew | Nonatonic Progressions in the Music of John Coltrane | Journal Article | View Record >> |
| Sarath, Ed | Music Theory Through Improvisation | Book | View Record >> |
| Sarath, Ed | A New Look at Improvisation | Journal Article | View Record >> |
| Sargeant, Winthrop | Jazz: Hot and Hybrid | Book | View Record >> |
| Satyendra, Ramon | Analyzing the Unity within Contrast: Chick Corea's 'Starlight' | Book Chapter | View Record >> |
| Saul, Scott | Freedom Is, Freedom Ain't: Jazz and the Making of the 60's | Book | View Record >> |
| Scaturro, Fabrizio | 'Free Jazz' di Ornette Coleman, per un'analisi formale e timbrica | Journal Article | View Record >> |
| Schafer, William J. | Breaking into 'High Society': Musical Metamorphoses in Early Jazz | Journal Article | View Record >> |
| Schreyer, Lowell H. | The Banjo in Ragtime | Book Chapter | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Journal Article | View Record >> |
| Schuller, Gunther | Musings: The Musical Worlds of Gunther Schuller. A Collection of His Writings | Book | View Record >> |
| Schuller, Gunther | Early Jazz: Its Roots and Musical Development | Book | View Record >> |
| Schuller, Gunther | Rags, the Classics, and Jazz | Book Chapter | View Record >> |
| Schuller, Gunther | The Swing Era: The Development of Jazz, 1930-1945 | Book | View Record >> |
| Schuller, Gunther | Sonny Rollins and the Challenge of Thematic Improvisation | Book Chapter | View Record >> |
| Scivales, Riccardo | Harlem Stride Piano Solos | Book | View Record >> |
| Scivales, Riccardo | Non solo 'um-pa': la mano sinistra nello stride piano | Book | View Record >> |
| Scott, Andrew | Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of 'So What' | Journal Article | View Record >> |
| Scotti, Joseph R. | The Musical Legacy of Joe Lamb | Book Chapter | View Record >> |
| Sebesky, Don | The Contemporary Arranger--Definitive Edition | Book | View Record >> |
| Shaftel, Matthew | From Inspiration to Archive: Cole Porter's 'Night and Day' | Journal Article | View Record >> |
| Shim, Eunmi | Lennie Tristano: His Life in Music | Book | View Record >> |
| Shorter, Wayne | Wayne Shorter Jazz Classics | Edited Book | View Record >> |
| Shull, Ted | When Backward Comes Out Ahead: Lucky Thompson's Phrasing and Improvisation | Journal Article | View Record >> |
| Skinner, Frank | Frank Skinner's New Method for Orchestra Scoring | Book | View Record >> |
| Smith, Gregory E. | Homer, Gregory, and Bill Evans: The Theory of Formulaic Composition in the Context of Jazz Piano Improvisation | Dissertation | View Record >> |
| Smith, Gregory E. | In Quest of a New Perspective on Improvised Jazz: A View from the Balkans | Journal Article | View Record >> |
| Smith, Julie Dawn | Playing Like a Girl: The Queer Laughter of the Feminist Improvising Group | Book Chapter | View Record >> |
| Snidero, Jim | Jazz Conceptions: 21 Solo Etudes for Scat Singing, Jazz Phrasing, Interpretation, and Improvisation | Book | View Record >> |
| Snow, Michael | A Composition on Improvisation | Book Chapter | View Record >> |
| Sorrell, Neil | Improvisation | Book Chapter | View Record >> |
| Soules, Marshall | Improvising Character: Jazz, the Actor, and Protocols of Improvisation | Book Chapter | View Record >> |
| Stanyek, Jason | Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation | Book Chapter | View Record >> |
| Steinbeck, Paul | Analyzing the Music of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Sterritt, David | Revision, Prevision, and the Aura of Improvisatory Art | Journal Article | View Record >> |
| Stewart, Alex | Making the Scene: Contemporary New York City Big Band Jazz | Book | View Record >> |
| Stewart, Milton L. | Earl Hines's 'Trumpet' Piano Style: The Influence of Louis Armstrong | Journal Article | View Record >> |
| Stewart, Milton L. | Grid Notation: A Notation System for Jazz Transcription | Journal Article | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Dissertation | View Record >> |
| Stewart, Milton Lee | Structural Development in the Jazz Improvisational Technique of Clifford Brown | Journal Article | View Record >> |
| Stoloff, Bob | Scat!: Vocal Improvisation Techniques | Book | View Record >> |
| Stoloff, Bob | Blues Scatitudes: Vocal Improvisation on the Blues | Book | View Record >> |
| Stover, Chris | Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965-68 (Oxford University Press, 2011) | Review | View Record >> |
| Strange, P. M. | Keith Jarrett's Uptempo Jazz Trio Playing: Transcription and Analysis of Performances of 'Just in Time' | Dissertation | View Record >> |
| Strunk, Steven | Tonnetz Chains and Clusters in Post-bebop Jazz | Conference Proceedings | View Record >> |
| Strunk, Steven | The Harmony of Early Bop: A Layered Approach | Journal Article | View Record >> |
| Strunk, Steven | Comment on 'Toward a Theory of Popular Harmony' | Journal Article | View Record >> |
| Strunk, Steven | Chick Corea's 1984 Performance of 'Night and Day' | Journal Article | View Record >> |
| Strunk, Steven | Linear Intervallic Patterns in Jazz Repertory | Journal Article | View Record >> |
| Strunk, Steven | Bebop Melodic Lines: Tonal Characteristics | Journal Article | View Record >> |
| Strunk, Steven | Wayne Shorter's 'Yes and No': An Analysis | Journal Article | View Record >> |
| Strunk, Steven | Notes on Harmony in Wayne Shorter's Compositions, 1964-67 | Journal Article | View Record >> |
| Sturm, Fred | Changes over Time: The Evolution of Jazz Arranging | Book | View Record >> |
| Sudhalter, Richard M. | Stardust Melody: The Life and Music of Hoagy Carmichael | Book | View Record >> |
| Sudnow, David | Ways of the Hand | Book | View Record >> |
| Sultanof, Jeffrey | The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication | Journal Article | View Record >> |
| Svorinich, Victor | Electric Miles: A Look at the 'In a Silent Way' and ''On the Corner' sessions | Journal Article | View Record >> |
| Tanner, Paul O. W. | Jazz | Book | View Record >> |
| Taylor, Billy | Billy Taylor's Basic Be-Bop Instruction | Book | View Record >> |
| Taylor, Billy | How to Play Bebop Piano | Book | View Record >> |
| Taylor, Billy | Jazz Piano: History and Development | Book | View Record >> |
| Taylor, Mark | Charlie Parker | Book | View Record >> |
| Terefenko, Dariusz | The Art of the Solo Piano Introduction? Formal Improvisation | Conference Proceedings | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformations of Standard Tunes: Analysis and Pedagogy | Book | View Record >> |
| Terefenko, Dariusz | Keith Jarrett's Transformation of Standard Tunes | Dissertation | View Record >> |
| Terefenko, Dariusz | 'Just One of Those Things' You Need to Know About Four-Part Chords | Journal Article | View Record >> |
| Terefenko, Dariusz | A 'Dearly Beloved' Jazz Progression- Part One | Journal Article | View Record >> |
| Terefenko, Dariusz | Jazz Transformations of the ii7-V7-I Progression | Journal Article | View Record >> |
| Terefenko, Dariusz | 'Just in Time' For Taking a Solo | Journal Article | View Record >> |
| Terefenko, Dariusz | A 'Dearly Beloved' Jazz Progression--Part Two | Journal Article | View Record >> |
| Terefenko, Dariusz | Review of Miles Davis, Miles Smiles, and the Invention of Post Bop, by Jeremy Yudkin (Indiana University Press, 2008) | Review | View Record >> |
| Terefenko, Dariusz | Review of Analyzing Jazz: A Schenkerian Approach, by Steve Larson (Pendragon Press, 2009) | Review | View Record >> |
| Thomson, William | Response to Frederick Bashour | Journal Article | View Record >> |
| Thomson, William | On Miles and the Modes | Journal Article | View Record >> |
| Tirro, Frank | Jazz: A History | Book | View Record >> |
| Tirro, Frank | The Silent Theme Tradition in Jazz | Journal Article | View Record >> |
| Tirro, Frank | Constructive Elements in Jazz Improvisation | Journal Article | View Record >> |
| Treitler, Leo | Homer and Gregory: The Transmission of Epic Poetry and Plainchant | Journal Article | View Record >> |
| Tucker, Mark | Ellington: The Early Years | Book | View Record >> |
| The Duke Ellington Reader | Edited Book | View Record >> | |
| Tucker, Sherrie | Bordering on Community: Improvising Women Improvising Women-in-Jazz | Book Chapter | View Record >> |
| Tymoczko, Dmitri | The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz | Journal Article | View Record >> |
| Ulanowsky, Alex | Harmony | Book | View Record >> |
| Van de Leur, Walter | Something to Live For: The Music of Billy Strayhorn | Book | View Record >> |
| Van der Merwe, Peter | Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music | Book | View Record >> |
| Velleman, Barry L. | Speaking of Jazz: Improvisation Through Linguistic Methods | Journal Article | View Record >> |
| Viera, Joe | Grundlagen der Jazzharmonik | Book | View Record >> |
| Walser, Robert | Out of Notes: Signification, Interpretation, and the Problem of Miles Davis | Journal Article | View Record >> |
| Wang, Richard | Jazz Circa 1945: A Confluence of Styles | Journal Article | View Record >> |
| Ward-Steinman, Patrice Madura | Vocal Improvisation and Creative Thinking by Australian and American University Jazz Singers: A Factor Analytic Study | Journal Article | View Record >> |
| Waterman, Guy | Ragtime | Book Chapter | View Record >> |
| Waterman, Guy | Joplin's Late Rags: An Analysis | Book Chapter | View Record >> |
| Waters, Keith | Riffing on [0148]: Maj7#5, the Tonnetz, and Hexatonic and Acoustic Systems | Conference Proceedings | View Record >> |
| Waters, Keith | The Studio Recordings of the Miles Davis Quintet, 1965-68 | Book | View Record >> |
| Waters, Keith | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in 2- and 3-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | Journal Article | View Record >> |
| Waters, Keith | Introducing Pitch-Class Sets in the Music of Coltrane and Harbison | Journal Article | View Record >> |
| Waters, Keith | Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock | Journal Article | View Record >> |
| Waters, Keith | Outside Forces: 'Autumn Leaves' in the 1960s | Journal Article | View Record >> |
| Waters, Keith | Out Front: The Art of Booker Little | Journal Article | View Record >> |
| Waters, Keith | What is Modal Jazz? | Journal Article | View Record >> |
| Waters, Keith | Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock | Journal Article | View Record >> |
| Waters, Keith | Motivic and Formal Improvisation in the Miles Davis Quintet 1965-1968 | Journal Article | View Record >> |
| Watson, Kevin E. | The Effects of Aural Versus Notated Instructional Materials on Achievement and Self-Efficacy in Jazz Improvisation | Journal Article | View Record >> |
| Weir, Michele | Vocal Improvisation | Book | View Record >> |
| Weir, Michele | Jazz Singer's Handbook: The Artistry and Mastery of Singing | Book | View Record >> |
| Weisberg, Robert W. | Toward a Cognitive Analysis of Musical Creativity in Jazz Improvisation | Journal Article | View Record >> |
| Weiskopf, Walt | The Augmented Scale in Jazz: A Player's Guide | Book | View Record >> |
| Westendorf, Lynette | Cecil Taylor: 'Second Layer' | Journal Article | View Record >> |
| Wildman, Joan | The Evolution of Bebop Compositional Style: 'Whispering'/'Groovin' High' | Journal Article | View Record >> |
| Wildman, Joan | The Function of the Left Hand in the Evolution of Jazz Piano | Journal Article | View Record >> |
| Williams, J. Kent | Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm and Melody | Dissertation | View Record >> |
| Williams, J. Kent | Oscar Peterson and the Art of Paraphrase | Journal Article | View Record >> |
| Williams, J. Kent | Hodges at Newport: The Rhetoric of "Jeep's Blues" | Journal Article | View Record >> |
| Williams, Martin | Extended Improvisation and Form: Some Solutions | Journal Article | View Record >> |
| Wilson, Olly | Musical Analysis of African American Music | Conference Proceedings | View Record >> |
| Wilson, Teddy | Teddy Wilson's Advanced Course in Modern Piano Playing | Edited Book | View Record >> |
| Winkler, Peter K. | Toward a Theory of Popular Harmony | Journal Article | View Record >> |
| Wriggle, John | Chappie Willet: A Jazz Arranger in Swing Era New York | Journal Article | View Record >> |
| Wright, Rayburn | Inside the Score: A Detailed Analysis of Eight Classic Jazz Ensemble Charts | Book | View Record >> |
| Yamaguchi, Masaya | John Coltrane Plays 'Coltrane Changes' | Book | View Record >> |
| Yamaguchi, Masaya | A Creative Approach to Multi-Tonic Changes: Beyond Coltrane's Harmonic Formula | Journal Article | View Record >> |
| Young, James O. | The Metaphysics of Jazz | Journal Article | View Record >> |
| Yudkin, Jeremy | Miles Davis, Miles Smiles, and the Invention of Post Bop | Book | View Record >> |
| Zagalaz, Juan | La metamorfosis de la musica popular americana: el estilo de Teddy Wilson: 1935-1940 | Journal Article | View Record >> |
| Zagalaz, Juan | The Jazz-Flamenco Connection: Chick Corea and Paco de Lucia Between 1976 and 1982 | Journal Article | View Record >> |
| Zano, Anthony | Mechanics of Modern Music: An Analysis of Contemporary and Jazz Techniques. Tecnica della musica moderna: introduzione all tecnica della musica leggera e jazz | Book | View Record >> |
| Zegree, Stephen | The Complete Guide to Teaching Vocal Jazz (Including Pop and Other Show Styles) | Book | View Record >> |
| Ziporyn, Evan | Thelonious Monk's Harmony, Rhythm, and Pianism | Book Chapter | View Record >> |
| Charlie Parker Sketch-Orks | Book | View Record >> | |
| Charlie Parker: A Jazz Master | Book | View Record >> | |
| Charlie Parker Yardbird Originals | Edited Book | View Record >> | |
| Thelonious Monk | Edited Book | View Record >> | |
| Miles Davis Birth of the Cool: Scores from the Original Parts | Edited Book | View Record >> | |
| In the Course of Performance: Studies in the World of Musical Improvisation | Edited Book | View Record >> | |
| Bud Powell | Edited Book | View Record >> | |
| The Oxford Companion to Jazz | Edited Book | View Record >> | |
| Jazz Among the Discourses | Edited Book | View Record >> | |
| Earl 'Fatha' Hines: Selected Piano Solos 1928-1941 | Edited Book | View Record >> | |
| Oscar Peterson | Journal Article | View Record >> | |
| Ragtime: Its History, Composers, and Music | Edited Book | View Record >> | |
| Jazz: New Perspectives on the History of Jazz by Twelve of the World's Foremost Jazz Critics and Scholars | Edited Book | View Record >> | |
| Annual Review of Jazz Studies 8: Special Edition on Jazz Theory | Edited Book | View Record >> | |
| Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies | Edited Book | View Record >> | |
| The Charlie Parker Collection | Edited Book | View Record >> | |
| The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue | Edited Book | View Record >> | |
| A Lester Young Reader | Edited Book | View Record >> | |
| Ferdinand 'Jelly Roll' Morton: The Collected Piano Music | Edited Book | View Record >> | |
| Maria Schneider Jazz Orchestra: Evanescence | Edited Book | View Record >> | |
| Williams, J. Kent | Review of Paul F. Berliner's Thinking in Jazz | Review | View Record >> |
| Williams, J. Kent | Review of Andrew Jaffe, Jazz Theory | Review | View Record >> |
| Steinbeck, Paul | The Art Ensemble of Chicago's 'Get in Line' Politics, Theatre, and Play | Journal Article | View Record >> |
| Steinbeck, Paul | Intermusicality, Humor, and Cultural Critique in the Art Ensemble of Chicago's 'A Jackson in Your House' | Journal Article | View Record >> |
| Steinbeck, Paul | 'Patience, Sincerity, and Consistency': Fred Anderson's Musical and Social Practices | Journal Article | View Record >> |
| Anderson, Fred | Exercises for the Creative Musician | Book | View Record >> |
| Steinbeck, Paul | 'Area by Area the Machine Unfolds': The Improvisational Performance Practice of the Art Ensemble of Chicago | Journal Article | View Record >> |
| Steinbeck, Paul | Urban Magic: The Art Ensemble of Chicago's Great Black Music | Dissertation | View Record >> |
| Anderson, Fred | Exercises for the Creative Musician | Book | View Record >> |
| Martin, Henry | Expanding Jazz Tonality: The Compositions of John Coltrane | Journal Article | View Record >> |
| Cook, Scott | Examining a Canadian Jazz Icon: Pitch-Class Hierarchy in Some Representative Examples of Kenny Wheeler | Journal Article | View Record >> |
| Terefenko, Dariusz | Jazz Theory: From Basic to Advanced Study | Book | View Record >> |
| Berkman, David | The Jazz Harmony Book | Book | View Record >> |
| Love, Stefan | Subliminal Dissonance or 'Consonance'? Two Views of Jazz Meter | Journal Article | View Record >> |
| Schroeder, David | Four Approaches to Jazz Improvisation Instruction | Journal Article | View Record >> |
| Broze, Yuri | Diachronic Changes in Jazz Harmony: A Cognitive Approach | Journal Article | View Record >> |
| Gushee, Lawrence | Improvisation and Related Terms in Middle-Period Jazz | Book Chapter | View Record >> |
| Givan, Benjamin | Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Context, Intentionality, and Jazz Analysis | Journal Article | View Record >> |
| Houston, Glennis Colleen | Jazz Theory for Community Singers | Dissertation | View Record >> |
| Restivo, David Owen | Beyond Modern Jazz: The Evolution of Postmodern Jazz Performance and Composition from 1969 to the Present | Dissertation | View Record >> |
| Mounzer, Jason | Law of the Shortest Way and Jazz Improvisation : A Voice-Leading Model for the Analysis of | Dissertation | View Record >> |
| Vivian, Peter James | The Significance of Kenny Wheeler in the Evolution of Jazz Compozition from Diatonic Chromatic Background | Dissertation | View Record >> |
| Pokorny, Andrew John | Chord-specific scalar material in classical music: An adaptation of jazz chord-scale theory | Dissertation | View Record >> |
| Kenagy, Peter Ellis | George Russell's Jazz Workshop: The composer's style and original methods of 1956 | Dissertation | View Record >> |
| Uriarte, German Sanchez | Symmetry in the music of Thelonious Monk and Steve Coleman | Dissertation | View Record >> |
| McClimon, Michael | A transformational approach to jazz harmony | Dissertation | View Record >> |
| Scott, William D. | Hybridity and Identity in the Pan-American Jazz Piano Tradition | Dissertation | View Record >> |
| Berkok, Ali | Polytemporality in Contemporary Jazz Performance | Dissertation | View Record >> |
| McMillan, Jeremey James | Cinq Études de Jazz: A Study of Jazz and Modernism | Dissertation | View Record >> |
| Love, Stefan | On Phrase Rhythm in Jazz | Dissertation | View Record >> |
| Smither, Sean R. | Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Dissertation | View Record >> |
| Williams, Shawn Edward. | Three in One: The Style, Structure, and Sound of Thad Jones as a Jazz Trumpeter | Dissertation | View Record >> |
| Sample, T. W. | An Analysis of the Improvisational Style of Jazz Organist Jimmy Smith through Selected Right Hand Transcriptions | Dissertation | View Record >> |
| Hall, Jared T. | An analysis of the grip system: An approach to jazz harmony | Dissertation | View Record >> |
| Saeger, Lauren | An Exploration of Vibrato and Performer Perception in Vocal Jazz Singing | Dissertation | View Record >> |
| Gardner, Ronald | Different Strokes for Different Folks: An Analysis of Arco Jazz Articulations for the Double Bass | Dissertation | View Record >> |
| Williams, Thomas | Strategy in Contemporary Jazz Improvisation: Theory and Practice | Dissertation | View Record >> |
| Bartholomew, Zachary Charles | A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms | Dissertation | View Record >> |
| Stillman, Jason Patrick | Individualism and Audibility in Jazz: The Music of Bunky Green | Dissertation | View Record >> |
| Pino, Cesar | The Crossover Pianist: Jazz Structures, Styles, and Techniques for the Classically Trained Pianist | Dissertation | View Record >> |
| Beltran, Michael P. | Raymond Scott: The True Inventor of the Cartoon Jazz Sound | Dissertation | View Record >> |
| Guerra, Stephen Paul | Expanded Meter and Hemiola in Baden Powell's Samba-Jazz | Dissertation | View Record >> |
| Monroy Romero, Juan Manuel | An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz | Dissertation | View Record >> |
| Whitmire, Jonathan | A description of the musical concepts artist-level jazz musicians employ while improvising | Dissertation | View Record >> |
| Gabric, Lukas | Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | Dissertation | View Record >> |
| Ivanov, Oleg Viktorovich | The Art of Solo Guitar | Dissertation | View Record >> |
| Hosken, Fred | The Pocket: A Theory of Beats as Domains | Dissertation | View Record >> |
| Stone, Christopher | Technical Efficacy for Violin Improvisation: How Not to Run Out of Fingers | Dissertation | View Record >> |
| Rosado, Adam | Analyzing Hermeto Pascoal's Calendário do Som | Dissertation | View Record >> |
| Fillion, Maxime | Stylistic Symbiosis in Brad Mehldau's Covers of Rock Songs | Dissertation | View Record >> |
| Dickenson, James W. | The Impact of Norwegian Folk Music on Norwegian Jazz, 1945 - 1995 | Dissertation | View Record >> |
| Hanegan, Brian Scott | A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943) | Dissertation | View Record >> |
| Pilzer, Leigh | Gerry Mulligan, Soloist: Transcription and Analysis of His Small-Group Solos on Line for Lyons, Curtains, and The Flying Scotsman | Dissertation | View Record >> |
| Madura, Patrice Dawn | Relationships among vocal jazz improvisation achievement, jazz theory knowledge, imitative ability, previous musical experience, general creativity, and gender | Dissertation | View Record >> |
| Johnson, Michael John | An instructional approach for a university jazz vocal improvisation course sequence incorporating jazz theory, ear -training, and keyboard | Dissertation | View Record >> |
| Davis, Connor | Thelonious Monk's Prototypical Style: Close and Distant Readings of Jazz Stylings | Dissertation | View Record >> |
| Morrison, Murray James | Practitioner and Prophet: An Analysis of Sonny Stitt's Music and Relationship to Charlie Parker | Dissertation | View Record >> |
| Palacios, Luis Felipe | Developing a Pedagogical Method for Intermediate and Advanced Saxophone Studios Based on the Analysis of Michael Brecker's Unaccompanied Ballad Solos | Dissertation | View Record >> |
| Bechtel, Teague Stefan | Grant Green: An Analysis of the Blue Note Guitarist's Musical Vocabulary | Dissertation | View Record >> |
| Petumenos, Nicholas Anthony | Collective Time: Exploring Interaction in Music that Swings | Dissertation | View Record >> |
| Goods, Emmett C. | The Hard Bop Trombone: An Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964) | Dissertation | View Record >> |
| Lougheed, Benjamin Walter Poliner | A Performance Guide to Selected Jazz Arrangements of Roland Dyens | Dissertation | View Record >> |
| Larsen, David William | Creating the Cool: Understanding the Music of Gerry Mulligan | Dissertation | View Record >> |
| Moorman, Dennis Lee | An Analytic Study Of Jazz Improvisation With Suggestions For Performance (Theory) | Dissertation | View Record >> |
| Schögler, Benjamin | The Pulse of Communication in Improvised Jazz Duets | Dissertation | View Record >> |
| Moore, David Michael | Blue: A Stylistic Analysis of Blue Mitchell | Dissertation | View Record >> |
| Doyle, Frank Vincent | Horace Silver: Transcription and Analysis of Ten Blues Compositions Including the Piano Improvisations 1954–1969 | Dissertation | View Record >> |
| Bell, Nathan | Steps into Freedom: John Coltrane’s Use of Thirds-Related Materials over “Impressions” with Analysis of Selected Solos | Dissertation | View Record >> |
| Greenstein, Jonathan | Astral Fire: A Meditation on Spiritual Jazz as Modeled by Five Saxophone Players, 1969-1979 | Dissertation | View Record >> |
| Regin, James Edward Hamilton | Toward a more comprehensive textbook on choral jazz arranging | Dissertation | View Record >> |
| Hutchinson, Nelsen | Hammond B3 Organ Trios and Soul Jazz 1955-1965 | Dissertation | View Record >> |
| Sutley, Jaclyn Paige | Improvisation: A Strategic Analysis of Innovation Through Musical History and Practical Application in a Choral Setting for Both Students and Teacher | Dissertation | View Record >> |
| Hong, Seungyoung | The Bassist Is the Quarterback: An Examination of Ron Carter’s Improvised Performance in Different Contexts | Dissertation | View Record >> |
| Katuszonek, Nicholas | Jazz, Pop, Improvisation, National Identity and the Role of the Jazz Drummer | Dissertation | View Record >> |
| Vincens, Guilherme Caldeira Loss | The arrangements of Roland Dyens and Sérgio Assad: Innovations in adapting jazz standards and jazz -influenced popular works to the solo classical guitar | Dissertation | View Record >> |
| Dunn, Tony | Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's “Dolphin Dance” | Dissertation | View Record >> |
| Balzarano, Jason Patrick | Fusion : jazz, flamenco, and rethinking aesthetic | Dissertation | View Record >> |
| Terres, Dana R. | Making Space for Black Modern Dance: The Music and Dance of Alvin Ailey’s Revelations, the River, and Mary Lou’s Mass | Dissertation | View Record >> |
| Tehse, Jared | Consider This: A Vocal Score of Wynton Marsalis' The Ever Fonky Lowdown | Dissertation | View Record >> |
| Beeferman, Gordon | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music | Dissertation | View Record >> |
| Lancaster, Rodney Allen | Transcription and analysis of selected trombone solos from J. J. Johnson's 1964 recording “Proof Positive" | Dissertation | View Record >> |
| Gagatsis, Alexander Christos | Jazz improvisation as situated cognition: historical and analytical perspectives on the music of milt jackson | Dissertation | View Record >> |
| Levine, Michelle F. | Copresence and coordination in jazz musicians' collaborative music-making | Dissertation | View Record >> |
| Selinsky, Peter Nelson | Hybrid Rhythmic Organization in Early Indojazz | Dissertation | View Record >> |
| Radano, Ronald Michael | Anthony Braxton And His Two Musical Traditions, The Meeting Of Concert Music And Jazz. (Volumes I And Ii) (Avant-Garde, Free Jazz) | Dissertation | View Record >> |
| Mermikes, Milton | Changes over time: theory and practice | Dissertation | View Record >> |
| Ruechel, Nate | Jazz, Desire, Racial Difference, and Twentieth Century Gender Ideology in Arron Copland's Grohg: A Ballet in One Act | Dissertation | View Record >> |
| Fiol, Orlando Enrique | Cubaneo in Latin Piano: A Parametric Approach to Gesture, Texture, and Motivic Variation | Dissertation | View Record >> |
| Frink, Nathan A | Dancing in his head: The evolution of Ornette Coleman's music and compositional philosophy | Dissertation | View Record >> |
| King-Bennett, Elizabeth | Beyond Genre: Analysis of Selected Saxophone Music by Alex Mincek, Anthony Braxton, and Jack Wright through a Lens of Genre Theory | Dissertation | View Record >> |
| Westendorf, Lynette | Analyzing free jazz | Dissertation | View Record >> |
| Blake, Jamie | Improvising optimal experience: Flow theory in the Keith Jarrett Trio | Dissertation | View Record >> |
| McDaniel, Christopher N. | The emancipation of consonance: A pedagogical approach to distinguishing between consonance and harmonic stability | Dissertation | View Record >> |
| Balara, Lawrence Matthew | The Personal and Social Dimensions of Creativity in Collective Jazz Improvisation | Dissertation | View Record >> |
| Titus, Jason Roger | Miles Davis' “So What” as Modal Jazz Case Study | Dissertation | View Record >> |
| Fairhall, Adam Leslie | Intertextuality and the dialogic principle in jazz | Dissertation | View Record >> |
| Hiller, James | Theoretical foundations for understanding the meaning potentials of rhythm in improvisation | Dissertation | View Record >> |
| Michaelsen, Garrett | Analyzing musical interaction in jazz improvisations of the 1960s | Dissertation | View Record >> |
| Simon, Scott J. | A multi -dimensional entropy model of jazz improvisation for music information retrieval | Dissertation | View Record >> |
| Jones, Andrew Daniel | Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics | Dissertation | View Record >> |
| Butterfield, Matthew W. | Jazz analysis and the production of musical community: A situational perspective | Dissertation | View Record >> |
| Duke, Daniel Alan | The Piano Improvisations of Chick Corea: An analytical study | Dissertation | View Record >> |
| Rinne, Henry Q. | Concepts of time and space in selected works of jazz improvisation and painting | Dissertation | View Record >> |
| Thompson, Daniel J. | Interpreting Hard Bop: Topics, Narrative, And Subjectivity | Dissertation | View Record >> |
| Lempert, Benjamin Richard | Up in the Sound: Form and Voice in Jazz and Post-War American Poetry | Dissertation | View Record >> |
| Briody, Steve | The improvisational phrases of five prominent bebop guitarists: Seven hundred transcribed and categorized lines | Dissertation | View Record >> |
| Washington, Michael Spence | Beautiful nightmare: Coltrane, jazz, and American culture | Dissertation | View Record >> |
| Morrison, Kenneth John | A polymetric interpretation of the swing impulse: Rhythmic stratification in jazz | Dissertation | View Record >> |
| Scott, Andrew Jacob | The life, music and improvisational style of Herbert Lawrence “Sonny” Greenwich | Dissertation | View Record >> |
| Mackey, Michael Paul | From Pittsburgh to the Pershing: Orchestration, Interaction, and Influence in the Early Work of Ahmad Jamal | Dissertation | View Record >> |
| Fenlon, Sean Patrick | The exotic rhythms of Don Ellis | Dissertation | View Record >> |
| Lugg, Fiona | Harmonic signification: A study of articulation practices in four unaccompanied jazz double bass solos | Dissertation | View Record >> |
| Heerspink, Lee A. | A Bright Size Transformation: Examining Pat Metheny’s Improvisatory Evolution through Select Original Compositions from the Album Bright Size Life (1976) | Dissertation | View Record >> |
| Keesecker, Jamie | Into the Bends of Time and Musical Forces in Jazz: Group Interaction and Double-time in "My Foolish Heart" as performed by the Bill Evans Trio with Scott LaFaro and Paul Motian | Dissertation | View Record >> |
| Fyffe, Jamie Robert | 'Kind of Blue' and the Signifyin(g) Voice of Miles Davis | Dissertation | View Record >> |
| Wallmann, Johannes P. | The music of Herbie Hancock: Composition and improvisation in the Blue Note years | Dissertation | View Record >> |
| Cosper, David James | Interpretation, Narrativity, and Musical Performance | Dissertation | View Record >> |
| Arthurs, Daniel J. | Reconstructing tonal principles in the music of Brad Mehldau | Dissertation | View Record >> |
| Brownell, John E. B | Drum set improvisation: Towards a conceptual model | Dissertation | View Record >> |
| McKinney, Elizabeth | Maria Schneider's “Hang Gliding”: Dual analyses for a hybrid musical style | Dissertation | View Record >> |
| Clement, Brett | A study of the instrumental music of Frank Zappa | Dissertation | View Record >> |
| Schachter, Michael | On Musical Reasoning: A Garland of Three Articles | Dissertation | View Record >> |
| Robertson, Benjamin I. R. | What Happens Next? Imaginative Presence in Gary Peacock and Lee Konitz: Divergent Fields, Audiation, and the Unexpected | Dissertation | View Record >> |
| Nicholls, Tracey | It does too matter: Aesthetic value(s), avant -garde art, and problems of theory choice | Dissertation | View Record >> |
| Gupta, Christopher Martin | Getting Out of a Jam: Collective Improvisation in Popular Music | Dissertation | View Record >> |
| Dent, Cedric Carl | The harmonic development of the black religious quartet singing tradition | Dissertation | View Record >> |
| Harrelson, John William | Theme and variation, call and response: A critical history of America's music | Dissertation | View Record >> |
| Calhoun, Fraser C. | Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman | Dissertation | View Record >> |
| Helm, Ethan | Analyzing Jazz Improvisation with Voice-Leading Models: A Study of Saxophonists' Harmonic Variations on Rhythm Changes | Dissertation | View Record >> |
| Smith, Christopher John | “I can show it to you better than I can explain it to you”: Analyzing procedural cues in African-American musical improvisations | Dissertation | View Record >> |
| Ryan, Kevin J., Jr. | Making in the Moment: The Dynamic Cognition of Musicians-in-action | Dissertation | View Record >> |
| Chirita, Claudia-Elena | Logics and Reasoning for Computational Creativity | Dissertation | View Record >> |
| McCimon, Michael | Transformations in Tonal Jazz: ii–V Space | Journal Article | View Record >> |
| Givan, Benjamin | Rethinking Interaction in Jazz Improvisation | Journal Article | View Record >> |
| Smither, Sean R. | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | Journal Article | View Record >> |
| Geyer, Ben | Maria Schneider’s Forms: Norms and Deviations in a Contemporary Jazz Corpus | Journal Article | View Record >> |
| Norgaard, Martin | How Jazz Musicians Improvise: The Central Role of Auditory and Motor Patterns | Journal Article | View Record >> |
| Dodd, Julian | Upholding Standards: A Realist Ontology of Standard Form Jazz | Journal Article | View Record >> |
| Fisher, John Andrew | Jazz and Musical Works: Hypnotized by the Wrong Model | Journal Article | View Record >> |
| Granroth-Wilding, Mark ; Steedman, Mark | A Robust Parser-Interpreter for Jazz Chord Sequences | Journal Article | View Record >> |
| Solli, Mattias ; Aksdal, Erling ; Inderberg, John Pal | Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1) | Journal Article | View Record >> |
| Aldridge, James | Tristano's Reichian Theory of Improvisation: Jazz of the Unconscious Mind | Journal Article | View Record >> |
| Clement, Brett | A New Lydian Theory for Frank Zappa’s Modal Music | Journal Article | View Record >> |
| Rusch, René | Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext | Journal Article | View Record >> |
| Rusch, René | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | Journal Article | View Record >> |
| Thomas, Margaret E | Conlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation | Journal Article | View Record >> |
| Parncutt, Richard ; Radovanovic, Lazar | The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards | Journal Article | View Record >> |
| de Bruin, Leon | Theory and practice in idea generation and creativity in Jazz improvisation | Journal Article | View Record >> |
| Chodos, Asher Tobin | The Blues Scale: Historical and Epistemological Considerations | Journal Article | View Record >> |
| Park, Joon | Reflection on (and in) Strunk’s Tonnetz | Journal Article | View Record >> |
| Stover, Chris | Improvisation, Deleuze and Guattari, philosophy, performance, temporality | Journal Article | View Record >> |
| Martin, Jodie L. | Writing about music: The selection and arrangement of notation in jazz students’ written texts | Journal Article | View Record >> |
| Strunk, Steve | Tonal and Transformational Approaches to Chick Corea’s Compositions of the 1960s | Journal Article | View Record >> |
| Sogorski, Mathias ; Geisel, Theo ; Priesemann, Viola; Hernandez-Lemus, Enrique | Correlated microtiming deviations in jazz and rock music | Journal Article | View Record >> |
| Hannaford, Marc | Subjective (Re) positioning in musical improvisation: Analyzing the work of five female improvisers | Journal Article | View Record >> |
| Gordon, Josh ; Gridley, Mark C. | Musical Preferences as a Function of Stimulus Complexity of Piano Jazz | Journal Article | View Record >> |
| Bleij, Barbara | Three multifaceted compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | Journal Article | View Record >> |
| Charyton, Christine ; Holden, John G. ; Jagacinski, Richard J. ; Elliott, John O. | A Historical and Fractal Perspective on the Life and Saxophone Solos of John Coltrane | Journal Article | View Record >> |
| Cosper, David | Breaking (from) the History: Postmodern Narrativity in the Music of Jaki Byard | Journal Article | View Record >> |
| Kane, Brian | Jazz, Mediation, Ontology | Journal Article | View Record >> |
| Schumann, Scott C. | Asymmetrical meter, ostinati, and cycles in the music of Tigran Hamasyan | Journal Article | View Record >> |
| Keller, Robert ; Schofield, Alexandra ; Toman-Yih, August ; Merritt, Zachary ; Elliott, John | Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis | Journal Article | View Record >> |
| Abesser, Jakob | Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos | Journal Article | View Record >> |
| Broze, Yuri ; Shanahan, Daniel | Diachronic Changes in Jazz Harmony: A Cognitive Perspective | Journal Article | View Record >> |
| Corcoran, Christopher; Frieler, Klaus | Playing It Straight: Analyzing Jazz Soloists' Swing Eighth-note Distributions with the Weimar Jazz Database | Journal Article | View Record >> |
| Murray, J William ; Borém, Fausto | Bill Evans's jazz: background, influences, works and compositional style | Journal Article | View Record >> |
| Yanina Zhurba | The Role of Blues in Jazz Music | Journal Article | View Record >> |
| Williams, Justin | Polystylism and Stylistic Adaptation in 1970s Jazz-Rock: The Case of Return to Forever's "Duel of the Jester and the Tyrant (Part I & Part II)" | Journal Article | View Record >> |
| Dittmar, Christian | A swingogram representation for tracking micro-rhythmic variation in jazz performances | Journal Article | View Record >> |
| Katz, Jonah | Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study | Journal Article | View Record >> |
| Frieler, Klaus | Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation | Journal Article | View Record >> |
| Carpenter, Angela C. ; Levitt, Andrea G. | Rhythm in the Speech and Music of Jazz and Riddim Musicians | Journal Article | View Record >> |
| Agustín-Aquino, Octavio A. ; Mazzola, Guerino | Modulation in tetradic harmony and its role in jazz | Journal Article | View Record >> |
| Waters, Keith | Chick Corea and Postbop Harmony | Journal Article | View Record >> |
| Pinheiro, Ricardo Nuno Futre | Freedom in Music, Freedom in Life: Miles Davis, Stella By Starlight, Harmony, and the Advent of the Second Great Quintet | Journal Article | View Record >> |
| Daugulis, Ēvaldas | Basic principles of melody harmonization in jazz and classical music: common and different | Journal Article | View Record >> |
| Hedges, Thomas | Predicting the Composer and Style of Jazz Chord Progressions | Journal Article | View Record >> |
| Martin, Henry | Prolongation and Its Limits: The Compositions of Wayne Shorter | Journal Article | View Record >> |
| Hobson, Vic | "I Figure Singing and Playing Is the Same": Louis Armstrong and Barbershop Harmony | Journal Article | View Record >> |
| Tiné, Paulo José de Siqueira | Modalism in some Brazilian post-Bossa Nova composers of the 1960s | Journal Article | View Record >> |
| Koops, Hendrik Vincent | Annotator subjectivity in harmony annotations of popular music | Journal Article | View Record >> |
| Cesar, Rafael Do Nascimento | Cariocas de New Orleans: Brazilian Interpretations of North American Jazz | Journal Article | View Record >> |
| Wesolowski, Brian C | Timing deviations in jazz performance: The relationships of selected musical variables on horizontal and vertical timing relations: A case study | Journal Article | View Record >> |
| Durán, Gabriel ; de la Cuadra, Patricio | Transcribing Lead Sheet-Like Chord Progressions of Jazz Recordings | Journal Article | View Record >> |
| Hobson, Vic | Making the Changes: Countermelodies in the Basslines of George "Pops" Foster and Ed "Montudi" Garland | Journal Article | View Record >> |
| Jordan, Stanley | Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz | Journal Article | View Record >> |
| Araújo, Fabiano ; Borém, Fausto | Schoenberg's tonal harmony: a proposal for analysis, realization and composition of lead sheets | Journal Article | View Record >> |
| Setzler, Matthew D ; Goldstone, Robert L | Tonal Emergence: An agent-based model of tonal coordination | Journal Article | View Record >> |
| Moss, Fabian C. | Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis | Journal Article | View Record >> |
| Boyle, Antares | Flexible ostinati, groove, and formal process in Craig Taborn's avenging angel | Journal Article | View Record >> |
| Martin, Henry | Four studies of charlie parker's compositional processes | Journal Article | View Record >> |
| Frieler, Klaus ; Zaddach, Wolf-Georg | Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation | Journal Article | View Record >> |
| Cohn, Richard | A Platonic Model of Funky Rhythms | Journal Article | View Record >> |
| Cutting, Court B. | Microtonal Analysis of "Blue Notes" and the Blues Scale | Journal Article | View Record >> |
| Michaelsen, Garrett | Making "anti-music": Divergent interactional strategies in the miles davis quintet's the complete live at the plugged nickel 1965 | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisational Fictions | Journal Article | View Record >> |
| Heyman, Matthias | Composing the Jazz Bass Revolution: Duke Ellington's Writing for the String Bass, 1925-1941 | Journal Article | View Record >> |
| Meyers, John Paul | Standards and Signification between Jazz and Fusion: Miles Davis and "I Fall in Love Too Easily," 1963-1970 | Journal Article | View Record >> |
| Solis, Gabriel | Timbral Virtuosity: Pharoah Sanders, Sonic Heterogeneity, and the Jazz Avant-garde in the 1960s and 70s | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisation and Collaboration in Anthony Braxton’s Composition 76 | Journal Article | View Record >> |
| Diaz, Juan Diego | Experimentations with Timelines in Afro-Bahian Jazz: A Strategy of Rhythm Complication | Journal Article | View Record >> |
| Shelley, Braxton D. | Analyzing Gospel | Journal Article | View Record >> |
| Maxile, Horace J. | Implication, Quotation, and Coltrane in Selected Works By David N. Baker | Journal Article | View Record >> |
| Inoue, Hiroaki | The change of eighth notes timing on the transition period from swing jazz to bebop: The comparative analysis of Charlie Parker, Lester Young and Coleman Hawkins | Journal Article | View Record >> |
| Stover, Chris | Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances | Journal Article | View Record >> |
| Herzig, Monika ; Baker, David | Beyond Jamming: A Historical and Analytical Perspective on the Creative Process | Journal Article | View Record >> |
| Cohen, Brigid | Enigmas of the Third Space: Mingus and Varese at Greenwich House, 1957 | Journal Article | View Record >> |
| Sheehy, August | Improvisation, Analysis, and Listening Otherwise | Journal Article | View Record >> |
| Frieler, Klaus | Miles Vs. Trane: Computational and Statistical Comparison of the Improvisatory Styles of Miles Davis and John Coltrane | Journal Article | View Record >> |
| Perchard, Tom | New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century | Journal Article | View Record >> |
| Smither, Sean R. | All the Things Tunes Are: Avant-Textes and Referents in Jazz Improvisation | Journal Article | View Record >> |
| Reynolds, Dean S. | Song, Beat, Sound, and Solo: Production, Musical Style, and a Recording-Oriented Aesthetic of Jazz | Journal Article | View Record >> |
| Gagastis, Alexander | Bags Still Grooves: Performance Strategies in Milt Jackson's Improvisations | Journal Article | View Record >> |
| DeMotta, David | Bud Powell's Improvising and the Aesthetics of Bebop Rhythm | Journal Article | View Record >> |
| Levy, Brian | Harmonic and Rhythmic Oppositions in Jazz: The Special Case of John Coltrane and His Classic Quartet | Journal Article | View Record >> |
| Gluck, Bob | Paul Bley and Live Synthesizer Performance | Journal Article | View Record >> |
| Abrams, Douglas R. | Recursive Structure and Inversional Pitch-class Relations in Thelonious Monk's "Ruby, My Dear": An Analytical Approach to "Monkishness" | Journal Article | View Record >> |
| Miller, Brian A. | 'All of the Rules of Jazz': Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation. | Journal Article | View Record >> |
| Mermikides, Milton | 'Straight and Late': Analytical Perspectives on Coltrane's Time-feel | Journal Article | View Record >> |
| Bierman, Benjamin | Pharoah Sanders, Straight-Ahead and Avant-Garde | Journal Article | View Record >> |
| Pellegrin, Rich | Motive, Collection, and Voice Leading in John Coltrane's "Giant Steps" | Journal Article | View Record >> |
| Zaldivar, Rafael | A Personal Perspective on Afro-Cuban Rhythmic Integration in Contemporary Jazz Composition | Journal Article | View Record >> |
| O'Gallagher, John | Pitch-Class set Usage and development in late-Period improvisations of John Coltrane | Journal Article | View Record >> |
| Nowacki, Edward | On the Locrian Mode | Journal Article | View Record >> |
| Mullholland, Joe | The Berklee Book of Jazz Harmony | Book | View Record >> |
| Stover, Chris | Jazz Harmony: A Progress Report | Journal Article | View Record >> |
| Harasim, Daniel | The Jazz Harmony Treebank | Conference Proceedings | View Record >> |
| Hobson, Vic | Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony | Book | View Record >> |
| Rohrmeier, Martin; Moss, Fabian C. | A Formal Model of Extended Tonal Harmony | Conference Proceedings | View Record >> |
| Kaliakatsos-Papakostas, Maximos | Concept Invention And Music: Creating Novel Harmonies Via Conceptual Blending | Conference Proceedings | View Record >> |
| Rohrmeier, Martin | The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form | Journal Article | View Record >> |
| Cugny, Laurent | Analysis of Jazz: A Comprehensive Approach | Book | View Record >> |
| Norgaard, Martin | Patterns in Music: How Linguistic Corpus Analysis Tools Can Be Used to Illuminate Central Aspects of Jazz Improvisation | Journal Article | View Record >> |
| Stover, Chris | Analysis as Multiplicity | Journal Article | View Record >> |
| Burke, Robert L. | Analysis and observations of pre-learnt and idiosyncratic elements in improvisation: a reflective study in jazz performance | Dissertation | View Record >> |
| Salley, Keith | Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study | Journal Article | View Record >> |
| Pellegrin, Richard S. | On Jazz Analysis: Schenker, Salzer, and Salience | Dissertation | View Record >> |
| Stroessner, Aaron | Evaluating jazz: A methodology developed for the stylistic analysis of modern jazz artists John Mclaughlin and Pat Metheny | Dissertation | View Record >> |
| Rush, Stephen | Free Jazz, Harmolodics, and Ornette Coleman | Book | View Record >> |
| Smith, Stuart | Jazz and Jazz Theory | Book Chapter | View Record >> |
| Perfeito, Paulo | Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation | Conference Proceedings | View Record >> |
| Chabraja, Alexander P. | Miles Davis and the Emergence of Chord-scale Theory in Jazz Improvisation and Composition | Dissertation | View Record >> |
| Novik, Stacey Lee | George Russell’s Lydian Chromatic Concept From 1960 Through 1972: The Foundation of Jazz Education and Chord-Scale Theory | Dissertation | View Record >> |
| Ragin, Hugh | A comparative analysis of three Freddie Hubbard improvisational solos in three different styles within the jazz idiom | Dissertation | View Record >> |
| Mawer, Deborah | Performing Improvisation: Bill Evans and Jean-Yves Thibaudet | Book Chapter | View Record >> |
| Vladimirovich, Pokaz Andrey | Structural Components Of The Modern Jazz Piano Player’s Performing Style | Journal Article | View Record >> |
| Waters, Keith | Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea | Journal Article | View Record >> |
| Michaelsen, Garrett | Groove Topics in Improvised Jazz | Book Chapter | View Record >> |
| Vandemoortele, Peter | Root motion analysis of chord progressions of selected jazz compositions written between 1980 and 2000 | Journal Article | View Record >> |
| Guerra, Stephen | Hemiolic Metric Space in Afro-Diasporic Popular Musics | Journal Article | View Record >> |
| Zaddach, Wolf-Georg | "Groove is the essence of my music": Wayne Krantz | Book Chapter | View Record >> |
| Hahn, Joshua W. | Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin's Music | Journal Article | View Record >> |
| Baker, Ben | A Cyclic Approach to Harmony in Robert Glasper’s Music | Journal Article | View Record >> |
| Stover, Chris | Mapping jazz’s affect: Implications for music theory and analysis | Book Chapter | View Record >> |
| Brown, Lee B. | The theory of jazz music: 'It don't mean a thing...' | Book Chapter | View Record >> |
| Butterfield, Matthew W. | Jazz rhythm: The challenge of 'swing' | Book Chapter | View Record >> |
| Bruckner-Haring, Christa | The Cuban bolero in Spanish jazz | Journal Article | View Record >> |
| Baker, David J. ; Shanahan, Daniel | Examining fixed and relative similarity metrics through jazz melodies | Book Chapter | View Record >> |
| Williams, Chris | Embodied music theory and improvised composition: Bill Evans, the architect | Conference Proceedings | View Record >> |
| Brandt, Per Aage | On tonal dynamics and musical meaning | Journal Article | View Record >> |
| Ayad, Lorraine A.K | Creating improvisations on chord progressions using suffix trees | Journal Article | View Record >> |
| Musso, Paul | Utilizing the tone row in jazz pedagogy: A technique to create tonal harmony in an atonal environment | Journal Article | View Record >> |
| Kajanová, Yvetta | Ballade in jazz and in Tadeáš Salva's music | Conference Proceedings | View Record >> |
| Kleinlosen, Adrian | The jazz trombonist Nils Wogram: His compositional and instrumental work | Journal Article | View Record >> |
| Fišer, Anželika Nikolaevna | The harmony of African American jazz of the 1940s: Genesis and specificity | Journal Article | View Record >> |
| Giraldo, Sergio ; Ramírez, Rafael | A machine learning approach to ornamentation modeling and synthesis in jazz guitar | Journal Article | View Record >> |
| Daugulis, Ēvalds | Jazz harmony: Theory and recommendations | Book | View Record >> |
| Mermikides, Milton | The shape of musical improvisation | Book Chapter | View Record >> |
| García-Valdecasas Vaticón, Guillermo | The Barry Harris harmonic theory in Chopin’s work | Journal Article | View Record >> |
| Lubânaâ, Elena Vladimirovna | The piano jazz techniques in the late 20th and early 21st centuries | Journal Article | View Record >> |
| Doffman, Mark | Time in Jazz | Book Chapter | View Record >> |
| Frieler, Klaus | Computational melody analysis | Book Chapter | View Record >> |
| Freitas, Sérgio Paulo Ribeiro de | Sliding in the song? The case of major harmonies by descending tones | Journal Article | View Record >> |
| Butterfield, Matthew W. | When swing doesn't swing: Competing conceptions of an early twentieth-century rhythmic quality | Book Chapter | View Record >> |
| Déguernel, Ken | Generating equivalent chord progressions to enrich guided improvisation: Application to rhythm changes | Conference Proceedings | View Record >> |
| Ullmaier, Johannes | Prestissimo ma troppo: A hasty reaction | Journal Article | View Record >> |
| Sergi, Giuseppe | Morphology and poetics of the music of Dave Holland from the 1970s to the 1980s | Journal Article | View Record >> |
| Doleac, Benjamin | Strictly second line: Funk, jazz, and the New Orleans beat | Journal Article | View Record >> |
| Ogura, Yuta | Estimating Unexpectedness In Jazz Harmony With A Probabilistic Incremental Parser | Conference Proceedings | View Record >> |
| Shim, Eunmi | Analysis of Jazz: A Comprehensive Approach by Laurent Cugny (review) | Review | View Record >> |
| King, Aaron Michael | An Exploration of Cultural Transmission through the Application of Jazz Theory to the Music of Frederic Chopin | Dissertation | View Record >> |
| Steinmetz, Uwe | Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age | Dissertation | View Record >> |
| De Souza, Jonathan | Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving | Journal Article | View Record >> |
| Bunks, C. | Jazz Contrafact Detection | Journal Article | View Record >> |
| Friberg, Anders | Developing a Method for Identifying Improvisation Strategies in Jazz Duos | Conference Proceedings | View Record >> |
| Pfleiderer, Martin | Pitch class hierarchies in Miles Davis’ »So What«: Reconsidering modal jazz improvisation with computer-based analysis tools | Conference Proceedings | View Record >> |
| Chiriţă, Claudia Elena | Free Jazz in the Land of Algebraic Improvisation | Conference Proceedings | View Record >> |
| Carmona, Taylor Mar | Melodic conventions through improvisation | Dissertation | View Record >> |
| Waters, Keith | Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" | Journal Article | View Record >> |
| Attas, Robert | Form as Process: The Buildup Introduction in Popular Music | Journal Article | View Record >> |
| Andreatta, Moreno | An Introduction on Formal and Computational Models in Popular Music Analysis and Generation | Book Chapter | View Record >> |
| Curry, Ben | Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle | Journal Article | View Record >> |
| Pellegrin, Rich | Schekerian versus Salzerian Analysis of Jazz | Book Chapter | View Record >> |
| Mawer, Deborah | French Music Reconfigured in the Modal Jazz of Bill Evans | Journal Article | View Record >> |
| Pamie, Sergio | Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists | Journal Article | View Record >> |
| Balan, Florin | The importance of the Lydian concept by forming the chords with extended notes | Journal Article | View Record >> |
| Qi, Zhang | J. Coltrane’s Technique of “Sound Layers” in the Aspect of Performance Style Analysis | Journal Article | View Record >> |
| Needle, Simon B. | Mood and Mode: The Impressionistic Commonalities of Claude Debussy and John Coltrane | Journal Article | View Record >> |
| Plank, Lewis John | New Directions: A Study of How Miles Davis was Able to Continually Reinvent Jazz | Conference Proceedings | View Record >> |
| Linna, Sami | McCoy Tyner, Modal Jazz, and the Dominant Chord | Dissertation | View Record >> |
| DeMotta, David Joseph III | The contributions of Earl "Bud" Powell to the modern jazz style | Dissertation | View Record >> |
| Henry, Lucas | Dig That Lick: Exploring Patterns in Jazz with Computational Methods | Journal Article | View Record >> |
| Frieler, Klaus | Constructing Jazz Lines : Taxonomy, Vocabulary, Grammar | Book Chapter | View Record >> |
| Million, Malachi A. | Metal-Ish: An Analysis of Heavy Metal and Jazz Fusion by Guitarist Adam Rogers | Dissertation | View Record >> |
| Burgess, Nadia | A Study of Compositional Techniques Used in the Fusion of Art Music with Jazz and Popular Music | Dissertation | View Record >> |
| McDermott, John Steven | Tradition and innovation in the drumming of Airto Moreira: a portfolio of recorded performances and exegesis | Dissertation | View Record >> |
| Heinitsh, Henry | The jazz multilinguist: John Scofield's universal improvisational approach | Dissertation | View Record >> |
| Peters, Jason | Classical influences on the jazz styles of Bill Evans, Herbie Hancock, Cecil Taylor, and Dave Brubeck | Dissertation | View Record >> |
| Halley, Lane | Early 21st Century Jazz Composition | Dissertation | View Record >> |
| Manuel, Peter | Flamenco Jazz: An Analytical Study | Journal Article | View Record >> |
| Facey, Mike | Early Proponents of Electric Bass in Mainstream Jazz: An Analysis of Monk Montgomery and Bob Cranshaw | Dissertation | View Record >> |
| Karača, Igor | Jazz theory: Quartal hamony in jazz music | Journal Article | View Record >> |
| Karača, Igor | Jazz theory: Reharmonization in jazz music | Journal Article | View Record >> |
| Gruppe, Gerd | Jazz meets India: The difficulties of musical encounters | Journal Article | View Record >> |
| Seguin, Pierre-Emmanuel | Lydia in Oz: The reception of George Russell in 1960s Australia | Journal Article | View Record >> |
| Edwards, Brent Hayes | Louis Armstrong and the syntax of scat | Journal Article | View Record >> |
| McGowan, James | Riemann's functional framework for extended jazz harmony | Journal Article | View Record >> |
| Porter, Eric C. | 'Born out of jazz...yet embracing all music': Race, gender, and technology in George Russell's Lydian chromatic concept | Book Chapter | View Record >> |
| Martin, Henry | Charlie Parker, Composer | Book | View Record >> |
| Martin, Henry | Review of Paul S. Machlin’s Thomas Wright “Fats” Waller: Performances in Transcription 1927–1943 | Review | View Record >> |
| Martin, Henry | Prism on an Era: Scott DeVeaux’s The Birth of Bebop | Review | View Record >> |
| Martin, Henry | Review of Elizabeth West Marvin and Richard Hermann, Concert Music, Rock, and Jazz Since 1945—Essays and Analytical Studies | Review | View Record >> |
| Martin, Henry | Seven Steps to Heaven—A Species Approach to Twentieth-Century Analysis and Composition | Journal Article | View Record >> |
| Martin, Henry | In Memoriam Steven Strunk (1943–2012) | Journal Article | View Record >> |
| Martin, Henry | Introduction: The More Questions, The Better | Journal Article | View Record >> |
| Martin, Henry | Steve Larson (1955–2011) | Journal Article | View Record >> |
| Love, Stefan Caris | The Jazz Solo as Virtuous Act | Journal Article | View Record >> |
| Barrett, Frank J. | “Minimal Structures Within a Song: An Analysis of ‘All of Me’ | Journal Article | View Record >> |
| Zack, Michael H. | Jazz Improvisation and Organizing: Once More from the Top | Journal Article | View Record >> |
| Steinbeck, Paul | Sound Experiments: The Music of the AACM | Book | View Record >> |
| Steinbeck, Paul | Message to Our Folks: The Art Ensemble of Chicago | Book | View Record >> |
| Steinbeck, Paul | George Lewis’s Voyager | Book Chapter | View Record >> |
| Steinbeck, Paul | ‘Like a Cake Made from Five Ingredients’: The Art Ensemble of Chicago’s Social and Musical Practices | Book Chapter | View Record >> |
| Steinbeck, Paul | Talking Back: Analyzing Performer-Audience Interaction in Roscoe Mitchell’s Nonaah | Journal Article | View Record >> |
| Steinbeck, Paul | Improvisation, Identity, Analysis, Performance | Journal Article | View Record >> |
| Smither, Sean R. | 'Flexible Conceptual Maps’: A Schema-Based Approach to the Analysis of Jazz Tunes | Journal Article | View Record >> |
| Salley, Keith | Review: “Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)” | Review | View Record >> |
| Salley, Keith | Ordered Step Motives in Jazz Standards | Journal Article | View Record >> |
| Salley, Keith | Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition | Book Chapter | View Record >> |
| Wren, Toby | Jazz Standard as Archive: Theorizing a Relationship Between Jazz Improvisation and Standard Repertoire | Journal Article | View Record >> |
| Michaelsen, Garrett | Chord-Scale Networks in the Music and Improvisations of Wayne Shorter | Journal Article | View Record >> |
| Michaelsen, Garrett | Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More? | Journal Article | View Record >> |
| Stover, Chris | The Queer Rhythm of Cecil Taylor’s ‘Enter Evening' | Journal Article | View Record >> |
| Stover, Chris | Jazz Theory’s Pragmatics | Book Chapter | View Record >> |
| Stover, Chris | Time, Territorialization, and Improvisational Spaces | Journal Article | View Record >> |
| Pellegrin, Rich | Stable Norms and Salient Deviations: Multilayered Listening in Jazz and Common-Practice Music | Journal Article | View Record >> |
| Pellegrin, Rich | Harmony versus Voicing: Modeling Local-Level Salience and Stability in Jazz after 1960 | Journal Article | View Record >> |
| Pellegrin, Rich | Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on ‘All the Things You Are' | Journal Article | View Record >> |
Total: 1011 records found matching search query.